Database / Artworks
Artworks
Dancers and Musicians Before Village with Ruined Tower
Claude Lorrain
Red chalk over traces of graphite with pen and brown ink border, on cream laid paper · 1620
Art Institute of Chicago
Two Angels, Study for the Val de Grâce
Pierre Mignard I
Black chalk, heightened with white chalk on light brown antique laid paper, squared in red chalk · 1620
The Metropolitan Museum of Art
Travelers with Two Mules
Jan Miel (Antwerp, 1599 - Turin, 1663)
Red chalk on ivory laid paper, laid down on ivory laid card · 1619
Art Institute of Chicago
Portrait of a Boy
DIEGO
Black chalk, with touches of red chalk, on cream laid paper, tipped onto tan wove paper · 1619
Art Institute of Chicago
Travelers with Two Mules
Jan Miel
Red chalk on ivory laid paper, laid down on ivory laid card · 1619
Art Institute of Chicago
Travelers with Two Mules
Jan Miel
Red chalk on ivory laid paper, laid down on ivory laid card · 1619
Art Institute of Chicago
The Virgin and Child with Saint Anthony of Padua Handing a Lily to the Child
Andrea Sacchi
Red chalk, with brush and red chalk wash, squared in black chalk, on tan laid paper, ruled in red chalk · 1619
Art Institute of Chicago
Father Time
Algardi, Alessandro, Style of
Pen and brown ink and brush and brown wash, over black chalk, with traces of red chalk, on tan laid paper, laid down on ivory laid paper · 1618
Art Institute of Chicago
A Hand Holding Empty Gloves
Bernardo Strozzi
red chalk on beige oatmeal paper · 1618
National Gallery of Art
Pilate Washing His Hands
Jacques Callot
Red chalk, with brush and red chalk wash, on cream laid paper, laid down on cream wove paper · 1618
Art Institute of Chicago
Study after Bernini's Angel sculpture at Ponte Sant'Angelo (recto); Copy of Africa Group (verso)
Gian Lorenzo Bernini
Pen and brown ink, over red chalk (recto) and pen and brown ink, with brush and brown wash, over red chalk (verso), on cream laid paper · 1618
Art Institute of Chicago
Father Time
Alessandro Algardi
Pen and brown ink and brush and brown wash, over black chalk, with traces of red chalk, on tan laid paper, laid down on ivory laid paper · 1618
Art Institute of Chicago
Vision of Saint Philip Neri
Attr. Guido RENI
Red chalk, heightened with lead white (discolored), on buff laid paper, laid down on cream wove paper · 1617
Art Institute of Chicago
Vision of Saint Philip Neri
apres Guido Reni
Red chalk, heightened with lead white (discolored), on buff laid paper, laid down on cream wove paper · 1617
Art Institute of Chicago
Vision of Saint Philip Neri
Guido Reni
Red chalk, heightened with lead white (discolored), on buff laid paper, laid down on cream wove paper · 1617
Art Institute of Chicago
Condemnation of Saint Cecilia
Domenichino
Red chalk and black chalk on tan laid paper · 1616
Art Institute of Chicago
Continence of Scipio
Pietro da Cortona
Red chalk, on tan laid paper, lunette laid down on ivory wove paper · 1616
Art Institute of Chicago
The Annunciation
Camillo Procaccini
Red chalk · 1616
The Metropolitan Museum of Art
Sketches for the Balli di Sfessania (recto) Sketches of Dancers (verso)
Jacques Callot
Red chalk on buff laid paper · 1616
Art Institute of Chicago
Continence of Scipio
Pietro da Cortona
Red chalk, on tan laid paper, lunette laid down on ivory wove paper · 1616
Art Institute of Chicago
Condemnation of Saint Cecilia
Domenichino
Red chalk and black chalk on tan laid paper · 1616
Art Institute of Chicago
Study for the Archangel Gabriel
Nicolas Mignard
Red chalk and graphite, heightened with white chalk · 1615
The Metropolitan Museum of Art
Saint Cecilia Distributing Alms to the Poor
Domenichino
Pen and brown ink, with brush and brown wash, over red chalk, on tan laid paper, laid down on ivory laid paper · 1615
Art Institute of Chicago
Venus and Cupid in a Chariot
Guercino, Italian
Pen and brown ink and brush and brown wash over red chalk · 1615
Cleveland Museum of Art