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Artworks

1,936 records · red chalk
Joseph Greeting his Brothers
Joseph Greeting his Brothers
Pier Francesco Mola
Pen and brown ink, with brush and brown wash, over red chalk, on buff laid paper, laid down on cream wove card · 1632
Art Institute of Chicago
Scene in the Clouds with Putto and Doves
Scene in the Clouds with Putto and Doves
Pietro da Cortona, Italian
Red chalk on paper · 1632
Cooper Hewitt, Smithsonian Design Museum
Study for the Sculpture "Autumn" for the Château de Wideville
Study for the Sculpture "Autumn" for the Château de Wideville
Jacques Sarazin, French
Recto: red chalk on white laid paper; verso: black chalk, graphite · 1632
Cooper Hewitt, Smithsonian Design Museum
To Each His Own Pastime (Elck Sijn Tijt-Verdrijff)
To Each His Own Pastime (Elck Sijn Tijt-Verdrijff)
Adriaen van de Venne
Red chalk; verso: the design partially traced in red-brown chalk and wash · 1632
The Metropolitan Museum of Art
Madonna and Child
Madonna and Child
Pierre Mignard I
Red chalk on tan laid paper · 1632
Art Institute of Chicago
Neptune and Minerva Discussing the Foundation of Athens
Neptune and Minerva Discussing the Foundation of Athens
Charles Le Brun
Pen and brown ink, with brush, brown wash and red chalk, on cream laid paper · 1632
Art Institute of Chicago
Study of the Head of a Lion
Study of the Head of a Lion
Baldassare Franceschini
Red chalk on cream laid paper · 1631
Art Institute of Chicago
Two Composition Sketches of Collapsing Figure Supported by Two Other Figures (recto); Compositional Sketch of Kneeling Figure Accompanied by Two Other Figures
Two Composition Sketches of Collapsing Figure Supported by Two Other Figures (recto); Compositional Sketch of Kneeling Figure Accompanied by Two Other Figures
Baldassare Franceschini
Pen and brown ink (recto), and red chalk with black chalk (verso), on ivory laid paper · 1631
Art Institute of Chicago
Two Composition Sketches of Collapsing Figure Supported by Two Other Figures (recto); Compositional Sketch of Kneeling Figure Accompanied by Two Other Figures
Two Composition Sketches of Collapsing Figure Supported by Two Other Figures (recto); Compositional Sketch of Kneeling Figure Accompanied by Two Other Figures
Baldassare Franceschini
Pen and brown ink (recto), and red chalk with black chalk (verso), on ivory laid paper · 1631
Art Institute of Chicago
Study of the Head of a Lion
Study of the Head of a Lion
Baldassare Franceschini
Red chalk on cream laid paper · 1631
Art Institute of Chicago
Head of an Old Man (recto)
Head of an Old Man (recto)
Rembrandt van Rijn
red chalk, with touches of black chalk, on laid paper · 1631
National Gallery of Art
Two Composition Sketches of Collapsing Figure Supported by Two Other Figures (recto); Compositional Sketch of Kneeling Figure Accompanied by Two Other Figures
Two Composition Sketches of Collapsing Figure Supported by Two Other Figures (recto); Compositional Sketch of Kneeling Figure Accompanied by Two Other Figures
Baldassare Franceschini
Pen and brown ink (recto), and red chalk with black chalk (verso), on ivory laid paper · 1631
Art Institute of Chicago
Study of the Head of a Lion
Study of the Head of a Lion
Baldassare Franceschini
Red chalk on cream laid paper · 1631
Art Institute of Chicago
Satyr (Back View)
Satyr (Back View)
Giulio Carpioni
Red chalk, heightened with traces of white chalk, on pink ground, on ivory laid paper, laid down on blue wove paper · 1631
Art Institute of Chicago
View of Lahnstein on the River Rhine
View of Lahnstein on the River Rhine
Wenceslaus Hollar
Pen and brown ink over black and red chalk · 1631
The Metropolitan Museum of Art
Sketches of Child Praying, Two Male Profiles (recto); Sketches of Male Heads (verso)
Sketches of Child Praying, Two Male Profiles (recto); Sketches of Male Heads (verso)
Stefano della Bella
Pen and brown ink and red chalk, on ivory laid paper · 1630
Art Institute of Chicago
Sketches of Child Praying, Two Male Profiles (recto); Sketches of Male Heads (verso)
Sketches of Child Praying, Two Male Profiles (recto); Sketches of Male Heads (verso)
Stefano della Bella
Pen and brown ink and red chalk, on ivory laid paper · 1630
Art Institute of Chicago
God the Father
God the Father
François Boitard
Pen and brown ink, heightened with lead white (partly discolored), over traces of red chalk, on tan laid paper · 1630
Art Institute of Chicago
Three Men
Three Men
Domenico Gargiulo, called Micco Spadaro, Italian
figures, drawing — red chalk, pen and ink, brush and watercolor on paper · 1630
Cooper Hewitt, Smithsonian Design Museum
Three Men
Three Men
Domenico Gargiulo, called Micco Spadaro, Italian
figures, drawing — red chalk, pen and ink, brush and watercolor on paper · 1630
Cooper Hewitt, Smithsonian Design Museum
Figural Study of a Man
Figural Study of a Man
Domenico Gargiulo, called Micco Spadaro, Italian
figures, drawing — red chalk, pen and ink on paper · 1630
Cooper Hewitt, Smithsonian Design Museum
Kneeling Angel
Kneeling Angel
Pietro Testa
red chalk on laid paper, laid down · 1630
National Gallery of Art
A Standing Man with Cloak and Gloves
A Standing Man with Cloak and Gloves
Bernardo Strozzi
red chalk on laid paper · 1630
National Gallery of Art
Torione Anticho Fori di Roma
Torione Anticho Fori di Roma
Claude Lorrain
red chalk on laid paper · 1630
National Gallery of Art
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