Database / Artworks
Artworks
Ancient Portrait Bust of Vespasian
Vincenzo Dandini
Red chalk on buff laid paper, laid down on ivory wove card · 1627
Art Institute of Chicago
Saint Mark
Domenichino
Red chalk on tan laid paper, laid dwon on cream laid board · 1627
Art Institute of Chicago
Saint Luke
Domenichino
Red chalk on buff laid paper, laid down on cream laid paper · 1627
Art Institute of Chicago
Saint Matthew
Domenichino
Red chalk on buff laid paper, laid down on cream laid paper · 1627
Art Institute of Chicago
Saint Mark
Domenichino
Red chalk on buff laid paper, laid down on cream laid paper · 1627
Art Institute of Chicago
Head in Three-Quarter Profile (recto); Standing Young Man Pointing Left and Sketches of Feet, Arm (verso)
Giorgione
Red chalk (recto) and black chalk with pen and brown ink and red chalk (verso) on cream laid paper · 1627
Art Institute of Chicago
Voluntary Poverty
Domenichino
Red chalk, with brush and brown wash and red chalk wash, on ivory laid paper, laid down on board · 1627
Art Institute of Chicago
Neptune
Theodoor van Thulden
Black and red chalk, heightened with white chalk, on tan laid paper · 1626
Art Institute of Chicago
St. Sebastian
Jusepe de Ribera
red chalk with pen and brown ink · 1626
Cleveland Museum of Art
Roman Commander Ordering Attack
Pietro da Cortona
Red chalk with graphite, on cream laid paper, laid down on cream laid paper · 1626
Art Institute of Chicago
Isaac and Rebecca at Well
Theodoor van Thulden
Pen and brown ink, with brush and brown wash and lead white (partly discolored), over red chalk, on cream laid paper, laid down on card · 1626
Art Institute of Chicago
Neptune
Theodoor van Thulden
Black and red chalk, heightened with white chalk, on tan laid paper · 1626
Art Institute of Chicago
St. Sebastian
Jusepe de Ribera
red chalk with pen and brown ink · 1626
Cleveland Museum of Art
Curlews and Ducks
Nicolas Robert
Red chalk · 1625
The Metropolitan Museum of Art
Martyrdom of Two Female Saints
Cosimo Ulivelli
Brush, gray wash, highlighted with white gouache, over black chalk, with traces of red chalk upper left · 1625
The Metropolitan Museum of Art
Truth Removing the Blinders from the Eyes of Ignorance (recto); Designs for Frames (verso)
Cosimo Ulivelli
Red chalk and red wash, traces of white highlighting and black chalk on light brown paper · 1625
The Metropolitan Museum of Art
Samian Sibyl
Claude Vignon
Red chalk with graphite on cream laid paper · 1625
Art Institute of Chicago
Nude Male Figure
Carlo Maratti
Red chalk on paper faded gray (originally blue-gray ?) · 1625
The Metropolitan Museum of Art
Nude Male Figure
Carlo Maratti
Red chalk on paper faded gray (originally blue-gray ?) · 1625
The Metropolitan Museum of Art
Landscape with Figures on the Bank of a River
Gaspard Dughet
Red chalk · 1625
The Metropolitan Museum of Art
Standing Cleric Holding a Book
Giovanni Bernardino Azzolino, Italian
figures, drawing — red chalk, pen and black ink on cream paper, lined · 1625
Cooper Hewitt, Smithsonian Design Museum
![A Monk Seated with Arms Outstretched [Study for the Virgin in the _Vision of Blessed Felice da Cantalice_]](http://commons.wikimedia.org/wiki/Special:FilePath/Fra%20Semplice%20da%20Verona%2C%20A%20Monk%20Seated%20with%20Arms%20Outstretched%20%28Study%20for%20the%20Virgin%20in%20the%20Vision%20of%20Blessed%20Felice%20da%20Cantalice%20%29%2C%201625%2C%20NGA%20208732.jpg)
A Monk Seated with Arms Outstretched [Study for the Virgin in the _Vision of Blessed Felice da Cantalice_]
Fra Semplice da Verona
black, white and red chalk on blue laid paper · 1625
National Gallery of Art
Samian Sibyl
Claude Vignon
Red chalk with graphite on cream laid paper · 1625
Art Institute of Chicago
Allegorical Figure of Summer Flanked by Pomona and Ceres
Pierre Brebiette
Red chalk on cream laid paper · 1625
Art Institute of Chicago