Database / Artworks
Artworks
Project for an Escutcheon
Leonardo Scaglia, French, active Italy
Red chalk, pen and ink, brush and wash on paper · 1625
Cooper Hewitt, Smithsonian Design Museum
Figural Studies
Domenico Gargiulo, called Micco Spadaro, Italian
Red chalk, pen and ink, brush and watercolor on paper · 1625
Cooper Hewitt, Smithsonian Design Museum
Figural Studies of Five Men
Domenico Gargiulo, called Micco Spadaro, Italian
Red chalk, pen and ink, brush and watercolor on paper · 1625
Cooper Hewitt, Smithsonian Design Museum
Figural Studies
Domenico Gargiulo, called Micco Spadaro, Italian
Red chalk, pen and ink, brush and watercolor on paper · 1625
Cooper Hewitt, Smithsonian Design Museum
Scene From Roman History
Blanchet
Red chalk, with brush and gray-brown and red chalk wash, with touches of black chalk, heightened with lead white (partially discolored), on tan laid paper with blue fibers, laid down on cream laid paper · 1624
Art Institute of Chicago
Carnival Figures
Luigi Baccio del Bianco
Red chalk on ivory laid paper, tipped onto tan wove paper · 1624
Art Institute of Chicago
Bust of Cardinal de la Rochefoucault
Daniel Dumonstier
Black and red chalks, with stumping, brush and pale yellow and orange wash, on ivory laid paper, laid down on cream laid paper · 1624
Art Institute of Chicago
Scene From Roman History
Thomas Blanchet
Red chalk, with brush and gray-brown and red chalk wash, with touches of black chalk, heightened with lead white (partially discolored), on tan laid paper with blue fibers, laid down on cream laid paper · 1624
Art Institute of Chicago
Seated Angel
Mario Balassi
Black chalk, heightened with touches of white and red chalk, on blue gray laid paper · 1624
Art Institute of Chicago
Portrait of a Lady
Ottavio Leoni
colored chalks on blue paper · 1623
National Gallery of Art
Study of Hands (recto); Study for a Reclining St. Francis (verso)
Daniele Crespi
Red and white chalk on blue paper (recto); red chalk on blue paper (verso) · 1623
The Metropolitan Museum of Art
The Sacrifice of Noah
Baldi
Pen and black ink, brush and gray wash; squared in red chalk · 1622
The Metropolitan Museum of Art
A Male Nude, Half Reclining
Matteo Rosselli
red chalk on light brown laid paper · 1622
National Gallery of Art
The Virgin Appearing to Saint Jerome (recto); Head of a Young Woman with Braided Hair
Flaminio Torre
Red chalk on brownish paper · 1621
The Metropolitan Museum of Art
The Holy Infant Adoring the Trinity
Cano
Pen and brown ink and red chalk and brush and brown and gray wash over black chalk, on ivory laid paper, laid down on gray wove card · 1621
Art Institute of Chicago
Study for King David, with Harp and Psalm Book
Guido Reni
Red chalk, with stumping, on cream laid paper · 1621
Art Institute of Chicago
The Holy Infant Adoring the Trinity
Alonso Cano
Pen and brown ink and red chalk and brush and brown and gray wash over black chalk, on ivory laid paper, laid down on gray wove card · 1621
Art Institute of Chicago
Two Angels, Study for the Val de Grâce
Mignard, Pierre, I
Black chalk, heightened with white chalk on light brown antique laid paper, squared in red chalk · 1620
The Metropolitan Museum of Art
Study for a Pietà
Fabrizio Boschi
Red chalk, traces of black chalk · 1620
The Metropolitan Museum of Art
The Holy Family
Giovanni Benedetto Castiglione, Italian
figures, drawing — graphite, red chalk, pen and ink, brush and sepia wash on paper · 1620
Cooper Hewitt, Smithsonian Design Museum
Head of a Man
Jusepe de Ribera
red chalk on laid paper · 1620
National Gallery of Art
Saint Sebastian
Hans Friedrich Schorer
Pen and brown ink, brown wash, red chalk, squared and numbered in black chalk. · 1620
The Metropolitan Museum of Art
Bust Portrait of a Young Man
Simon Vouet
Black and red chalk, with stumping, on tan laid paper · 1620
Art Institute of Chicago
Striding Soldier
Aniello Falcone, Italian
Red chalk on paper, lined · 1620
Cooper Hewitt, Smithsonian Design Museum