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Artworks

Two Wrestlers in the Ring (recto); Sheet of Sketches: A Wrestling Match at Braves Field (verso)
Hyman Bloom
Black chalk, with traces of pen and brown ink (recto), and pen and brown ink (verso), on cream laid paper · 1925
Art Institute of Chicago

Standing Draped Figure in Profile (recto); Massacre of the Innocents (verso)
Salvator Rosa
Pen and brown ink and brush and brown wash, with traces of graphite (recto), and pen and brown ink (verso), on ivory laid paper · 1635
Art Institute of Chicago

Sheet of Sketches: Sea Monsters and Elaborate Portals (recto); Sketches of Architectural Details (verso)
Agostino Mitelli
Pen and brown ink, with brush and gray wash and traces of red chalk (recto), and pen and brown ink (verso), on ivory laid paper · 1629
Art Institute of Chicago

Sheet of Sketches: Sea Monsters and Elaborate Portals (recto); Sketches of Architectural Details (verso)
Agostino Mitelli
Pen and brown ink, with brush and gray wash and traces of red chalk (recto), and pen and brown ink (verso), on ivory laid paper · 1629
Art Institute of Chicago
Studies of an Archangel and a Wind God (verso)
Massimo Stanzione
pen and brown ink (verso), · 1615
Cleveland Museum of Art
The Seven Archangels (recto); Studies of an Archangel and a Wind God (verso)
Massimo Stanzione
Pen and brown ink, brown wash, traces of black chalk (recto); pen and brown ink (verso), · 1615
Cleveland Museum of Art

Ceiling Design: Angels (recto); Sketches of Angels (verso)
Giuseppe Nicola Nasini
Pen and iron gall ink, with brush and brown wash, with black chalk (recto), and red chalk and pen and brown ink (verso), on ivory laid paper · 1600
Art Institute of Chicago

Seated Draped Male Figure with Book (recto); Two Seated Women with Sketch of Left Hand (verso)
Domenico Fiasella
Black chalk, heightened with traces of white chalk (recto), and black chalk heightened with touches of white chalk with pen and brown ink (verso), on blue laid paper · 1600
Art Institute of Chicago

Ceiling Design: Angels (recto); Sketches of Angels (verso)
Giuseppe Nicola Nasini
Pen and iron gall ink, with brush and brown wash, with black chalk (recto), and red chalk and pen and brown ink (verso), on ivory laid paper · 1600
Art Institute of Chicago

Sketches of a Standing Saint Holding a Sword (recto); Sketches of Figures and Heads (verso)
Lombard
Pen and brown ink, with a traces of red chalk (recto) and pen and brown ink (verso), on buff laid paper · 1550
Art Institute of Chicago

The Infant Hercules Strangling Serpents in His Cradle (recto); Crowned Woman Kneeling in Landscape, and Other Sketches (verso)
Prospero Fontana
Pen and brown ink with brush and brown wash (recto), and pen and brown ink (verso), on tan laid paper · 1532
Art Institute of Chicago

Ancient Relief with Hercules and the Mares of Diomedes (recto); Two Sketches: Draped Satyr and Winged Female Figure (verso)
Girolamo da Carpi
Pen and brown ink, with traces of red chalk (recto), and pen and brown ink (verso), on tan laid paper · 1521
Art Institute of Chicago

Acrobats Performing Before a Ruler (recto); Outdoor Scene with Group of Figures (verso)
Giovanni Antonio da Pordenone
Pen and brown ink, with red chalk (recto), and pen and brown ink (verso), on tan laid paper · 1508
Art Institute of Chicago