Database / Artworks

Artworks

11,430 records · paper · Met Museum
Saint John the Baptist in the desert, a lamb by his side
Saint John the Baptist in the desert, a lamb by his side
Antonio da Trento
Chiaroscuro woodcut from two blocks in green; third state of three · 1522
The Metropolitan Museum of Art
A seated man viewed from behind (Narcissus)
A seated man viewed from behind (Narcissus)
Antonio da Trento
Chiaroscuro woodcut from two blocks in dark green · 1522
The Metropolitan Museum of Art
Portrait of La Val de Pramence
Portrait of La Val de Pramence
François Clouet
Black and red chalk · 1522
The Metropolitan Museum of Art
The Holy Family
The Holy Family
Joos van Cleve
Oil on oak panel · 1522
The Metropolitan Museum of Art
Man seated viewed from behind (Narcissus)
Man seated viewed from behind (Narcissus)
Antonio da Trento
Chiaroscuro woodcut printed from two blocks in brown · 1522
The Metropolitan Museum of Art
Pietà
Pietà
Simon Bening
Tempera and gold leaf on parchment · 1522
The Metropolitan Museum of Art
The Virgin and Child Seated at the Foot of a Tree
The Virgin and Child Seated at the Foot of a Tree
Jan Gossart
Engraving · 1522
The Metropolitan Museum of Art
Ecce Homo
Ecce Homo
Hans Sebald Beham
laid paper · 1522
The Metropolitan Museum of Art
Song of One Year
Song of One Year
Tang Yin
Folding fan mounted as an album leaf; ink on gold-flecked paper · 1522
The Metropolitan Museum of Art
Judith
Judith
Barthel Beham
Engraving · 1521
The Metropolitan Museum of Art
The Holy Family with the Infant Baptist
The Holy Family with the Infant Baptist
Girolamo Siciolante
Pen and brown ink, brush and brown wash, highlighted with white, on blue paper · 1521
The Metropolitan Museum of Art
Hercules defeating the river god Acheolus in the form of a bull, with three women to his left holding cornucopias, from "Herculean Subjects"
Hercules defeating the river god Acheolus in the form of a bull, with three women to his left holding cornucopias, from "Herculean Subjects"
Giovanni Jacopo Caraglio
Engraving · 1521
The Metropolitan Museum of Art
The Crucifixion
The Crucifixion
Hans Sebald Beham
Woodcut · 1521
The Metropolitan Museum of Art
Hercules defeating the river god Acheolus in the form of a bull, with three women to his left holding cornucopias, from "Herculean Subjects"
Hercules defeating the river god Acheolus in the form of a bull, with three women to his left holding cornucopias, from "Herculean Subjects"
Giovanni Jacopo Caraglio
Engraving · 1521
The Metropolitan Museum of Art
Dish (coppa)
Dish (coppa)
The Saint
Maiolica (tin-glazed earthenware) · 1521
The Metropolitan Museum of Art
Music-Making Angels
Music-Making Angels
Albrecht Dürer
Pen and brown ink · 1521
The Metropolitan Museum of Art
Mary (1505–1558), Queen of Hungary
Mary (1505–1558), Queen of Hungary
Jan Cornelisz. Vermeyen
Oil on wood · 1520
The Metropolitan Museum of Art
The Nile, from "Speculum Romanae Magnificentiae"
The Nile, from "Speculum Romanae Magnificentiae"
Nicolas Beatrizet
Engraving; first state of three · 1520
The Metropolitan Museum of Art
Couple and Death with a Drum, from "The Dance of Death"
Couple and Death with a Drum, from "The Dance of Death"
Allaert Claesz.
Engraving · 1520
The Metropolitan Museum of Art
Historical Scene (Composition Study for Chapelle de Guise)
Historical Scene (Composition Study for Chapelle de Guise)
Niccolò dell' Abate
Pen and brown ink, highlighted with white gouache over traces of black chalk; framing outlines with pen and brown ink · 1520
The Metropolitan Museum of Art
Arms of Gianfigliazzi Impaling Adimari
Arms of Gianfigliazzi Impaling Adimari
Andrea della Robbia
Glazed terracotta · 1520
The Metropolitan Museum of Art
The Annunciation
The Annunciation
Joos van Cleve
Oil on wood · 1520
The Metropolitan Museum of Art
Christ Healing at the Pool of Bethesda
Christ Healing at the Pool of Bethesda
Lambert Lombard
Pen and brown ink · 1520
The Metropolitan Museum of Art
The Cumaean Sibyl before Tarquin the Proud
The Cumaean Sibyl before Tarquin the Proud
Niccolò dell' Abate
Pen and brown ink, brush and brown wash, highlighted with white gouache, on traces of leadpoint or black chalk · 1520
The Metropolitan Museum of Art
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