Database / Artworks
Artworks
Lord William Pawlett
Richard Dighton
Watercolor, selectively varnished, on ivory wove card, laid down on ivory wove card · 1815
Art Institute of Chicago
Old Magdalen Hall from the Gravel Walk Burnt Down A.D.
Frederick MacKenzie
Watercolor, with pen and brown ink, selectively varnished, on cream wove paper, laid down on ivory wove paper · 1815
Art Institute of Chicago
The Grammer School, Christ's Hospital
Augustus Charles Pugin
Watercolor with pen and black ink, heightened with touches of white gouache, over graphite, selectively varnished, on cream wove paper, laid down on cream wove paper · 1811
Art Institute of Chicago
The Grammer School, Christ's Hospital
Augustus Charles Pugin
Watercolor with pen and black ink, heightened with touches of white gouache, over graphite, selectively varnished, on cream wove paper, laid down on cream wove paper · 1811
Art Institute of Chicago
View From Radcliffe Library
Frederick Mackenzie
Watercolor, with pen and brown ink, heightened with white gouache, selectively varnished, on cream wove paper, laid down on ivory wove paper · 1800
Art Institute of Chicago
Cart on Road Flanked by Inn and Windmill
Colman
Pen and brown ink, with brush and brown wash and scraping, heightened selectively with gum varnish, over graphite, on cream wove paper, laid down on cream wove card · 1800
Art Institute of Chicago
Ceremony in a Cathedral
Louis Haghe
Watercolor and gouache, heightened with gum varnish, on tan wove paper · 1800
Art Institute of Chicago
View From Radcliffe Library
Frederick MacKenzie
Watercolor, with pen and brown ink, heightened with white gouache, selectively varnished, on cream wove paper, laid down on ivory wove paper · 1800
Art Institute of Chicago
Francis I and the Duchess d'Étampes
Richard Parkes Bonington
Watercolor heightened with gum varnish, on ivory wove paper · 1800
Art Institute of Chicago
Christ Appearing to the Apostles after the Resurrection
William Blake
Print, ink, watercolour and varnish on paper · 1795
Tate
Officer Seeking Shelter with his Wife and Children from a Storm (recto); Sketch of Castle on Hill (verso)
Richard Westall
Pen and brown ink with brush and brown wash and watercolor, scraped to create highlights, heightened with gum varnish (recto), and graphite (verso), on cream wove card · 1795
Art Institute of Chicago
Travelers Cooking at Roadside by Lake
John Smith
Watercolor, over graphite, with varnish, on ivory wove paper, laid down on card · 1790
Art Institute of Chicago
Two Figures Looking at Bay
John Smith
Watercolor, over graphite, with varnish, on cream wove paper, laid down on cream wove card · 1790
Art Institute of Chicago
Travelers Cooking at Roadside by Lake
John Smith
Watercolor, over graphite, with varnish, on ivory wove paper, laid down on card · 1790
Art Institute of Chicago
Two Figures Looking at Bay
John Smith
Watercolor, over graphite, with varnish, on cream wove paper, laid down on cream wove card · 1790
Art Institute of Chicago
Travelers Cooking at Roadside by Lake
John Smith
Watercolor, over graphite, with varnish, on ivory wove paper, laid down on card · 1790
Art Institute of Chicago
Two Figures Looking at Bay
John Smith
Watercolor, over graphite, with varnish, on cream wove paper, laid down on cream wove card · 1790
Art Institute of Chicago
Two Figures Looking at Bay
John "Warwick" Smith
Watercolor, over graphite, with varnish, on cream wove paper, laid down on cream wove card · 1790
Art Institute of Chicago
Travelers Cooking at Roadside by Lake
John "Warwick" Smith
Watercolor, over graphite, with varnish, on ivory wove paper, laid down on card · 1790
Art Institute of Chicago
Study after Nature
John Downman
Brush and brown wash, varnished, with oil paint, on ivory wove paper · 1774
Art Institute of Chicago
In the Gallery
Henry William Bunbury
Pen and brown ink and brush and brown and red wash, heightened with touches of white gouache, on cream laid paper, varnished overall, and laid down on gray wood-pulp board · 1770
Art Institute of Chicago
Wooded Landscape with Village Scene
Thomas Gainsborough
Varnished gouache, over black and red chalks, on cream laid paper, laid down on canvas, stretched on a wooden stretcher and varnished again · 1770
Art Institute of Chicago
Drop-front secretaire (secrètaire à abattant)
René Dubois
Painted and varnished oak, veneered with European lacquer, mahogany, purplewood, gilt-bronze mounts · 1765
The Metropolitan Museum of Art
Drop-front secretaire (secrètaire à abattant)
René Dubois
Painted and varnished oak, veneered with European lacquer, mahogany, purplewood, gilt-bronze mounts · 1765
The Metropolitan Museum of Art