Database / Artworks
Artworks
A Hole in the Day
Lance Kiland
Color woodcut over color lithography on white wove paper · 1988
Art Institute of Chicago
Hite/Hustler Fashion Beaver Hunt, #2
Robert Heinecken
Collage of chromogenic color prints and lithography · 1982
Art Institute of Chicago
Lattice II
Sam Gilliam
Color intaglio with lithography on paper · 1982
Art Institute of Chicago
Lattice III
Sam Gilliam
Color intaglio with lithography on paper · 1982
Art Institute of Chicago
Lattice IV
Sam Gilliam
Color intaglio with lithography on paper · 1982
Art Institute of Chicago
Coffee Thyme II
Sam Gilliam
Color intaglio with lithography, rubber stamp and debossing on paper · 1981
Art Institute of Chicago
Anular
Antoni Tàpies
Illustrated book with twenty-three etchings, some with aquatint, carborundum, photolithography, die-cut, torn or burnt paper, and/or paint additions · 1981
Museum of Modern Art
Kit Hillery Paintings
Nathan I. Felde
Silkscreen mask over offset lithography on paper · 1980
Museum of Modern Art
Kit Hillery Paintings
Nathan I. Felde
Silkscreen mask over offset lithography on paper · 1980
Museum of Modern Art
Title Page, from The Pocket Size Tlingit Coffin
Gérard Titus-Carmel
Lithography, with photography laid down on paper · 1976
Art Institute of Chicago
Roberta Breitmore Blank Check
Lynn Hershman Leeson
Offset lithography and letterpress with black marker on paper · 1974
Museum of Modern Art
Trigger Assembly Removal, plate 45 from Bunk!
Eduardo Paolozzi
Screenprint and lithography on paper · 1972
Art Institute of Chicago
Lessons of Last Time, plate 36 from Bunk!
Eduardo Paolozzi
Screenprint and lithography on paper · 1972
Art Institute of Chicago
Hi-Ho, plate 31 from Bunk!
Eduardo Paolozzi
Screenprint, collage, and lithography on paper · 1972
Art Institute of Chicago
No One's Sure How Good It Is, plate 27 from Bunk!
Eduardo Paolozzi
Screenprint and lithography on paper · 1972
Art Institute of Chicago
Electric Arms and Hands also Shaving Love is Better than Ever, plate nineteen from Bunk!
Eduardo Paolozzi
Screenprint and lithography on paper · 1972
Art Institute of Chicago
Has Jazz a Future, plate seventeen from Bunk!
Eduardo Paolozzi
Screenprint and lithography on paper · 1972
Art Institute of Chicago
Meet the People, plate ten from Bunk!
Eduardo Paolozzi
Screenprint, collage, and lithography on paper · 1972
Art Institute of Chicago
Esquire Magazine, Issue no. 422, January 1969
George Lois
Offset lithography · 1969
Museum of Modern Art
Esquire Magazine, Issue no. 432, November 1969
George Lois
Offset lithography · 1969
Museum of Modern Art
Esquire Magazine, Issue no. 424, March 1969
George Lois
Offset lithography · 1969
Museum of Modern Art
Esquire Magazine, Issue no. 426, May 1969
George Lois
Offset lithography · 1969
Museum of Modern Art
Esquire Magazine, Issue no. 430, September 1969
George Lois
Offset lithography · 1969
Museum of Modern Art
Esquire Magazine, Issue no. 429, August 1969
George Lois
Offset lithography · 1969
Museum of Modern Art