Database / Artworks
Artworks
Boreas and Orithyia
Stefano Pozzi
Black chalk and black crayon, heightened with touches of white chalk, squared in black chalk on blue laid paper, laid down on ivory laid card · 1654
Art Institute of Chicago
Boreas and Orithyia
Stefano Pozzi
Black chalk and black crayon, heightened with touches of white chalk, squared in black chalk on blue laid paper, laid down on ivory laid card · 1654
Art Institute of Chicago
Standing Bearded Man
Luca Giordano
Red chalk, with touches of black crayon, on cream laid paper prepared with a red chalk wash, laid down on cream laid paper · 1652
Art Institute of Chicago
Sketch of Spandrel Decoration with Allegorical Seated Female Figure and Putti
Luca Giordano
Pen and brown ink, and brush and brown wash, with touches of black crayon, over traces of graphite, on ivory laid paper, laid down on ivory wove paper · 1652
Art Institute of Chicago
Market near a Canal
Jan van Goyen
Black crayon and brush and brown and gray washes on ivory laid paper · 1651
Art Institute of Chicago
Drawing: A hanging left hand
Carlo Maratti, Italian
Black crayon on light gray paper · 1650
Cooper Hewitt, Smithsonian Design Museum
Study: A left hand in a leaning position
Giovanni Andrea Sirani, Italian
Black crayon on rough grey-blue paper · 1650
Cooper Hewitt, Smithsonian Design Museum
Studies: The Cloth of a Kneeling Woman. The Head of a Young Woman
Carlo Maratti, Italian
Black crayon with white heightening on rough blue paper · 1650
Cooper Hewitt, Smithsonian Design Museum
A Torso of the Dead Christ
Carlo Maratti, Italian
Red crayon, white heightening on blue paper · 1650
Cooper Hewitt, Smithsonian Design Museum
Miracle of the Loaves and Fishes
Marco Tintoretto
Pen and brown ink, with brown crayon, with touches of white chalk, on brown laid paper · 1648
Art Institute of Chicago
Miracle of the Loaves and Fishes
Domenico Tintoretto
Pen and brown ink, with brown crayon, with touches of white chalk, on brown laid paper · 1648
Art Institute of Chicago
Miracle of the Loaves and Fishes
Domenico Tintoretto
Pen and brown ink, with brown crayon, with touches of white chalk, on brown laid paper · 1648
Art Institute of Chicago
Miracle of the Loaves and Fishes
Tintoretto
Pen and brown ink, with brown crayon, with touches of white chalk, on brown laid paper · 1648
Art Institute of Chicago
Fresco in Palazzo Colonna, Rome
Gaspard Dughet
Black crayon with black chalk over touches of graphite on ivory laid paper, tipped onto ivory laid paper · 1635
Art Institute of Chicago
Mountain Landscape with Two Figures in Foreground
Gaspard Dughet
Black crayon with black chalk on ivory laid paper, tipped onto ivory laid paper · 1635
Art Institute of Chicago
South American Landscape
W. Stubbs
Black crayon on cream laid paper, tipped on cream wove card · 1630
Art Institute of Chicago
A Forest Interior, with a Seated Figure
Saftleven, Herman, the elder
Black chalk and brush and brown wash, with touches of black crayon and traces of opaque white watercolor, ruled in pen and black ink at edges, on ivory laid paper · 1629
Art Institute of Chicago
A Forest Interior, with a Seated Figure
Herman Saftleven
Black chalk and brush and brown wash, with touches of black crayon and traces of opaque white watercolor, ruled in pen and black ink at edges, on ivory laid paper · 1629
Art Institute of Chicago
A Forest Interior, with a Seated Figure
Herman Saftleven, Dutch
Black chalk and brush and brown wash, with touches of black crayon and traces of opaque white watercolor, ruled in pen and black ink at edges, on ivory laid paper · 1629
Art Institute of Chicago
Yard of an Old House
Cornelis Saftleven
Black crayon and brush and gray wash, with touches of black chalk, on buff laid paper, laid down on ivory laid card · 1627
Art Institute of Chicago
Tobias and the Angel
Laurent de La Hyre
Black crayon, with brush and gray wash, on blue laid paper, perimeter mounted on ivory laid paper · 1626
Art Institute of Chicago
Tobias and the Angel
Laurent de La Hyre
Black crayon, with brush and gray wash, on blue laid paper, perimeter mounted on ivory laid paper · 1626
Art Institute of Chicago
Project for an Escutcheon
Leonardo Scaglia, French, active Italy
Red crayon, pen and ink, brush and bistre on paper · 1625
Cooper Hewitt, Smithsonian Design Museum
Head of the Virgin
Giacomo Cavedone
black crayon (rubbed in places) with red chalk, heightened with white crayon · 1609
Cleveland Museum of Art