Database / Artworks
Artworks

Portrait of Man in Black Coat and Blue and White Cravat
Richard Dighton
Watercolor and gouache, selectively varnished, on cream board · 1835
Art Institute of Chicago

Portrait of Man in Black Coat and Blue and White Cravat
Richard Dighton, British
Watercolor and gouache, selectively varnished, on cream board · 1835
Art Institute of Chicago

Portrait of Man in Black Coat and Blue and White Cravat
Richard Dighton
Watercolor and gouache, selectively varnished, on cream board · 1835
Art Institute of Chicago

Sir James Stuart of Coltness
Richard Dighton
Gouache, with watercolor, graphite, and pen and brown ink, selectively varnished, on cream wove paper · 1833
Art Institute of Chicago

Sir James Stuart of Coltness
Richard Dighton, British
Gouache, with watercolor, graphite, and pen and brown ink, selectively varnished, on cream wove paper · 1833
Art Institute of Chicago

Sir James Stuart of Coltness
Richard Dighton
Gouache, with watercolor, graphite, and pen and brown ink, selectively varnished, on cream wove paper · 1833
Art Institute of Chicago

The Turkish Rider
Eugene Delacroix
Gouache and watercolor, with scraping, selectively gum-varnished, on cream wove paper, laid down on tan wove paper · 1829
Art Institute of Chicago

The Hall, Levens, Westmoreland
Joseph Nash
Watercolor and gouache, heightened with white gouache, over graphite selectively gum varnished on cream wove card · 1828
Art Institute of Chicago

The Hall, Levens, Westmoreland
Joseph Nash
Watercolor and gouache, heightened with white gouache, over graphite selectively gum varnished on cream wove card · 1828
Art Institute of Chicago

Marine Scene
Imitator of Anthony Vandyke Copley Fielding
Watercolor and gouache, with scraping, heightened with varnish, over traces of graphite, on cream wove paper, laid down on green wove paper · 1827
Art Institute of Chicago

Gnarled Tree
David Hall
Watercolor heightened with gum varnish, on ivory wove paper · 1826
Art Institute of Chicago

Gnarled Tree
David Hall McKewan
Watercolor heightened with gum varnish, on ivory wove paper · 1826
Art Institute of Chicago

Gnarled Tree
David Hall
Watercolor heightened with gum varnish, on ivory wove paper · 1826
Art Institute of Chicago

General with Troops in Background
Denis Auguste Marie Raffet
Watercolor, heightened with lead white, over graphite, selectively varnished with gum arabic, on cream wove paper · 1824
Art Institute of Chicago

View of Avignon (from Villeneuve les Avignon)
Paul Huet
Watercolor, with touches of gouache and scraping, selectively varnished with gum arabic, over traces of graphite, on ivory wove paper · 1823
Art Institute of Chicago

sidewall
Robert Jones, British, active 1815 – 1833
wallcoverings, sidewall — block printed on handmade paper, varnish · 1817
Cooper Hewitt, Smithsonian Design Museum

Old Magdalen Hall from the Gravel Walk Burnt Down A.D.
Frederick Mackenzie
Watercolor, with pen and brown ink, selectively varnished, on cream wove paper, laid down on ivory wove paper · 1815
Art Institute of Chicago

Boy in an Eton Collar
Richard Dighton
Watercolor, with graphite, selectively varnished, on cream wove paper · 1815
Art Institute of Chicago

Equestrian Portrait of Man in Profile
Richard Dighton
Watercolor with graphite, selectively varnished, on ivory wove paper · 1815
Art Institute of Chicago

Lord William Pawlett
Richard Dighton
Watercolor, selectively varnished, on ivory wove card, laid down on ivory wove card · 1815
Art Institute of Chicago

Lord William Pawlett
Richard Dighton, British
Watercolor, selectively varnished, on ivory wove card, laid down on ivory wove card · 1815
Art Institute of Chicago

Equestrian Portrait of Man in Profile
Richard Dighton, British
Watercolor with graphite, selectively varnished, on ivory wove paper · 1815
Art Institute of Chicago

Equestrian Portrait of Man in Profile
Richard Dighton
Watercolor with graphite, selectively varnished, on ivory wove paper · 1815
Art Institute of Chicago

Boy in an Eton Collar
Richard Dighton
Watercolor, with graphite, selectively varnished, on cream wove paper · 1815
Art Institute of Chicago