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Artworks

55 records · pen and brown and black ink
Composition in Brown
Composition in Brown
Norman Lewis
Watercolor and brush and black ink, with pen and brown and black ink, red chalk, and brown pastel, on cream wove paper · 1953
Art Institute of Chicago
Reclining Man
Reclining Man
Jean Hélion
Pen and brown and black ink, brush and brown and gray washes, and blue crayon on cream wove paper · 1951
Art Institute of Chicago
The Divers
The Divers
Fernand Léger
Pen and brown and black ink, with brush and brown and black ink, over graphite on cream wove tracing paper · 1941
Art Institute of Chicago
Diego Rivera
Diego Rivera
Amedeo Modigliani
Pen and brown and black ink, over graphite on tan wove paper, laid down on buff wove card · 1915
Art Institute of Chicago
Horseman (recto); Horse and Rider (verso)
Horseman (recto); Horse and Rider (verso)
Auguste Rodin
Gouache, with pen and brown and black ink and traces of magenta ink (faded), over graphite (recto), and graphite (verso) on cream wove paper, tipped onto cream wove paper · 1889
Art Institute of Chicago
London Police Making an Arrest
London Police Making an Arrest
Frantz Charlet
Pen and brown and black ink, with black crayon, on cream wove paper · 1888
Art Institute of Chicago
Hercules and the Hydra of Lerna
Hercules and the Hydra of Lerna
Moreau
Pen and brown and black ink and graphite, with touches of brush and brown wash, heightened with lead white, discolored, on cream laid paper prepared with a pale brown wash, tipped on blue laid paper, laid down on cream board · 1866
Art Institute of Chicago
Hercules and the Hydra of Lerna
Hercules and the Hydra of Lerna
Gustave Moreau
Pen and brown and black ink and graphite, with touches of brush and brown wash, heightened with lead white, discolored, on cream laid paper prepared with a pale brown wash, tipped on blue laid paper, laid down on cream board · 1866
Art Institute of Chicago
Footpath in the Barbizonnières
Footpath in the Barbizonnières
Théodore Rousseau
Pen and brown and black ink, with watercolor, over graphite, on ivory wove paper · 1864
Art Institute of Chicago
A Rowdy Party
A Rowdy Party
Felix Octavius Carr Darley
Pen and brown and black ink, brush and wash, over graphite · 1845
The Metropolitan Museum of Art
Praying Figures in a Church, Florence
Praying Figures in a Church, Florence
Robert Walter Weir
pen and brown and black ink with brown wash over graphite on wove paper · 1824
National Gallery of Art
Dover Harbor
Dover Harbor
John Gendall
Watercolor and gouache, with pen and brown and black ink, over graphite, heightened with gum arabic, on cream laid paper, laid down on ivory card · 1815
Art Institute of Chicago
Scene from 'A Winter's Tale'
Scene from 'A Winter's Tale'
Charles Leslie
Pen and brown and black ink and brush and brown wash, over graphite, on cream wove card · 1814
Art Institute of Chicago
Sale Pretroriane, Villa Adriana
Sale Pretroriane, Villa Adriana
George Hayter
Pen and brown and black ink, with brush and brown wash, over graphite, heightened with touches of white chalk, on blue wove paper · 1812
Art Institute of Chicago
Parents Teaching Their Daughter a Song
Parents Teaching Their Daughter a Song
Abraham van Strij
Watercolor, pen and brown and black ink; framing lines in pen and black ink · 1801
The Metropolitan Museum of Art
Seaport with Fortress
Seaport with Fortress
William John Huggins
Pen and brown and black ink, with touches of graphite, on cream wove paper · 1801
Art Institute of Chicago
Design for Ceiling with Triumph of Galatea
Design for Ceiling with Triumph of Galatea
Felice Giani, Italian
architecture, interiors, drawing — pen and brown and black ink, brush with watercolor over traces of graphite on paper · 1800
Cooper Hewitt, Smithsonian Design Museum
The Crucifixion
The Crucifixion
Benjamin West
pen and brown and black ink with blue, black, and red chalk on laid paper · 1796
National Gallery of Art
Design for a Painted Ceiling of Irregular Shape: Aurora
Design for a Painted Ceiling of Irregular Shape: Aurora
Flaminio Innocenzi Minozzi, Italian
interiors, drawing — pen and brown and black ink, brush and watercolor, black chalk on paper · 1790
Cooper Hewitt, Smithsonian Design Museum
The Disrobing of Christ
The Disrobing of Christ
Giovanni Domenico Tiepolo, Italian
pen and brown and black ink, brush and black, brown, and red-brown wash, over black chalk; framing lines in pen and brown ink · 1785
Cleveland Museum of Art
Study for Decoration of the Obelisk at Port-Vendres
Study for Decoration of the Obelisk at Port-Vendres
Charles de Wailly
Pen and black ink, brush and gray and green wash; Framing lines in pen and brown and black ink and wash · 1783
The Metropolitan Museum of Art
Hilly Landscape with Travellers
Hilly Landscape with Travellers
Johann Georg von Dillis
Black chalk, pen and brown and black ink, brush and gray ink, heightened with white body color · 1775
The Metropolitan Museum of Art
Sketches for Samuel Rogers' Poetry
Sketches for Samuel Rogers' Poetry
Thomas Stothard
Pen and brown and black ink on cream laid paper, laid down on blue wove paper · 1775
Art Institute of Chicago
Hilly Landscape with Travellers
Hilly Landscape with Travellers
Johann Georg von Dillis
Black chalk, pen and brown and black ink, brush and gray ink, heightened with white body color · 1775
The Metropolitan Museum of Art
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