Database / Artworks
Artworks

Portrait of a Mother and Her Son (Probably Jane, Duchess of Gordon, and her Son George, First Marquess of Huntley)
George Romney
Pen and brown ink over graphite on buff laid paper · 1773
Art Institute of Chicago

Portrait of a Mother and Her Son (Probably Jane, Duchess of Gordon, and her Son George, First Marquess of Huntley)
George Romney, English
Pen and brown ink over graphite on buff laid paper · 1773
Art Institute of Chicago

Portrait of a Mother and Her Son (Probably Jane, Duchess of Gordon, and her Son George, First Marquess of Huntley)
George Romney
Pen and brown ink over graphite on buff laid paper · 1773
Art Institute of Chicago

God The Father Creating (?) (recto); Study of neo-classical statue of a nude male (verso)
Luigi Sabatelli
Pen and brown ink over graphite (recto); graphite (verso) · 1772
The Metropolitan Museum of Art

Study for "The Rustic Dancers"
John Hamilton Mortimer
pen and brown ink over graphite on laid paper · 1770
National Gallery of Art

Belisarius Begging for Alms
Heinrich Friedrich Füger
Pen and brown ink over graphite underdrawing and white wash · 1765
The Metropolitan Museum of Art

Belisarius Begging for Alms
Heinrich Friedrich Füger
Pen and brown ink over graphite underdrawing and white wash · 1765
The Metropolitan Museum of Art

Pompeiian Wall Decoration
Giuseppe Bernardino Bison
watercolor and gouache with gray and brown wash and pen and brown ink over graphite on wove paper · 1762
National Gallery of Art

A Mythological Scene with Sea Gods
Giuseppe Bernardino Bison
brown wash and pen and brown ink over graphite, heightened with white, on brown wove paper · 1762
National Gallery of Art

Bearded Figure
John Flaxman
pen and brown ink over graphite · 1755
National Gallery of Art
![Sheet of Studies [recto and verso]](https://api.nga.gov/iiif/7aca4c7c-0c9b-4a4d-9cb1-05386395ed46/full/!800,800/0/default.jpg)
Sheet of Studies [recto and verso]
John Flaxman
pen and brown ink over graphite; verso graphite only · 1755
National Gallery of Art

Two Male Nudes seen from Above
John Flaxman
pen and brown ink over graphite on laid paper · 1755
National Gallery of Art

Study of a Semi-Reclining Figure
John Flaxman
pen and brown ink over graphite on laid paper · 1755
National Gallery of Art

Study of Neptune and Sea Creatures (?)
John Flaxman
pen and brown ink over graphite on laid paper · 1755
National Gallery of Art

Warrior Accompanied by Britannia, Minerva, and Fame (recto); Design for the Monument to Nicholas Rowe (verso)
John Michael Rysbrack
Pen and brown ink, with brush and brown wash, over red chalk and graphite (recto); pen and brown ink over graphite (verso), on cream laid paper · 1728
Art Institute of Chicago

Full Length Portrait of a Man Standing near Balustrade
John Vanderbank
Pen and brown ink over graphite on ivory laid papper, tipped onto card · 1727
Art Institute of Chicago

Full Length Portrait of a Man Standing near Balustrade
John Vanderbank, British
Pen and brown ink over graphite on ivory laid papper, tipped onto card · 1727
Art Institute of Chicago

Young Bacchus and Companions
Ignatius van Logteren
Pen and brown ink over graphite, on buff laid paper, laid down on board · 1705
Art Institute of Chicago

Design for a Box-lid
Gravelot
Pen and brown ink over graphite underdrawing · 1699
The Metropolitan Museum of Art

Christ's Entry Into Jerusalem
Michel Corneille
Pen and brown ink over graphite on cream laid paper, laid down on ivory laid paper · 1662
Art Institute of Chicago

Christ's Entry Into Jerusalem
Michel Ange Corneille
Pen and brown ink over graphite on cream laid paper, laid down on ivory laid paper · 1662
Art Institute of Chicago

The Flagellation of Christ
Carlo Maratti
Pen and brown ink over graphite on ivory laid paper, laid down on cream wove card · 1640
Art Institute of Chicago

The Flagellation of Christ
Carlo Maratti
Pen and brown ink over graphite on ivory laid paper, laid down on cream wove card · 1640
Art Institute of Chicago

Barn Interior with Peasants and Cows (recto); Six Studies of Peasants (verso)
Isaac van Ostade
Pen and brown ink, brush and brown and gray wash over graphite (recto); pen and brown ink over graphite (verso) · 1630
The Metropolitan Museum of Art