Artworks

Ichirakutei Eisui

Color woodblock print; oban · 1700

Govert Willemnz

Tin-glazed earthenware (Delftware) · 1700

Manchu

Silk brocade · 1700

Andrea Mantegna

Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on cream laid paper, pieced and prepared with yellow wash · 1700

Raphael

Black and red chalk with stumping, heightened with white chalk, on blue laid paper, laid down on cream laid paper · 1700

Raphael

Red chalk with stumping and red chalk wash on cream laid paper · 1700

Raphael

Red chalk with stumping on cream laid paper · 1700

Andrea Mantegna

Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on cream laid paper prepared with yellow wash · 1700

Jacopo Amigoni

Brush and gray ink, with wash and traces of black chalk, on ivory laid paper, laid down on ivory laid card · 1700

Torii Kiyonobu I

Hand-colored woodblock print; hosoban, tan-e · 1700

Andrea Mantegna

Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on cream laid paper prepared with yellow wash · 1700

John Sell Cotman

Graphite on tan wove paper · 1700

Jacob de Wit

Pen and brown inkm over traces of black chalk, on tan laid paper · 1700

Raphael

Black crayon on tan laid paper · 1700

Charles Le Brun

Brush and gray wash, with touches of green and black chalk, on ivory laid paper, squared in black chalk · 1700

Vittorio Maria Bigari

Red chalk, with brush and red chalk wash, over traces of black chalk, on ivory laid paper · 1700

Thomas Gainsborough

Black crayon on ivory laid paper · 1700

European

Silver · 1700

John Sell Cotman

Graphite on tan wove paper · 1700

Raphael

Red chalk with stumping, and touches of red chalk wash, on cream laid paper · 1700

Veronese (Paolo Caliari)

Pen and black ink, with brush and gray wash, heightened with lead white (partly oxidized) and touches of orange gouache, on ivory laid paper, laid down on tan wove paper · 1700

Manchu

Center: silk, slit tapestry weave with eccentric and interlaced outlining wefts; painted; border: silk, warp-float faced 5:1 satin weave with weft-float faced 1:2 twill interlacings of secondary binding warp-float faced 7:1 satin weave; lined with silk, 3:1 twill damask weave · 1700

Andrea Mantegna

Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on cream laid paper prepared with yellow wash · 1700

Raphael

Metalpoint and black chalk, with traces of white chalk, on pale blue-toned cream laid paper · 1700