Artworks

Jim Dine

Etching, aquatint and stencil · 1967

Carol Summers

Woodcut from a portfolio of six woodcuts (one with chine collé, one with stencil additions, one with monotype, stencil, and fish print additions), two lithographs (one with stencil additions), and one stencil · 1967

Carol Summers

Portfolio of six woodcuts (one with chine collé, one with stencil additions, one with monotype, stencil, and fish print additions), two lithographs (one with stencil additions), and one stencil · 1967

Carol Summers

Lithograph with stencil additions from a portfolio of six woodcuts (one with chine collé, one with stencil additions, one with monotype, stencil, and fish print additions), two lithographs (one with stencil additions), and one stencil · 1967

Carol Summers

Woodcut from a portfolio of six woodcuts (one with chine collé, one with stencil additions, one with monotype, stencil, and fish print additions), two lithographs (one with stencil additions), and one stencil · 1967

Carol Summers

Woodcut from a portfolio of six woodcuts (one with chine collé, one with stencil additions, one with monotype, stencil, and fish print additions), two lithographs (one with stencil additions), and one stencil · 1967

Carol Summers

Woodcut with monotype, stencil, and fish print additions from a portfolio of six woodcuts (one with chine collé, one with stencil additions, one with monotype, stencil, and fish print additions), two lithographs (one with stencil additions), and one stencil · 1967

Carol Summers

Woodcut from a portfolio of six woodcuts (one with chine collé, one with stencil additions, one with monotype, stencil, and fish print additions), two lithographs (one with stencil additions), and one stencil · 1967

Warrington Colescott

Hard and soft ground etching, drypoint and open-bite etching, with a la poupee inking, and relief rolls through stencils, printed in color on white wove paper · 1966

Warrington Colescott

Color hard and soft ground etching, drypoint and aquatint, with vibrograver, and relief rolls through stencils on heavy white wove paper · 1966

Mori Yoshitoshi

Stencil on paper; edition 12/50 · 1966

Larry Rivers

Lithograph in black, and colored inks sprayed through stencils, on graph paper, laid down on white wove paper · 1966

Yutaka Matsuzawa

Stencil copy from a portfolio of 71 prints · 1966

Larry Rivers

Lithograph, with color stencil-sprayed additions · 1966

Jack Sonenberg

Embossed stencil with thread additions · 1966

Alex Hay

Spray lacquer and stencil on linen · 1965

Yutaka Matsuzawa

Stencil copy, stamped ink and ink on printed paper from a portfolio of 71 prints · 1965

George Segal

Wooden box with stenciled paint additions, containing seven objects in various media · 1965

Omar Rayo

Inkless intaglio and stencil · 1965

Roy Lichtenstein

Cut painted board, cut painted paper, cut stencil paper, string, tape, graphite pencil · 1964

Warrington Colescott

Color hard and soft ground etching, aquatint, drypoint, with relief rolls through stencils in brown, red, orange, blue and black, and found object(toy motorcycle) on white wove paper · 1964

Mori Yoshitoshi

Stencil on paper · 1964

Eric Andersen

Typewriting, stencil copy, stamped ink, and pen on paper · 1964

Sadao Watanabe

Hand-colored stencil print on crumpled paper; edition 4/50 · 1963