Database / Artworks
Artworks

Apotheosis of a Hero
Domenico Mondo
Pen and brown and black ink, with brush and gray and brown wash, over traces of black chalk, on cream laid paper (upper left corner missing), laid down on ivory laid paper · 1690
Art Institute of Chicago

Mythological Birth of a God or Demi-God from a River
Jan Goeree
Pen and brown ink, with brush and brown wash, over traces of red chalk, on ivory laid paper, tipped onto cream wove paper · 1690
Art Institute of Chicago

Jacopo Butera
Francesco Solimena
Oil on canvas · 1690
Art Institute of Chicago

Sampler
Parnell Mackett
Linen, plain weave; bands of cut and drawn thread work in darning, interlocking lace, satin, and needle lace filling stitches; bands of needle lace or a cut and drawn thread grid and bands embroidered with silk and linen in Algerian eye, back, cross, long-armed cross, two-sided Italian cross, double running, running, satin and a variety of buttonhole stitches · 1690
Art Institute of Chicago

Mercury Entrusting Infant Bacchus to Nymphs
François Boitard
Pen and gray brown ink, with brush and gray wash, with additions of blue and green pastel, on pale green tinted paper · 1690
Art Institute of Chicago

Harlequin Espirit Follet: The Comedian's Repast
Claude Gillot
Pen and black and red ink, and brush and red wash, on tan laid paper, laid down on tan card · 1690
Art Institute of Chicago

Wall with Hunting Designs
Grinling Gibbons
Pen and brown ink, with brush and gray wash, over graphite, on cream laid paper, tipped on buff wove paper · 1690
Art Institute of Chicago

Apollo Granting Phaeton Permission to Drive the Chariot of the Sun
Johann Michael Rottmayr
Oil on canvas · 1690
Art Institute of Chicago

Mythological Birth of a God or Demi-God from a River
Jan Goeree
Pen and brown ink, with brush and brown wash, over traces of red chalk, on ivory laid paper, tipped onto cream wove paper · 1690
Art Institute of Chicago

The Virgin and Saint Joseph with Saint Anthony of Padua Seated in the Heavens Interceding for the Souls in Purgatory, While an Angel Pours Fluid from a Vase onto the Crowd Below (recto and verso)
Pietro Antonio di Pietri
Pen and brown ink, brown and gray wash, and white opaque watercolor (recto) and pen and brown-black ink (verso) on laid paper · 1690
Art Institute of Chicago

Garden Party
Pierre Parrocel
Etching on ivory laid paper · 1690
Art Institute of Chicago

Madonna and Child with Angels
Johann Carl Loth
Pen and brown ink, heightened with white gouache, on gray laid paper with blue fibers, laid down on ivory laid card · 1690
Art Institute of Chicago

Man Seated in Front of Trees
Carlo Marchionni
Pen and brown and black ink with brush and brown wash, with black chalk and graphite, on ivory laid paper, laid down on ivory laid paper · 1689
Art Institute of Chicago

Study
Giuseppe Nogari
Red chalk, heightened with white gouache, over traces of graphite on tan laid paper, laid down on cream laid paper · 1689
Art Institute of Chicago

Caricature of Man Writing
Carlo Marchionni
Pen and brown ink on ivory laid paper, laid down on ivory wove paper · 1689
Art Institute of Chicago

Caricature of Man Writing
Carlo Marchionni
Pen and brown ink on ivory laid paper, laid down on ivory wove paper · 1689
Art Institute of Chicago

William III, King of England
Pieter Schenk
Mezzotint and engraving in black on ivory laid paper · 1689
Art Institute of Chicago

William III, King of England
Pieter Schenk
Mezzotint and engraving in black on ivory laid paper · 1689
Art Institute of Chicago

Study
Giuseppe Nogari
Red chalk, heightened with white gouache, over traces of graphite on tan laid paper, laid down on cream laid paper · 1689
Art Institute of Chicago

Man Seated in Front of Trees
Carlo Marchionni
Pen and brown and black ink with brush and brown wash, with black chalk and graphite, on ivory laid paper, laid down on ivory laid paper · 1689
Art Institute of Chicago

Figure Crossing a Bridge in a Rainstorm
Hasegawa Tojyu
Hanging scroll; ink on paper · 1688
Art Institute of Chicago

Sampler
Mercy Mackett
Linen, plain weave; with bands of cut and drawn thread work in back, buttonhole, darning, double hem, interlocking lace, overcast, and needle lace filling stitches; bands of linen, needle lace; and bands embroidered with silk in Algerian eye, Antwerp edge, back, cross, double hem, double running, long-armed cross, two-sided Italian cross, satin, squared ground, and a variety of buttonhole stitches · 1688
Art Institute of Chicago

Hilly Landscape with Cows and Shepherds in Foreground
Carlo Antonio Tavella
Pen and iron gall ink on cream laid paper · 1688
Art Institute of Chicago

The Elephant, from The Berain Grotesques Series
JEAN
Wool and silk, slit and double interlocking tapestry weave · 1688
Art Institute of Chicago