Database / Artworks
Artworks
Panel
Mathevon et Bouvard
Silk and linen, warp-float faced 7:1 satin weave with twill interlacings of secondary binding warps and supplementary patterning and brocading wefts · 1860
Art Institute of Chicago
Penny Passengers, Limehouse
James McNeill Whistler
Etching and drypoint with foul biting in dark brown ink on ivory laid paper · 1860
Art Institute of Chicago
Portrait of a man
James McNeill Whistler
Drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper · 1860
Art Institute of Chicago
Woman's Surcoat
Han-Chinese
Body: silk, warp-float faced 7:1 satin weave; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped wild silk in laid work and couching; neck, front, hem, sides and sleeves: silk, warp-float faced 7:1 satin weave; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk wrapped cotton in knot, satin and stem stitches; laid work and couching; edged with silk, warp-float faced 7:1 satin weave; sleeve bands: silk, warp-float faced 7:1 satin weave; embroidered with silk and gold-leaf-over-lacquered-paper-strip-wrapped silk in knot, satin and stem stitches; laid work and couching; three ribbons: silk and gold-leaf-over-lacquered-paper-strip-wrapped cotton, plain weave self-patterned by main warp floats (narrowest has gold-leaf-over-lacquered-strip-wrapped silk); lined with silk, plain weave · 1860
Art Institute of Chicago
Untitled
Graham Vivian
Albumen silver prints from wet collodion negatives and platinum prints · 1860
Art Institute of Chicago
Rotherhithe
James McNeill Whistler
Etching and drypoint with foul biting in black ink on ivory wove paper · 1860
Art Institute of Chicago
Rotherhithe
James McNeill Whistler
Etching and drypoint with foul biting in black ink on ivory laid paper · 1860
Art Institute of Chicago
Rotherhithe
James McNeill Whistler
Etching with drypoint and foul biting in black ink on cream Japanese paper · 1860
Art Institute of Chicago
Fishing Family at the Edge of a Stream
Charles-André Malardot
Etching, over fawn lithotint, with roulette, on ivory wove paper · 1860
Art Institute of Chicago
Rotherhithe
James McNeill Whistler
Etching and drypoint with foul biting in black ink on ivory laid paper · 1860
Art Institute of Chicago
Ross Winans
James McNeill Whistler
Etching and drypoint with foul biting in black ink, with graphite additions along shoulder and sleeve at left, on off-white wove paper · 1860
Art Institute of Chicago
Jefferson Davis
William Sartain
Mezzotint on paper · 1860
National Portrait Gallery
Panel
Mathevon et Bouvard
Silk, satin weave with multi-color supplementary pile warps forming cut and uncut voided velvet · 1860
Art Institute of Chicago
Les Chiens
Pierre-Louis Pierson
Gelatin silver print · 1860
The Metropolitan Museum of Art
Exmouth from the East
Francis Bedford
platinum print · 1860
Museum of Modern Art
Panel (Furnishing Fabric)
Mathevon et Bouvard
Silk, satin weave with twill interlacings of secondary binding warps and patterning and brocading wefts · 1860
Art Institute of Chicago
Mary Queen of Scots, on the evening preceding her execution (from "The American Eclectic Museum," volume 48, frontispiece)
John Sartain
Mezzotint and etching on steel · 1859
The Metropolitan Museum of Art
Brief aan Christiaan Kramm
Joseph Lies
writing (processes) on paper, ink · 1859
Rijksmuseum
Mary Queen of Scots, on the evening preceding her execution (from "The American Eclectic Museum," volume 48, frontispiece)
John Sartain
Mezzotint and etching on steel · 1859
The Metropolitan Museum of Art
J. Becquet, Sculptor
James McNeill Whistler
Etching and drypoint with foul biting in black ink on cream Japanese paper · 1859
Art Institute of Chicago
Bibi Lalouette
James McNeill Whistler
Etching and drypoint with foul biting in black ink on cream laid paper · 1859
Art Institute of Chicago
Reading by Lamplight
James McNeill Whistler
Etching and drypoint, with foul biting, in black on cream laid paper · 1859
Art Institute of Chicago
The Wine Glass
James McNeill Whistler
Etching with foul biting in black ink on ivory laid paper · 1859
Art Institute of Chicago
Thames Police
James McNeill Whistler
Etching and drypoint with foul biting in black ink on ivory laid paper · 1859
Art Institute of Chicago