Database / Artworks
Artworks
"Alhambra" textile panel with double border
Mathevon et Bouvard
Silk and gilt-metal-strip wrapped silk; satin weave with secondary patterning wefts, and supplementary brocading wefts bound with twill interlacings · 1861
Art Institute of Chicago
The Little Pool
James McNeill Whistler
Etching and drypoint with foul biting in black ink on ivory laid paper · 1861
Art Institute of Chicago
Sketching
James McNeill Whistler
Etching and drypoint with foul biting in black ink on ivory wove paper · 1861
Art Institute of Chicago
The Punt
James McNeill Whistler
Etching and drypoint with foul biting in black ink on ivory wove paper · 1861
Art Institute of Chicago
The Little Rotherhithe
James McNeill Whistler
Etching and drypoint with foul biting in dark brown ink on ivory laid paper · 1861
Art Institute of Chicago
The Open Book
James McNeill Whistler
Etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper · 1861
Art Institute of Chicago
Landscape with Fisherman
James McNeill Whistler
Etching and drypoint with foul biting, scraping and burnishing, with drypoint cancellation, in black ink on ivory laid paper · 1861
Art Institute of Chicago
Jo
James McNeill Whistler
Drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper · 1861
Art Institute of Chicago
The Shadow
Alphonse Legros
Etching with foul biting and plate tone in warm black on ivory laid paper · 1861
Art Institute of Chicago
Portrait of Th. Agrippa d'Aubigné
Charles Méryon
Etching, from a tin plate on ivory chine, laid down on ivory wove paper · 1861
Art Institute of Chicago
The Little Pool
James McNeill Whistler
Etching and drypoint with foul biting in black ink on ivory laid paper · 1861
Art Institute of Chicago
Portrait of Armand Guéraud of Nantes, Printer and Man of Letters
Charles Méryon
Etching, from a tin plate, on grayish ivory laid chine, laid down on ivory card · 1861
Art Institute of Chicago
The Little Rotherhithe
James McNeill Whistler
Etching and drypoint with foul biting in black ink on ivory Japanese paper · 1861
Art Institute of Chicago
Portrait of Pierre Nivelle, Bishop of Luçon
Charles Méryon
Etching, from a tin plate, with burnishing and foul-biting on grayish ivory laid paper · 1861
Art Institute of Chicago
Millbank
James McNeill Whistler
Etching and drypoint with foul biting in black ink on cream laid paper · 1861
Art Institute of Chicago
Irvin McDowell
Joseph Edward Baker
Lithograph with tintstone on paper · 1861
National Portrait Gallery
William Starke Rosecrans
Joseph Edward Baker
Lithograph with tintstone on paper · 1861
National Portrait Gallery
Frederick West Lander
Joseph Edward Baker
Tinted lithograph on paper · 1861
National Portrait Gallery
General Nathaniel Lyon
Joseph Edward Baker
Lithograph with tintstone on paper · 1861
National Portrait Gallery
George Brinton McClellan
Joseph Edward Baker
Hand-colored lithograph with tintstone on paper · 1861
National Portrait Gallery
Isaac Ingalls Stevens
Joseph Edward Baker
Lithograph with tintstone on paper · 1861
National Portrait Gallery
John Ellis Wool
Joseph Edward Baker
Lithograph with beige tintstone on paper · 1861
National Portrait Gallery
M. Manet (The Artist's Father) II
Édouard Manet
Etching, aquatint and plate tone in black on ivory laid paper · 1861
Art Institute of Chicago
Frère de l'artiste René De Gas
Edgar Degas
color printing on paper · 1861
Rijksmuseum