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Artworks
La machine à écrire: pièce en trois actes (The Typewriter: A Play in Three Acts)
Mary Reynolds
Quarter vellum binding with white paper sides repeatedly stamped with an uppercase M in red and black; plain ivory endpapers; author and title stamped in gold on spine; original paper covers bound in · 1941
Art Institute of Chicago
La fin du Potomak
Mary Reynolds
One-quarter vellum binding; sides covered with gold-starred paper · 1940
Art Institute of Chicago
Peintures: sept poèmes et seize illustrations
Henri Michaux
Book printed on Normandy vellum with one gouache drawing on cream laid paper · 1939
Art Institute of Chicago
Les parents terribles: Pièce en trois actes (The Terrible Parents: A play in three acts)
Mary Reynolds
Quarter vellum binding with Cockerell marbled paper; marbled endpapers; original paper covers bound in; inscription and drawing in graphite on half-title by Cocteau · 1938
Art Institute of Chicago
Les chevaliers de la table ronde: Pièce en trois actes (The Knights of the Roundtable: A play in three acts)
Mary Reynolds
Quarter vellum with white paper decorated with fleurs-de-lis; endpapers decorated with gold fleurs-de-lis; title stamped in gold on spine; original paper covers bound in; inscription and pen and ink drawing by Cocteau · 1937
Art Institute of Chicago
Odile: Roman
Mary Reynolds
Full black calfskin binding; horizontal vellum onlay; title in black ink on front cover; author's name in black ink on back cover; Japanese endpapers; original paper covers bound in · 1937
Art Institute of Chicago
Mon premier voyage: Tour du monde en 80 jours (My first voyage: Around the world in 80 days)
Mary Reynolds
Quarter vellum with gold stamping; paper-map sides and endpapers; original paper covers bound in · 1936
Art Institute of Chicago
The Mob
Carl Hoeckner
Lithograph on cream wove Japanese vellum · 1935
Art Institute of Chicago
La machine infernale: pièce en 4 actes
Mary Reynolds
Full vellum binding, wine-colored morocco label with gold lettering on spine; vellum end leaves; original paper covers bound in · 1934
Art Institute of Chicago
Toast, plate one from Poesies de Mallarmé
Henri Matisse
Etching in black on ivory laid Japanese vellum · 1932
Art Institute of Chicago
The Flowers, plate six from Poesies de Mallarmé
Henri Matisse
Etching in black on ivory laid Japanese vellum · 1932
Art Institute of Chicago
Le Pitre Châtié, plate four from Poesies de Mallarmé
Henri Matisse
Etching in black on ivory laid Japanese vellum · 1932
Art Institute of Chicago
Apparition, plate three from Poesies de Mallarmé
Henri Matisse
Etching in black on ivory laid Japanese vellum · 1932
Art Institute of Chicago
Soupir, plate five from Poesies de Mallarmé
Henri Matisse
Etching in black on ivory laid Japanese vellum · 1932
Art Institute of Chicago
Le Guignon, plate two from Poesies de Mallarmé
Henri Matisse
Etching in black on ivory laid Japanese vellum · 1932
Art Institute of Chicago
Weary of Bitter Rest, plate seven from Poesies de Mallarmé
Henri Matisse
Etching in black on ivory laid Japanese vellum · 1932
Art Institute of Chicago
L'Azur, plate nine from Poesies de Mallarmé
Henri Matisse
Etching in black on ivory laid Japanese vellum · 1932
Art Institute of Chicago
Le Sonneur, plate eight from Poesies de Mallarmé
Henri Matisse
Etching in black on ivory laid Japanese vellum · 1932
Art Institute of Chicago
Hérodiade, Scène ll, plate eleven from Poesies de Mallarmé
Henri Matisse
Etching in black on ivory laid Japanese vellum · 1932
Art Institute of Chicago
Hérodiade, Scène l, plate ten from Poesies de Mallarmé
Henri Matisse
Etching in black on ivory laid Japanese vellum · 1932
Art Institute of Chicago
L'Après-Midi d'un Faune: Égloue plate fourteen from Poesies de Mallarmé
Henri Matisse
Etching in black on ivory laid Japanese vellum · 1932
Art Institute of Chicago
Hérodiade, Scène lll, plate twelve from Poesies de Mallarmé
Henri Matisse
Etching in black on ivory laid Japanese vellum · 1932
Art Institute of Chicago
Hérodiade, Scène lV, plate thirteen from Poesies de Mallarmé
Henri Matisse
Etching in black on ivory laid Japanese vellum · 1932
Art Institute of Chicago
A Faun in the Afternoon, plate fifteen from Poesies de Mallarmé
Henri Matisse
Etching in black on ivory laid Japanese vellum · 1932
Art Institute of Chicago