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Artworks

98,525 records · plaster/cast/painted · Art Institute Chicago
The Hog
The Hog
Rembrandt van Rijn
Etching and drypoint on paper · 1643
Art Institute of Chicago
Jupiter, plate two from Der VII Planeten
Jupiter, plate two from Der VII Planeten
Conrad Meyer
Etching in black on ivory laid paper · 1643
Art Institute of Chicago
Bickers Island
Bickers Island
Reinier Nooms
Etching in black on cream laid paper · 1643
Art Institute of Chicago
Raam Gate, from The Eight City Gates of Amsterdam
Raam Gate, from The Eight City Gates of Amsterdam
Reinier Nooms
Etching on ivory laid paper · 1643
Art Institute of Chicago
Merchant Ships
Merchant Ships
Reinier Nooms
Etching in black on ivory laid paper · 1643
Art Institute of Chicago
Bickers Island
Bickers Island
Reinier Nooms
Etching in black on cream laid paper · 1643
Art Institute of Chicago
Merchant Ships
Merchant Ships
Reinier Nooms
Etching in black on ivory laid paper · 1643
Art Institute of Chicago
Medici Armorial
Medici Armorial
Lorenzo Lippi
Wool, silk, and gilt-metal-strip-wrapped silk, slit and double interlocking tapestry weave with wrapping outlining wefts and areas of 4:4 plain interlacing of gilt-metal-strip-wrapped silk wefts · 1643
Art Institute of Chicago
Stage in Memory of Isabella Clara Eugenia, plate 24 from Casperius Gevartius, Pompa Introitus Honori Serenissimi Principis Ferdinandi (Triumphal Entry of the Most Serene and Honorable Cardinal-Infante Ferdinand)
Stage in Memory of Isabella Clara Eugenia, plate 24 from Casperius Gevartius, Pompa Introitus Honori Serenissimi Principis Ferdinandi (Triumphal Entry of the Most Serene and Honorable Cardinal-Infante Ferdinand)
Theodoor van Thulden
Engraving, with etching and plate tone, in black on cream laid paper · 1642
Art Institute of Chicago
Italian Landscape with a Bridge
Italian Landscape with a Bridge
Jan Both
Pen and brown ink, with brush and gray wash, over traces of black chalk, on ivory laid paper; verso, slight sketches of leaves in pen and brown ink · 1642
Art Institute of Chicago
Jan Asselijn, Painter
Jan Asselijn, Painter
Rembrandt van Rijn
Etching and drypoint in black on paper · 1642
Art Institute of Chicago
Mary Magdalene
Mary Magdalene
Bartolomeo Biscaino
Pen and brown ink, with brush and brown wash, heightened with lead white (discolored), over red chalk, on cream laid paper, tipped onto ivory wove paper · 1642
Art Institute of Chicago
Study for the Annunciation
Study for the Annunciation
Baldi
Pen and brown ink, with brush and brown wash, heightened with lead white (partially oxidized), squared in red chalk, on tan laid paper, laid down on buff wove card · 1642
Art Institute of Chicago
The Sacrifice of Abraham
The Sacrifice of Abraham
Ferdinand Bol
Etching on paper · 1642
Art Institute of Chicago
The Noble Painter
The Noble Painter
Abraham
Engraving, with etching, on ivory laid paper · 1642
Art Institute of Chicago
The Etcher's Press - The Printmaker's Shop
The Etcher's Press - The Printmaker's Shop
Abraham
Etching on ivory wove paper · 1642
Art Institute of Chicago
Title Page
Title Page
Karel Dujardin
Etching on paper · 1642
Art Institute of Chicago
Title Page
Title Page
Karel Dujardin
Etching on paper · 1642
Art Institute of Chicago
Cow
Cow
Karel Dujardin
Brush and gray ink, with wash, over traces of graphite, on cream laid paper · 1642
Art Institute of Chicago
Genealogical Tree of the Austrian Royal Family, plate 32 from Casperius Gevartius, Pompa Introitus Honori Serenissimi Principis Ferdinandi (Triumphal Entry of the Most Serene and Honorable Cardinal-Infante Ferdinand)
Genealogical Tree of the Austrian Royal Family, plate 32 from Casperius Gevartius, Pompa Introitus Honori Serenissimi Principis Ferdinandi (Triumphal Entry of the Most Serene and Honorable Cardinal-Infante Ferdinand)
Theodoor van Thulden
Engraving, with etching and plate tone, in black on cream laid paper · 1642
Art Institute of Chicago
Philip IV Appointing Prince Ferdinand Governor of the Netherlands, plate 25 from Casperius Gevartius, Pompa Introitus Honori Serenissimi Principis Ferdinandi (Triumphal Entry of the Most Serene and Honorable Cardinal-Infante Ferdinand)
Philip IV Appointing Prince Ferdinand Governor of the Netherlands, plate 25 from Casperius Gevartius, Pompa Introitus Honori Serenissimi Principis Ferdinandi (Triumphal Entry of the Most Serene and Honorable Cardinal-Infante Ferdinand)
Theodoor van Thulden
Engraving, with etching and plate tone, in black on cream laid paper · 1642
Art Institute of Chicago
Firework around the Antwerp Cathedral, plate 41 from Casperius Gevartius, Pompa Introitus Honori Serenissimi Principis Ferdinandi
Firework around the Antwerp Cathedral, plate 41 from Casperius Gevartius, Pompa Introitus Honori Serenissimi Principis Ferdinandi
Theodoor van Thulden
Engraving, with etching and plate tone, in black on cream laid paper · 1642
Art Institute of Chicago
The Flute Player
The Flute Player
Rembrandt van Rijn
Etching and drypoint on ivory laid paper · 1642
Art Institute of Chicago
Genealogical Tree of the Austrian Royal Family, plate 32 from Casperius Gevartius, Pompa Introitus Honori Serenissimi Principis Ferdinandi (Triumphal Entry of the Most Serene and Honorable Cardinal-Infante Ferdinand)
Genealogical Tree of the Austrian Royal Family, plate 32 from Casperius Gevartius, Pompa Introitus Honori Serenissimi Principis Ferdinandi (Triumphal Entry of the Most Serene and Honorable Cardinal-Infante Ferdinand)
Theodoor van Thulden
Engraving, with etching and plate tone, in black on cream laid paper · 1642
Art Institute of Chicago
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