Database / Artworks
Artworks

Textile
A. Quesnel
printed, dyed & painted textiles, textile — medium: linen warp, cotton weft technique: block printed and painted on plain weave (black, red and yellow block printed, blue applied by brush) · 1750
Cooper Hewitt, Smithsonian Design Museum

Stargazer
Philippe de La Salle
Linen and silk, satin weave with brocading wefts bound in twill interlacings · 1750
Art Institute of Chicago

Valance
Hannah Hinman Twitchell Pierce
Linen, plain weave; embroidered in Romanian, satin, and stem stitches · 1750
Art Institute of Chicago

Valance
Hannah Hinman Twitchell Pierce
Linen, plain weave; embroidered in Romanian, satin, and stem stitches · 1750
Art Institute of Chicago

Valance
Hannah Hinman Twitchell Pierce
Linen, plain weave; embroidered in Romanian, satin, and stem stitches · 1750
Art Institute of Chicago

Man's Jifu (Semiformal Court Robe)
Manchu
Silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, slit tapestry weave with interlaced outlining wefts; painted details; cuffs trimmed with gilt-metal-strip-wrapped linen couched with silk; sleeves, neck trim, and cuff edging: silk, warp-float faced 7:1 satin weave; neck edging, cuff trim, and closures: silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, warp-float faced 7:1 satin weave with plain interlacings of secondary binding warps and supplementary patterning wefts; trimmed with braid of gold-leaf-over-lacquered-paper-strip-wrapped silk, 1:1 oblique interlacing with triple elements; lined with silk, 4:1 satin damask weave; cuffs lined with silk, warp-float faced 7:1 satin weave; metal buttons · 1750
Art Institute of Chicago

Waistcoat
Maria
silk, wool, linen, metal · 1747
The Metropolitan Museum of Art

Waistcoat
Anna Maria Garthwaite
silk, wool, linen, metal · 1747
The Metropolitan Museum of Art

Sampler
Urania Louth, English
embroidery & stitching, sampler — medium: silk embroidery on linen foundation technique: embroidered in cross stitch on plain weave · 1746
Cooper Hewitt, Smithsonian Design Museum

Sampler
Rebecca Knight, Scottish
embroidery & stitching, sampler — medium: linen, silk. technique: cross stitch embroidery. · 1740
Cooper Hewitt, Smithsonian Design Museum

Sampler
Mary Beech
embroidery & stitching, sampler — medium: linen, silk technique: embroidered in cross-stitch and satin stitch · 1738
Cooper Hewitt, Smithsonian Design Museum

Sampler
Elizabeth Saggar, English
embroidery & stitching, sampler — medium: linen, silk technique: embroidery in cross, eyelet, and satin stitch with some looping stitches and detached needle looping · 1734
Cooper Hewitt, Smithsonian Design Museum

Chasuble
Jean Revel
Silk and silvered-metal-strip-wrapped silk, satin weave with secondary binding warps, patterning and brocading wefts and self-patterning ground wefts; with cotton, and gilt-metal-strip-wrapped cotton, woven tapes
Ties: cotton, twill weave
Interlinings and linings: cotton and linen, plain weaves, some glazed · 1725
Art Institute of Chicago

Sampler
Margreta Bem
Linen, plain weave; with twenty nine squares filled with different needlework patterns in a variety of stitches · 1713
Art Institute of Chicago

Chair Seat
Abigail Davenport (Williams)
Linen, plain weave; embroidered with wool yarns in bullion, flat, Roman, satin, stem, and surface satin stitches · 1712
Art Institute of Chicago

Chair Seat
Abigail Davenport (Williams)
Linen, plain weave; embroidered with wool yarns in bullion, flat, Roman, satin, stem, and surface satin stitches · 1712
Art Institute of Chicago

Sampler
Rebecah Garland
Linen, plain weave; embroidered with silk floss in Algerian eye, buttonhole, cross and marking cross stitches; laid work and couching · 1704
Art Institute of Chicago

Sampler
Lucy Garland
Linen, plain weave; embroidered with silk floss and yarns in Algerian eye, buttonhole, chain, half cross, individual back, marking cross, two-sided cross and trammed cross stitches; laid work, couching and French knots · 1704
Art Institute of Chicago

Sampler (çeşit)
Ümmü Gülsün
Cotton or linen, with silk embroidery and crochet lace · 1701
Art Institute of Chicago

Sampler
Parnell Mackett
Linen, plain weave; bands of cut and drawn thread work in darning, interlocking lace, satin, and needle lace filling stitches; bands of needle lace or a cut and drawn thread grid and bands embroidered with silk and linen in Algerian eye, back, cross, long-armed cross, two-sided Italian cross, double running, running, satin and a variety of buttonhole stitches · 1690
Art Institute of Chicago

Sampler
Mercy Mackett
Linen, plain weave; with bands of cut and drawn thread work in back, buttonhole, darning, double hem, interlocking lace, overcast, and needle lace filling stitches; bands of linen, needle lace; and bands embroidered with silk in Algerian eye, Antwerp edge, back, cross, double hem, double running, long-armed cross, two-sided Italian cross, satin, squared ground, and a variety of buttonhole stitches · 1688
Art Institute of Chicago

Bedcover
Indo-Portuguese
Linen, plain weave; quilted embroidered with silk floss in darning and back stitches; original silk fringe and tassels · 1675
Art Institute of Chicago

Pillow Sham (Unfinished)
Jane Bolas Vaughan
Linen, plain weave; underlaid with cotton, plain weave; embroidered with silk · 1675
Art Institute of Chicago

Pillow Sham with Embroidering Yarns
Jane Bolas Vaughan
Linen, plain weave; underlaid with cotton, plain weave; embroidered with silk in back, chain, open chain, leaf, Roman, Roumanian, satin and stem stitches; edged with linen, plain weave tape · 1675
Art Institute of Chicago