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613 records · stencil
Untitled from Homage to Picasso (Hommage à Picasso)
Untitled from Homage to Picasso (Hommage à Picasso)
Jan Voss
Lithograph from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1972
Museum of Modern Art
Wrapped Sylvette, Project for Washington Square Village, New York from Homage to Picasso (Hommage à Picasso)
Wrapped Sylvette, Project for Washington Square Village, New York from Homage to Picasso (Hommage à Picasso)
Christo
Lithograph and screenprint with collage additions from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1972
Museum of Modern Art
Untitled from Homage to Picasso (Hommage à Picasso)
Untitled from Homage to Picasso (Hommage à Picasso)
Alan Davie
Lithograph from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1972
Museum of Modern Art
Seated Woman from Homage to Picasso (Hommage à Picasso)
Seated Woman from Homage to Picasso (Hommage à Picasso)
Enrico Baj
Screenprint with flocking from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1972
Museum of Modern Art
Picasso Soleil from Homage to Picasso (Hommage à Picasso)
Picasso Soleil from Homage to Picasso (Hommage à Picasso)
Édouard Pignon
Lithograph from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1972
Museum of Modern Art
Untitled from Homage to Picasso (Hommage à Picasso)
Untitled from Homage to Picasso (Hommage à Picasso)
Jirí Kolár
Screenprint on three sheets from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1972
Museum of Modern Art
Free Wheeling
Free Wheeling
Helen Frankenthaler
Etching in black from one copperplate and color pochoir from one vinyl stencil on white wove paper · 1971
Art Institute of Chicago
Aiming at the Fan, from the series "Tale of Heike"
Aiming at the Fan, from the series "Tale of Heike"
Mori Yoshitoshi
Stencil on paper · 1971
Art Institute of Chicago
Free Wheeling
Free Wheeling
Helen Frankenthaler
Etching, with stencilled acrylic additions · 1971
Museum of Modern Art
Ladies from Homage to Picasso (Hommage à Picasso)
Ladies from Homage to Picasso (Hommage à Picasso)
Lynn Chadwick
Lithograph from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1971
Museum of Modern Art
The Fist of the Day (Le Poing du jour) from Homage to Picasso (Hommage à Picasso)
The Fist of the Day (Le Poing du jour) from Homage to Picasso (Hommage à Picasso)
Roberto Matta
Aquatint from a portfolio of thirty-one lithographs (one with aquatint, one with collotype, one with screenprint), twenty-two screenprints (one with embossing, one with flocking, one with stencil), eleven etchings (five with aquatint, one with aquatint and drypoint, one with aquatint, drypoint, and engraving), three aquatints (one with etching), and two woodcuts · 1971
Museum of Modern Art
Soga Goro Drawing a Sword
Soga Goro Drawing a Sword
Mori Yoshitoshi
Stencil on paper; edition 13/50 · 1970
Art Institute of Chicago
The Holy Family
The Holy Family
Sadao Watanabe
Hand-colored stencil print on crumpled paper; edition 18/50 · 1970
Art Institute of Chicago
Warriors in Combat
Warriors in Combat
Mori Yoshitoshi
Stencil on paper; edition 35/50 · 1970
Art Institute of Chicago
Untitled
Untitled
Gordon Rayner
Color lithograph printed in split-font stencil method on white wove paper · 1969
Art Institute of Chicago
Thunder God
Thunder God
Mori Yoshitoshi
Stencil on paper · 1969
Art Institute of Chicago
Wind God
Wind God
Mori Yoshitoshi
Stencil on paper · 1969
Art Institute of Chicago
Woman with fan
Woman with fan
Mori Yoshitoshi
Stencil on paper; edition 18/50 · 1969
Art Institute of Chicago
Blue Triangle (Blaues Dreieck)
Blue Triangle (Blaues Dreieck)
Blinky Palermo
Stenciled gouache on wall · 1969
Museum of Modern Art
Fourre-Tout, No. 3
Fourre-Tout, No. 3
Ben Vautier
Periodical of plastic bag containing fifteen printed sheets, two silver gelatin prints (one with letterpress, one with stencil), one piece of magnetic tape, and one package of spices · 1968
Museum of Modern Art
Stencil Print (Rotten Stump), plate 94 from 101 Prints
Stencil Print (Rotten Stump), plate 94 from 101 Prints
Norman Roland Eppink
Color pochoir (stencil) on ivory wove paper · 1967
Art Institute of Chicago
Stencil, Colored Inks (Waupaca), plate 59 from 101 Prints
Stencil, Colored Inks (Waupaca), plate 59 from 101 Prints
Norman Roland Eppink
Color pochoir (stencil) on ivory wove paper · 1967
Art Institute of Chicago
Stencil, Water Color (Opposition), plate 58 from 101 Prints
Stencil, Water Color (Opposition), plate 58 from 101 Prints
Norman Roland Eppink
Color pochoir (stencil) with watercolor on ivory wove paper · 1967
Art Institute of Chicago
Precision Paintings: Nil and Infinity 889 1010 from The Whole Works
Precision Paintings: Nil and Infinity 889 1010 from The Whole Works
Yutaka Matsuzawa
Cut-and-pasted paper and printed paper with stencil copy from a portfolio of 71 prints · 1967
Museum of Modern Art
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