Database / Artworks
Artworks
Crayon-Manner Engraving, from Encyclopédie
A. J. Defehrt
Engraving and crayon-manner engraving on cream laid paper · 1762
Art Institute of Chicago
Copperplate Engraving, from Encyclopédie
A. J. Defehrt
Engraving on cream laid paper · 1762
Art Institute of Chicago
Copperplate Engraving, from Encyclopédie
A. J. Defehrt
Etching, with engraving, on cream laid paper · 1762
Art Institute of Chicago
Copperplate Engraving, from Encyclopédie
A. J. Defehrt
Engraving, with etching, on cream laid paper · 1762
Art Institute of Chicago
Copperplate Engraving, from Encyclopédie
A. J. Defehrt
Etching, with engraving and stipple, on cream laid paper · 1762
Art Institute of Chicago
Bust of Old Bearded Man
Antonio Cavallucci
Black and white chalk, on blue laid paper (discolored to brown) · 1762
Art Institute of Chicago
Bust of a Youth
Rev. Matthew William Peters
Red chalk, with stumping, on cream laid paper, tipped on cream laid paper · 1762
Art Institute of Chicago
Sir William Portsman
John Francis Rigaud
Brush and black wash, with pen and black ink, on cream wove paper, edge mounted onto cream wove paper · 1762
Art Institute of Chicago
Architectural Fantasy with Fountain and Obelisk
Louis-Joseph Le Lorrain, French
Black chalk, brush and gray wash on off-white laid paper · 1762
Cooper Hewitt, Smithsonian Design Museum
Washbasin, page from Il Campo Marzio dell'Antica Roma
Giovanni Battista Piranesi, Italian
Etching with engraving on cream paper · 1762
Cooper Hewitt, Smithsonian Design Museum
Design for Dedication Page to Charles III of Spain and the Two Sicilies
Giovanni Battista Tiepolo, Italian
Pen and brown ink, brush and wash, black chalk on white laid paper · 1762
Cooper Hewitt, Smithsonian Design Museum
Alternative Design for the High Altar, Santa Maria del Priorato, Rome, Italy
Carlo Marchionni, Italian
Pen and black ink, brush and gray wash, black chalk on white laid paper · 1762
Cooper Hewitt, Smithsonian Design Museum
View of Two Churches, One Called 1. S. Maria di Loreto, the other 2. The Name of Mary, near 3. Trajan's Column. 4. The ascent to the Quirinal, from Views of Rome
Giovanni Battista Piranesi
Etching on heavy ivory laid paper · 1762
Art Institute of Chicago
![View of the Ponte Molle [or Milvian Bridge] over the Tiber two miles outside Rome, from Views of Rome](/api/images/artworks/aic/64573.jpg)
View of the Ponte Molle [or Milvian Bridge] over the Tiber two miles outside Rome, from Views of Rome
Giovanni Battista Piranesi
Etching on heavy ivory laid paper · 1762
Art Institute of Chicago
The Campus Martius of Ancient Rome, the Work of G.B. Piranesi, Fellow of the Royal Society of Antiquaries, London
Giovanni Battista Piranesi
Book with forty-nine etchings in black on ivory wove paper · 1762
Art Institute of Chicago
Tomb of Caecilia Metella, from Views of Rome
Giovanni Battista Piranesi
Etching on heavy ivory laid paper · 1762
Art Institute of Chicago
The Remains of the Mausoleum of Augustus, plate XXI from The Campus Martius of Ancient Rome
Giovanni Battista Piranesi
Etching in black ink on cream laid paper · 1762
Art Institute of Chicago
A Peasant’s Dwelling and a Castle in Mountainous Countryside
Carlo Marchionni, Italian
Pen and ink, brush and watercolor on paper · 1762
Cooper Hewitt, Smithsonian Design Museum
Sarcaphagus, page from Il Campo Marzio dell'Antica Roma
Giovanni Battista Piranesi, Italian
Etching with engraving on cream paper · 1762
Cooper Hewitt, Smithsonian Design Museum
Ruin Fantasy
Louis-Joseph Le Lorrain, French
Brush and black, gray wash, black chalk on cream laid paper · 1762
Cooper Hewitt, Smithsonian Design Museum
Frontispiece, with Dedication to Robert Adam, in Il Campo Marzio dell'Antica Roma
Giovanni Battista Piranesi, Italian
Etching with engraving, original covers of blue board on cream laid paper · 1762
Cooper Hewitt, Smithsonian Design Museum
Scenographia Campi Martii, page from Il Campo Marzio dell'Antica Roma
Giovanni Battista Piranesi, Italian
Etching with engraving on paper · 1762
Cooper Hewitt, Smithsonian Design Museum
La Liseuse (A Woman Reading)
Johann Georg Wille
Engraving on paper · 1761
Art Institute of Chicago
Dorothée Louise Viedebandt (The Artist's Wife)
Georg Friedrich Schmidt
laid paper · 1761