Database / Artworks
Artworks

Study for Ventura Mina 17
Dalton Paula
Pen and brown and green inks and translucent and opaque watercolors on brown wove paper · 2019
Art Institute of Chicago

Study for Ventura Mina 18
Dalton Paula
Pen and brown ink and translucent and opaque watercolors on brown wove paper · 2019
Art Institute of Chicago
![Study for Threshold - Plan, SouthWest - Two [ green with red ] #2](/api/images/artworks/aic/240507.jpg)
Study for Threshold - Plan, SouthWest - Two [ green with red ] #2
Julia Fish
Opaque watercolors, over touches of graphite, on white wove paper · 2017
Art Institute of Chicago

Starfish, Sea Urchin, and their Kin, from Human_3.0 Reading List
Cauleen Smith
Graphite and brush and colored inks and watercolor with touches of opaque watercolor on wove graph paper · 2016
Art Institute of Chicago

Open Veins of Latin America, from Human_3.0 Reading List
Cauleen Smith
Graphite and brush and colored inks and watercolor with touches of opaque watercolor on wove graph paper · 2016
Art Institute of Chicago

More Brilliant than the Sun, from Human_3.0 Reading List
Cauleen Smith
Graphite and watercolor with touches brush and blue ink and opaque watercolor on wove graph paper · 2016
Art Institute of Chicago

The Intimacy of Four Continents, from Human_3.0 Reading List
Cauleen Smith
Graphite and brush and colored inks, with touches of opaque watercolor and acrylic paint, on wove graph paper · 2015
Art Institute of Chicago

African Fractals, from Human_3.0 Reading List
Cauleen Smith
Graphite and black colored pencil with brush and orange and yellow inks and watercolor and touches of opaque watercolor on wove graph paper · 2015
Art Institute of Chicago

Where the Shadows are so Deep
Imran Qureshi
Opaque watercolor, shell gold, and gold leaf, over traces of graphite, on paperboard · 2015
Art Institute of Chicago

Where the Shadows are so Deep
Imran Qureshi
Opaque watercolor, shell gold, and gold leaf, over traces of graphite, on paperboard · 2015
Art Institute of Chicago

Where the Shadows are so Deep
Imran Qureshi
Opaque watercolor and gold leaf, over traces of graphite, on paperboard · 2015
Art Institute of Chicago

Sexual Difference, from Human_3.0 Reading List
Cauleen Smith
Graphite and brush and colored inks with touches of opaque watercolor on wove graph paper · 2015
Art Institute of Chicago

Archaeologies of the Future, from Human_3.0 Reading List
Cauleen Smith
Graphite and brush and colored inks with touches of opaque watercolor and acrylic paint on wove graph paper · 2015
Art Institute of Chicago

Simians, Cyborgs, and Women, from Human_3.0 Reading List
Cauleen Smith
Graphite and watercolor with touches of opaque watercolor on wove graph paper · 2015
Art Institute of Chicago

Love & Rockets, from Human_3.0 Reading List
Cauleen Smith
Graphite and brush and colored inks and watercolor with touches of opaque watercolor on wove graph paper · 2015
Art Institute of Chicago

The Sons of the Wind, from Human_3.0 Reading List
Cauleen Smith
Graphite and watercolor with touches of opaque watercolor on wove graph paper · 2015
Art Institute of Chicago

Camera Lucida, from Human_3.0 Reading List
Cauleen Smith
Graphite and watercolor with touches of opaque watercolor on wove graph paper · 2015
Art Institute of Chicago

The Frenchman's Garden
Eleanor Spiess-Ferris
Opaque watercolor, over graphite, with touches of colored pencil, on ivory wove paper · 2011
Art Institute of Chicago

Men/Many
Joan Waltemath
Opaque watercolor, egg tempera, casein, and graphite, with colored pencil and oil pastel on cream wove paper · 2009
Art Institute of Chicago

Some Materials Used in the Quilt
Andrea Bowers
Colored pencil, graphite, and opaque watercolor applied with stencils on wove paper · 2007
Art Institute of Chicago

Self-Portraits My Ass
Raymond Pettibon
Translucent and opaque watercolor, with inks, over traces of graphite, on yellow handmade paper, folded into multiple signatures and sewn through the fold in a full-cloth binding · 1998
Art Institute of Chicago

Experiment No. 9
Wucius Wong
Collage composed of off-set prints on wove paper cut to size with decorative edged craft shears, with applied printed and torn paper and white opaque watercolor · 1997
Art Institute of Chicago

Crystal Blue Cathedral
Raymond Pettibon
Translucent and opaque watercolor, with pen and inks and black acrylic paint, on ivory wove paper, folded into multiple signatures and sewn through the fold in a quarter-cloth binding with marbled paper covered boards with loose collage elements and blue ribbon page marker · 1994
Art Institute of Chicago

Study for Moon Meet May
Barbara Rossi
Colored pencil, with touches of opaque watercolor, over black fountain pen, on cream wove paper · 1990
Art Institute of Chicago