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Artworks

98,053 records · slit tapestry · Art Institute Chicago
Man Seated in Front of Trees
Man Seated in Front of Trees
Carlo Marchionni
Pen and brown and black ink with brush and brown wash, with black chalk and graphite, on ivory laid paper, laid down on ivory laid paper · 1689
Art Institute of Chicago
Caricature of Man Writing
Caricature of Man Writing
Carlo Marchionni
Pen and brown ink on ivory laid paper, laid down on ivory wove paper · 1689
Art Institute of Chicago
The Elephant, from The Berain Grotesques Series
The Elephant, from The Berain Grotesques Series
Jean Baptiste Monnoyer
Wool and silk, slit and double interlocking tapestry weave · 1688
Art Institute of Chicago
Sampler
Sampler
Mercy Mackett
Linen, plain weave; with bands of cut and drawn thread work in back, buttonhole, darning, double hem, interlocking lace, overcast, and needle lace filling stitches; bands of linen, needle lace; and bands embroidered with silk in Algerian eye, Antwerp edge, back, cross, double hem, double running, long-armed cross, two-sided Italian cross, satin, squared ground, and a variety of buttonhole stitches · 1688
Art Institute of Chicago
Hilly Landscape with Cows and Shepherds in Foreground
Hilly Landscape with Cows and Shepherds in Foreground
Carlo Antonio Tavella
Pen and iron gall ink on cream laid paper · 1688
Art Institute of Chicago
Figure Crossing a Bridge in a Rainstorm
Figure Crossing a Bridge in a Rainstorm
Hasegawa Tojyu
Hanging scroll; ink on paper · 1688
Art Institute of Chicago
The Elephant, from The Berain Grotesques Series
The Elephant, from The Berain Grotesques Series
JEAN
Wool and silk, slit and double interlocking tapestry weave · 1688
Art Institute of Chicago
François Van der Meulen
François Van der Meulen
Pierre Louis van Schuppen
Engraving on paper · 1687
Art Institute of Chicago
Ruined Vault
Ruined Vault
Hendrik Voogd
Brush and brown wash with black chalk, on cream laid paper · 1687
Art Institute of Chicago
Return of the Prodigal Son
Return of the Prodigal Son
Alessandro Magnasco
Black chalk heightened with touches of white chalk on brown tinted laid paper, laid down on ivory laid paper · 1687
Art Institute of Chicago
Study Sheet with Seated Figures
Study Sheet with Seated Figures
Alessandro Magnasco
Brush and brown ink and brown wash, heightened with white gouache, with touches of black chalk, on tan laid paper with brown fibers, laid down on off-white laid paper · 1687
Art Institute of Chicago
Bust of Diana
Bust of Diana
Giuseppe Mazza
Marble · 1687
Art Institute of Chicago
Communion of the Apostles
Communion of the Apostles
Johann Martin Schuster
Red chalk on cream laid paper · 1687
Art Institute of Chicago
Adoration of the Virgin
Adoration of the Virgin
Antoine Rivalz
Black chalk on cream laid paper · 1687
Art Institute of Chicago
Ruined Vault
Ruined Vault
Hendrik Voogd, Dutch
Brush and brown wash with black chalk, on cream laid paper · 1687
Art Institute of Chicago
Supper at Emmaus
Supper at Emmaus
Nicolas Bertin
Red chalk on tan laid paper · 1687
Art Institute of Chicago
Ruined Vault
Ruined Vault
Hendrik Voogd
Brush and brown wash with black chalk, on cream laid paper · 1687
Art Institute of Chicago
Christ Driving the Money-Changers from the Temple
Christ Driving the Money-Changers from the Temple
Ottmar Elliger
Pen and gray ink and brush and gray wash on ivory laid paper · 1686
Art Institute of Chicago
Christ Driving the Money-Changers from the Temple
Christ Driving the Money-Changers from the Temple
Ottmar Elliger the Younger
Pen and gray ink and brush and gray wash on ivory laid paper · 1686
Art Institute of Chicago
The Visitation
The Visitation
Ottmar Elliger
Pen and gray ink and brush and gray wash on ivory laid paper · 1686
Art Institute of Chicago
Scene from Revelations
Scene from Revelations
Ottmar Elliger
Pen and gray ink with brush and gray wash and lead white (partly discolored) on cream laid paper · 1686
Art Institute of Chicago
Portrait of Elizabeth Murray, Countess of Dysart
Portrait of Elizabeth Murray, Countess of Dysart
John Hoskins
Watercolor on paper · 1686
Art Institute of Chicago
Scene from Revelations
Scene from Revelations
Ottmar Elliger the Younger
Pen and gray ink with brush and gray wash and lead white (partly discolored) on cream laid paper · 1686
Art Institute of Chicago
The Raising of the Cross
The Raising of the Cross
Ottmar Elliger
Pen and gray and brown ink, with brush and gray wash, over traces of red chalk, on ivory laid paper · 1686
Art Institute of Chicago
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