Database / Artworks
Artworks
Flagellation of Saint Andrew
Domenichino
Red chalk, heightened with lead white (discolored), on ivory laid paper, laid down on card · 1609
Art Institute of Chicago
Sarcophagus with Judgement of Paris
Pierre Brebiette
Red chalk on tan tinted laid paper, laid down on ivory wove paper · 1608
Art Institute of Chicago
Georg III Thurzo of Bethlendorf
Aegidius Sadeler II
Pen and black ink, over black chalk, with red chalk and touches of white chalk, on paper prepared with an opaque gray ground · 1607
Art Institute of Chicago
Assumption of the Virgin
Federico Zuccaro
Black and red chalk on cream wove paper · 1607
Art Institute of Chicago
Assumption of the Virgin
Federico Zuccaro
Black and red chalk on cream wove paper, laid down on cream laid paper · 1607
Art Institute of Chicago
Young Man in Profile with Chin in Hand, Leaning on Raised Knee
Filippo Napoletano
Red chalk, on ivory laid paper, laid down on cream wove paper · 1607
Art Institute of Chicago
Georg III Thurzo of Bethlendorf
Aegidius Sadeler, II
Pen and black ink, over black chalk, with red chalk and touches of white chalk, on paper prepared with an opaque gray ground · 1607
Art Institute of Chicago
Madonna and Child with Saints Elizabeth and John the Baptist
Annibale Carracci
Red chalk on ivory laid paper, tipped onto ivory wove card · 1606
Art Institute of Chicago
Peasant's Cottage (recto); Bridge and Gate (verso)
Abraham
pen and brown ink with brush and brown, blue, red and yellow wash, over black and red chalk · 1605
Cleveland Museum of Art
Peasant's Cottage (recto); Bridge and Gate (verso)
Abraham
pen and brown ink with brush and brown, blue, red and yellow wash, over black and red chalk · 1605
Cleveland Museum of Art
Sheet of Sketches: Beheading of a Saint (recto); Several Slight Figure Sketches (verso)
Giovanni Biliverti
Red chalk, with brush and red chalk wash (recto), and red chalk (verso), on ivory laid paper · 1605
Art Institute of Chicago
Angel Playing a Lute
Jacopo Confortini
Red chalk, on buff laid paper, laid down on ivory wove paper · 1605
Art Institute of Chicago
Saint Nicholas of Bari
Jacopo da Empoli
pen and brown ink with brush and blue wash, over black chalk, squared in red chalk · 1605
National Gallery of Art
The Birth of the Virgin
Ventura Salimbeni
pen and brown and red ink with brown and sanguine wash over red chalk, heightened with white gouache and squared in red chalk on laid paper washed ochre · 1605
National Gallery of Art
Wooded Landscape with a Road
Lodewijk de Vadder
black, yellow, and red chalks with white heightening over gray wash on laid paper · 1605
National Gallery of Art
Peasant's Cottage (recto)
Abraham Bloemaert, Dutch
pen and brown ink with brush and brown, blue, red and yellow wash, over black and red chalk · 1605
Cleveland Museum of Art
Peasant's Cottage (recto); Bridge and Gate (verso)
Abraham Bloemaert, Dutch
pen and brown ink with brush and brown, blue, red and yellow wash, over black and red chalk · 1605
Cleveland Museum of Art
Three Sketches of a Goat (recto) Drapery of Standing Female Figure (verso)
Abraham Bloemaert, Dutch
Pen and brown ink with brush and brown wash, heightened with lead white (partly discolored), over traces of black chalk, on pink tinted laid paper (recto) Red chalk heightened with touches of white chalk, on cream laid paper (verso) · 1605
Art Institute of Chicago
Drunken Silenus Riding on an Ass
Jacques Sarazin, French
Black chalk, framing lines in red chalk · 1605
The Metropolitan Museum of Art
Study for a Three-Quarter-Length Portrait of a Gentleman (recto), Study of a Clothed Figure and a Foot (verso)
Mario Balassi
Red chalk, highlighted with white gouache, on red-washed paper (recto); black chalk studies of drapery which is washed in blue (verso) · 1605
The Metropolitan Museum of Art
Angel Playing a Lute
Jacopo Confortini
Red chalk, on buff laid paper, laid down on ivory wove paper · 1605
Art Institute of Chicago
Three Sketches of a Goat (recto) Drapery of Standing Female Figure (verso)
Abraham Bloemaert
Pen and brown ink with brush and brown wash, heightened with lead white (partly discolored), over traces of black chalk, on pink tinted laid paper (recto) Red chalk heightened with touches of white chalk, on cream laid paper (verso) · 1605
Art Institute of Chicago
Resurrected Christ Appearing to His Mother
Cesare Dandini
Red chalk on buff laid paper, laid down on ivory laid card · 1605
Art Institute of Chicago
Peasant's Cottage (recto)
Abraham Bloemaert
pen and brown ink with brush and brown, blue, red and yellow wash, over black and red chalk · 1605
Cleveland Museum of Art