Database / Artworks
Artworks
Bringing in the Ghosts
Jim Hodges
Seventy-nine color lithograph, screen and pigment print, with hand cutting, collage and metallic foils on white wove paper · 2019
Art Institute of Chicago
Prayers Answered
Delores Juanico
Earthenware, slip made from minerals and wild spinach (Cleome serrulata) · 2019
Art Institute of Chicago
In Viscous Guise
Penny Siopis
Glue, ink and oil on canvas · 2019
Art Institute of Chicago
Room 28, Hearth, Madlener House
Nelly Agassi
Gold gilt bullion wire, cloths of gold and silver with metallicized cotton, wool felt, and cotton thread on linen blend · 2019
Art Institute of Chicago
Prayers Answered
Delores Juanico
Earthenware, slip made from minerals and wild spinach (Cleome serrulata) · 2019
Art Institute of Chicago
The Last Cruze
LaToya Ruby Frazier
67 Gelatin silver prints, 53 inkjet prints, single-channel video, color, with sound, 58 min. · 2019
Art Institute of Chicago
![Landscapes of [Re]Construction](/api/images/artworks/aic/260219.jpg)
Landscapes of [Re]Construction
Emmanuel Pratt
Mixed media collage, paper, reclaimed nails, and thread over reclaimed wood · 2019
Art Institute of Chicago
Prayers Answered
Delores Juanico
Earthenware, slip made from minerals and wild spinach (Cleome serrulata) · 2019
Art Institute of Chicago
Untitled
Elisabeth Wild
Collage of cut, photomechanically printed papers, with traces of black porous-tip pen and ballpoint pen · 2019
Art Institute of Chicago
Untitled
Elisabeth Wild
Collage of cut photomechanically printed papers · 2019
Art Institute of Chicago
Untitled
Elisabeth Wild
Collage of cut photomechanically printed papers · 2019
Art Institute of Chicago
Sleep over, from the series "The Royal House of Allure"
Sabelo Mlangeni
Gelatin silver print · 2019
Art Institute of Chicago
Untitled
Elisabeth Wild
Collage of cut photomechanically printed papers · 2019
Art Institute of Chicago
Untitled
Elisabeth Wild
Collage of cut photomechanically printed papers · 2019
Art Institute of Chicago
Untitled (Nina Challenge #4)
Amanda Williams
Collage of torn, printed papers on white wove paper · 2019
Art Institute of Chicago
Paul Mpagi Sepuya Reading 4.0311: One Name Stands for One Thing, Another for Another Thing, and They Are Combined With One Another. In This Way the Whole Group—Like A Tableau Vivant—Presents a State of Affairs.
Arthur Ou
Gelatin silver print · 2019
Art Institute of Chicago
Untitled
Elisabeth Wild
Collage of cut, photomechanically printed papers, with traces of black porous-tip pen · 2019
Art Institute of Chicago
Untitled
Elisabeth Wild
Collage of cut photomechanically printed papers · 2019
Art Institute of Chicago
Tiny Spy
Penny Siopis
Glue, ink and oil on canvas · 2019
Art Institute of Chicago
Waterfall
Hiroshi Senju
Two pairs of six-panel folding screens
Acrylic and fluorescent pigments on Japanese mulberry paper · 2019
Art Institute of Chicago
Dream of South Branch
Bingyi
Ink on silk · 2019
Art Institute of Chicago
E1
Channing Hansen
Alpaca, California Variegated Mutant (Hope), California Variegated Mutant (Myth), California Variegated Mutant (Pierson), hybrid California Variegated Mutant/Rambouillet/Cotswold/Border Leicester (Daisy), Lionhead (Beatrix & Derek), Romeldale (January), Romeldale (Renault), and Romney (Obiwan) fibers; Mawata silk and Tussah silk; holographic polymers, pearl dust, and photo-luminescent recycled polyester; banana cellulose, legume cellulose, pineapple fiber, rose cellulose, and Sequoioideae Redwood · 2019
Art Institute of Chicago
Panoafricano
Yonamine
Printed length of plain-weave cotton; both selvages present · 2019
Art Institute of Chicago
Chora (the fold and the wave)
Marshall Brown
Graphite pencil on vellum drafting film · 2019
Art Institute of Chicago