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Artworks
![Norkura-Dake Mtn/ [N]ear Takayama Japan](/api/images/artworks/aic/55903.jpg)
Norkura-Dake Mtn/ [N]ear Takayama Japan
Joseph Yoakum
Blue ballpoint pen, watercolor, and varnish on tan wove paper · 1962
Art Institute of Chicago
Mount Tabor Issachar Assia
Joseph Yoakum
Black ballpoint pen, colored pencil, and varnish on cream wove paper · 1962
Art Institute of Chicago
The Little Brown Church in the Wild Woods Ohio
Joseph Yoakum
Blue ballpoint pen, colored pencil, and varnish on cream wove paper · 1962
Art Institute of Chicago
St Clar Oil Refinery on Guantannama Bay Cuba. 1910 A.D.
Joseph Yoakum
Graphite pencil, watercolor, and varnish on ivory wove paper · 1962
Art Institute of Chicago
Weeping Pebble Nevada on Lak Shasta
Joseph Yoakum
Watercolor, blue ballpoint pen, graphite pencil, and varnish on ivory wove paper · 1960
Art Institute of Chicago
Stone for the portfolios 0-9 (Black), 0-9 (Color), and 0-9 (Gray)
Jasper Johns
Original lithographic stone, inked in white and varnished · 1960
Museum of Modern Art
No Escape?
André Verlon (Willy Verkauf)
Oil with natural resin varnish, cut-and-pasted printed paper, and gouache on board · 1958
Museum of Modern Art
Work
Tsuruko Yamazaki
Dye and varnish on aluminum · 1957
Museum of Modern Art
Are These for Sale Separately?
Richard Aberle Florsheim
Watercolor and pen and black ink, over graphite, varnished overall, on off-white illustration board · 1956
Art Institute of Chicago
Le Char
Georges Braque
Varnished color lithograph in seven colors on white wove paper · 1955
Art Institute of Chicago
Taxi Dance Hall
Reginald Marsh
China ink on cardboard, double-sided, one side varnished · 1952
Art Institute of Chicago
Abstract Composition
Alexander Calder
Gouache and brush and black ink, selectively varnished, on off-white watercolor paper · 1949
Art Institute of Chicago
Myrna Loy
Wladyslaw Theodore Benda
Molded unbleached paper, glue, brass wire, varnish (Valspar or shellac), oil paint, Mandarin-red enamel ground, Japan lac, and gold leaf · 1940
National Portrait Gallery
Central Park at Night
George Grosz
Watercolor, with gouache and touches of pen and black ink, selectively gum varnished, on ivory wove paper · 1936
Art Institute of Chicago
Locomotive, frontispiece from Armin Landeck: The Catalog Raisonne of His Prints
Armin Landeck
Aquatint with stop-out varnish and drypoint on off-white wove paper, tipped into book · 1936
Art Institute of Chicago
Last Day
George Grosz
Watercolor, with touches of gouache, over graphite, selectively gum(?) varnished, on ivory wove paper · 1934
Art Institute of Chicago
Untitled (shelf)
Gerrit Rietveld
Varnished oak / lacquered metal / chrome-plated tubular steel / wing nuts · 1930
Portrait
Lee Godie
Blue and black ballpoint pen, with wax crayon, watercolor, and graphite underdrawing, on primed canvas with a varnish coating · 1928
Art Institute of Chicago
The Red Head
Lee Godie
Watercolor, with graphite underdrawing, on primed canvas with varnish coating · 1928
Art Institute of Chicago
VBP Olie, Geen reuk kleur smaak, Snijmachine olie
Paul Schuitema
Letterpress and varnished · 1928
Museum of Modern Art
The Intellectual
Arthur Dove
Wood box with magnifying glass, bone, moss, bark, and a scale on varnished cloth mounted on wood · 1925
Museum of Modern Art
House of Mystery
Charles Ephraim Burchfield
Watercolor over graphite on heavy textured cream wove watercolor paper, laid down on cardboard and varnished · 1924
Art Institute of Chicago
Composition Number 3
Vasyl Yermilov
Wood, brass, varnish, and paint · 1923
Museum of Modern Art
Study for Maximum Mass Permitted by the 1916 New York Zoning Law, Stage 3
Hugh Ferriss, American
drawing — black crayon, stumped and erased; brush and black wash over photostat, varnish, on illustration board · 1922
Cooper Hewitt, Smithsonian Design Museum