Database / Artworks
Artworks

Dassel, MN (pop. 1134), City Council, March 15, 1999, (L to R): Nancy Nichalson, Ava Flachmeyer (Mayor), Jan Casey, Sherlyn Bjork (Deputy Clerk)
Paul Shambroom
Archival pigmented inkjet on canvas with varnish · 1976
Art Institute of Chicago

Untitled, from The New York Collection for Stockholm
Keith Sonnier
Two color silkscreen with varnish, on paper · 1973
Art Institute of Chicago

Untitled from The New York Collection for Stockholm
Louise Nevelson
Screenprint with varnish additions from a portfolio of seventeen screenprints, nine lithographs, two lithographs with screenprint, one photocopy, and one photograph · 1973
Museum of Modern Art

Untitled from The New York Collection for Stockholm
Keith Sonnier
Screenprint with varnish additions from a portfolio of seventeen screenprints, nine lithographs, two lithographs with screenprint, one photocopy, and one photograph · 1973
Museum of Modern Art

Nasielk IV
Frank Stella
Ash and varnish · 1972
Art Institute of Chicago

Sailors
Richard Artschwager
Screenprint in gray, with heavy overprint varnish, on white wove paper · 1972
Art Institute of Chicago

The Flying Scot
Ron Kleemann
Lithograph, with varnish additions · 1972
Museum of Modern Art

My Mind Is a Glass of Water from Prints for Phoenix House
James Rosenquist
Lithograph from a portfolio of three lithographs, two photogravures, two screenprints with stencil and varnish additions, one aquatint, one etching and aquatint, and one screenprint · 1972
Museum of Modern Art

Untitled from Prints for Phoenix House
Ellsworth Kelly
Lithograph from a portfolio of three lithographs, two photogravures, two screenprints with stencil and varnish additions, one aquatint, one etching and aquatint, and one screenprint · 1972
Museum of Modern Art

Untitled (Hotel du Nord) from Prints for Phoenix House
Joseph Cornell
Screenprint with stencil and varnish additions from a portfolio of three lithographs, two photogravures, two screenprints with stencil and varnish additions, one aquatint, one etching and aquatint, and one screenprint · 1972
Museum of Modern Art

Untitled (Landscape with Figure) from Prints for Phoenix House
Joseph Cornell
Photogravure from a portfolio of three lithographs, two photogravures, two screenprints with stencil and varnish additions, one aquatint, one etching and aquatint, and one screenprint · 1972
Museum of Modern Art

Untitled from Prints for Phoenix House
Adolph Gottlieb
Aquatint from a portfolio of three lithographs, two photogravures, two screenprints with stencil and varnish additions, one aquatint, one etching and aquatint, and one screenprint · 1972
Museum of Modern Art

Untitled (How to Make a Rainbow) from Prints for Phoenix House
Joseph Cornell
Screenprint with stencil and varnish additions from a portfolio of three lithographs, two photogravures, two screenprints with stencil and varnish additions, one aquatint, one etching and aquatint, and one screenprint · 1972
Museum of Modern Art

Untitled (Derby Hat) from Prints for Phoenix House
Joseph Cornell
Photogravure from a portfolio of three lithographs, two photogravures, two screenprints with stencil and varnish additions, one aquatint, one etching and aquatint, and one screenprint · 1972
Museum of Modern Art

Vincent from Prints for Phoenix House
Alex Katz
Lithograph from a portfolio of three lithographs, two photogravures, two screenprints with stencil and varnish additions, one aquatint, one etching and aquatint, and one screenprint · 1972
Museum of Modern Art

Baghdad from Prints for Phoenix House
R. B. Kitaj
Screenprint from a portfolio of three lithographs, two photogravures, two screenprints with stencil and varnish additions, one aquatint, one etching and aquatint, and one screenprint · 1972
Museum of Modern Art

My studio on Broome Street
Clayton Pond
Color silkscreen (varnished) on white wove paper · 1971
Art Institute of Chicago

Untitled (Collage with Photos, Ticket Stubs, and Hotel Bill)
Saul Steinberg
Collage of cut-and-pasted various commercially printed papers, graphite on tan wove papers, and watercolor on off-white wove paper, selectively varnished and found paper items, and on off-white paperboard with graphite and pen and brush and black ink · 1970
Art Institute of Chicago

The Kitchen of My Studio on Broome Street
Clayton Pond
Color silkscreen (varnished) on white wove paper · 1970
Art Institute of Chicago

Wet Flower
H. C. Westermann
Wood, glass, Connecticut fieldstone, linoleum, dried roots, putty, and varnish. · 1968
Art Institute of Chicago

A la pintura: Blue 5
Robert Motherwell
Aquatint in indigo blue with varnish on white wove paper · 1968
Art Institute of Chicago

A la pintura: Blue 5
Robert Motherwell
Aquatint in indigo blue with varnish on white wove paper · 1968
Art Institute of Chicago

A la pintura: Blue 5
Robert Motherwell
Aquatint in indigo blue with varnished line, and lift-ground etching and aquatint in white on white wove paper · 1968
Art Institute of Chicago

A la pintura: Blue 5
Robert Motherwell
Aquatint in indigo blue, with varnished line, on white wove paper · 1968
Art Institute of Chicago