Database / Artworks
Artworks
Cartomancy
Vera Berdich
Color photo-etching with aquatint and mezzotint on white wove paper · 1969
Art Institute of Chicago
I Continue Sleeping
Ikeda Masuo (池田満寿夫)
Etching, drypoint and mezzotint · 1969
Museum of Modern Art
Untitled Mezzotint
Cy Twombly
Mezzotint with drypoint in black on cream laid paper · 1968
Art Institute of Chicago
Untitled Mezzotint
Cy Twombly
Mezzotint with drypoint in black on ivory wove paper · 1968
Art Institute of Chicago
Untitled Mezzotint
Cy Twombly
Mezzotint with drypoint in black on cream laid paper · 1968
Art Institute of Chicago
Untitled Mezzotint
Cy Twombly
Mezzotint with drypoint in black on ivory wove paper · 1968
Art Institute of Chicago
Mezzotint in Crimson
Robert Motherwell
Mezzotint in red on white wove paper · 1968
Art Institute of Chicago
The Art of Mnemonics
Vera Berdich
Color photo-etching with aquatint, mezzotint, and drypoint on white wove paper · 1968
Art Institute of Chicago
Mezzotint in Indigo
Robert Motherwell
Mezzotint in blue on white laid paper · 1968
Art Institute of Chicago
Mezzotint in Crimson
Robert Motherwell
Mezzotint in red on white wove paper · 1968
Art Institute of Chicago
Untitled Mezzotint
Cy Twombly
Mezzotint and drypoint in black on cream laid paper · 1968
Art Institute of Chicago
Untitled
Cy Twombly
Mezzotint and drypoint · 1968
Museum of Modern Art
Mezzotint (Artichoke and Pepper), plate 34 from 101 Prints
Norman Roland Eppink
Mezzotint in black on ivory wove paper · 1967
Art Institute of Chicago
Paysage Pour Theatre
Albert Edgar Yersin
Engraving, mezzotint, and drypoint in black on white wove paper · 1967
Art Institute of Chicago
The Society which is Difficult to Describe
Jirí Balcar
Engraving and mezzotint on ivory wove paper · 1966
Art Institute of Chicago
Eurydice
Vera Berdich
Color etching with aquatint and mezzotint on white wove paper · 1965
Art Institute of Chicago
Two Gentlemen
Jirí Balcar
Engraving, mezzotint on white laid paper · 1965
Art Institute of Chicago
Hillside No. 1, State II/III
Fred Williams
Etching, aquatint, drypoint and mezzotint · 1965
Museum of Modern Art
Charades
Vera Berdich
Etching with aquatint, mezzotint and drypoint, on white wove paper · 1964
Art Institute of Chicago
Charades
Vera Berdich
Etching with aquatint, mezzotint and drypoint, on white wove paper · 1964
Art Institute of Chicago
Corseted Pulp (Pulpe Corsetée)
Francois Lunven
Mezzotint · 1963
Museum of Modern Art
The Pool of Tears
Vera Berdich
Color photo-etching with aquatint, mezzotint, roulette, drypoint, scraping and burnishing, on white wove paper · 1962
Art Institute of Chicago
The Pool of Tears
Vera Berdich
Color photo-etching with aquatint, mezzotint, roulette, drypoint, scraping and burnishing, on white wove paper · 1962
Art Institute of Chicago
The Pool of Tears
Vera Berdich
Color photo-etching with aquatint, mezzotint, roulette, drypoint, scraping and burnishing, on white wove paper · 1962
Art Institute of Chicago