Database / Artworks
Artworks
The Rest on the Flight into Egypt, or The Miracle of the Palm Tree
Simone Cantarini
red chalk, squared for transfer and incised around edges, on laid paper · 1630
National Gallery of Art
Seated Old Man
Rembrandt van Rijn
red chalk on laid paper · 1630
National Gallery of Art
Roman Landscape
Bartholomeus Breenbergh
Pen and brown ink, with brush and brown wash, over red chalk, on cream laid paper · 1630
Art Institute of Chicago
God the Father
François Boitard
Pen and brown ink, heightened with lead white (partly discolored), over traces of red chalk, on tan laid paper · 1630
Art Institute of Chicago
Sketches of Peasants Playing Dice and Skating; Sketch of Boy on Sled
Adriaen van Ostade
Red chalk, on buff laid paper · 1630
Art Institute of Chicago
Head of Christ, in Three-Quarter Profile, to Right
Giovanni Antonio Guardi
Red chalk on brownish gray laid paper with blue fibers, edge mounted on cream laid paper · 1630
Art Institute of Chicago
A Shears Grinder
Domenico Gargiulo, called Micco Spadaro, Italian
Red chalk, pen and ink, brush and watercolor on paper · 1630
Cooper Hewitt, Smithsonian Design Museum
Three Standing Men
Domenico Gargiulo, called Micco Spadaro, Italian
Red chalk, pen and ink on paper · 1630
Cooper Hewitt, Smithsonian Design Museum
Four Figures
Domenico Gargiulo, called Micco Spadaro, Italian
Red chalk on paper · 1630
Cooper Hewitt, Smithsonian Design Museum
Sheet of Sketches: Sea Monsters and Elaborate Portals (recto); Sketches of Architectural Details (verso)
Agostino Mitelli
Pen and brown ink, with brush and gray wash and traces of red chalk (recto), and pen and brown ink (verso), on ivory laid paper · 1629
Art Institute of Chicago
Winged Putti with Open Music Books
Lorenzo Pasinelli
Red chalk · 1629
The Metropolitan Museum of Art
Sheet of Sketches: Sea Monsters and Elaborate Portals (recto); Sketches of Architectural Details (verso)
Agostino Mitelli
Pen and brown ink, with brush and gray wash and traces of red chalk (recto), and pen and brown ink (verso), on ivory laid paper · 1629
Art Institute of Chicago
Sheet of Sketches: Sea Monsters and Elaborate Portals (recto); Sketches of Architectural Details (verso)
Agostino Mitelli
Pen and brown ink, with brush and gray wash and traces of red chalk (recto), and pen and brown ink (verso), on ivory laid paper · 1629
Art Institute of Chicago
Juan Martínez Montañés
Francisco Pacheco
red chalk · 1628
Portrait of Charlotte Duchesne
Philippe
Black chalk, heightened with white, with touches of red chalk · 1628
The Metropolitan Museum of Art
Portrait of Charlotte Duchesne
Philippe de Champaigne
Black chalk, heightened with white, with touches of red chalk · 1628
The Metropolitan Museum of Art
Voluntary Poverty
Domenichino
Red chalk, with brush and brown wash and red chalk wash, on ivory laid paper, laid down on board · 1627
Art Institute of Chicago
Saint John the Evangelist
Domenichino
Red chalk on buff laid paper, laid down on cream laid paper · 1627
Art Institute of Chicago
Ancient Portrait Bust of Vespasian
Vincenzo Dandini
Red chalk on buff laid paper, laid down on ivory wove card · 1627
Art Institute of Chicago
Head of Venus de Medici
Vincenzo Dandini
Red chalk, with stumping, on cream laid paper, laid down on ivory wove card · 1627
Art Institute of Chicago
Figure of a Male Saint
Pietro Dandini
Red chalk, heightened with touches of white chalk, on tan laid paper, laid down on ivory laid card · 1627
Art Institute of Chicago
Self-Portrait
Onorio Marinari
Black and red chalk on beige paper (the oval portrait); brush and gray wash over black chalk (the drawn frame) · 1627
The Metropolitan Museum of Art
The Dream of Cecco Bravo
Cecco Bravo
Black and red chalk, on tan laid paper, laid down on ivory laid paper · 1627
Art Institute of Chicago
Figure of a Male Saint
Pietro Dandini
Red chalk, heightened with touches of white chalk, on tan laid paper, laid down on ivory laid card · 1627
Art Institute of Chicago