Database / Artworks
Artworks
The Three Trees
Rembrandt van Rijn
Etching and drypoint on ivory laid paper · 1643
Art Institute of Chicago
The Hundred Guilder Print
Rembrandt van Rijn
Etching and drypoint on off-white laid paper · 1643
Art Institute of Chicago
Landscape with Sportsman and Dogs
Rembrandt van Rijn
Etching in black on cream laid paper · 1643
Art Institute of Chicago
Mary Magdalene
Bartolomeo Biscaino
Pen and brown ink, with brush and brown wash, heightened with lead white (discolored), over red chalk, on cream laid paper, tipped onto ivory wove paper · 1642
Art Institute of Chicago
Fall of the Damned
Jonas Suyderhoef
laid paper · 1642
The Noble Painter
Abraham
Engraving, with etching, on ivory laid paper · 1642
Art Institute of Chicago
Philip IV Appointing Prince Ferdinand Governor of the Netherlands, plate 25 from Casperius Gevartius, Pompa Introitus Honori Serenissimi Principis Ferdinandi (Triumphal Entry of the Most Serene and Honorable Cardinal-Infante Ferdinand)
Theodoor van Thulden
Engraving, with etching and plate tone, in black on cream laid paper · 1642
Art Institute of Chicago
Genealogical Tree of the Austrian Royal Family, plate 32 from Casperius Gevartius, Pompa Introitus Honori Serenissimi Principis Ferdinandi (Triumphal Entry of the Most Serene and Honorable Cardinal-Infante Ferdinand)
Theodoor van Thulden
Engraving, with etching and plate tone, in black on cream laid paper · 1642
Art Institute of Chicago
Firework around the Antwerp Cathedral, plate 41 from Casperius Gevartius, Pompa Introitus Honori Serenissimi Principis Ferdinandi
Theodoor van Thulden
Engraving, with etching and plate tone, in black on cream laid paper · 1642
Art Institute of Chicago
Stage in Memory of Isabella Clara Eugenia, plate 24 from Casperius Gevartius, Pompa Introitus Honori Serenissimi Principis Ferdinandi (Triumphal Entry of the Most Serene and Honorable Cardinal-Infante Ferdinand)
Theodoor van Thulden
Engraving, with etching and plate tone, in black on cream laid paper · 1642
Art Institute of Chicago
The Noble Painter
Abraham
Engraving, with etching, on ivory laid paper · 1642
Art Institute of Chicago
Study for the Annunciation
Baldi
Pen and brown ink, with brush and brown wash, heightened with lead white (partially oxidized), squared in red chalk, on tan laid paper, laid down on buff wove card · 1642
Art Institute of Chicago
Sketches of the Virgin and Child, and the Holy Family
Simone Cantarini
Pen and brown ink on buff laid paper, laid down on cream board · 1642
Art Institute of Chicago
Italian Landscape with a Bridge
Jan Both
Pen and brown ink, with brush and gray wash, over traces of black chalk, on ivory laid paper; verso, slight sketches of leaves in pen and brown ink · 1642
Art Institute of Chicago
Drunken Silenus
Jonas Suyderhoef
Engraving in black on cream laid paper · 1642
Art Institute of Chicago
Mary Magdalene
Bartolomeo Biscaino
Pen and brown ink, with brush and brown wash, heightened with lead white (discolored), over red chalk, on cream laid paper, tipped onto ivory wove paper · 1642
Art Institute of Chicago
Cow
Karel Dujardin
Brush and gray ink, with wash, over traces of graphite, on cream laid paper · 1642
Art Institute of Chicago
The Flight into Egypt
Giovanni Benedetto Castiglione
etching on laid paper · 1642
National Gallery of Art
Holy Family Seated on an Arch
Sébastien Bourdon
etching on laid paper · 1642
National Gallery of Art
An Old Man Reading
Ferdinand Bol
etching and drypoint on laid paper · 1642
National Gallery of Art
St. Jerome in a Dark Chamber
Rembrandt van Rijn
etching, drypoint, and engraving on laid paper · 1642
National Gallery of Art
The Raising of Lazarus: Small Plate
Rembrandt van Rijn
etching on laid paper · 1642
National Gallery of Art
Landscape with Greyhound and Rifle
Jan Fyt
etching on laid paper · 1642
National Gallery of Art
Four Dogs, One Sleeping beside a Capital
Jan Fyt
etching on laid paper · 1642
National Gallery of Art