Database / Artworks
Artworks
L'Après-Midi d'un Faune: Le Faune ll, plate sixteen from Poesies de Mallarmé
Henri Matisse
Etching in black on ivory laid Japanese vellum · 1932
Art Institute of Chicago
Prose (Pour des Esseintes), plate nineteen from Poesies de Mallarmé
Henri Matisse
Etching in black on ivory laid Japanese vellum · 1932
Art Institute of Chicago
L'Après-Midi d'un Faune: Le Faune lll, plate seventeen from Poesies de Mallarmé
Henri Matisse
Etching in black on ivory laid Japanese vellum · 1932
Art Institute of Chicago
Eventail de Madame Mallarmé, plate 20 from Poesies de Mallarmé
Henri Matisse
Etching in black on ivory laid Japanese vellum · 1932
Art Institute of Chicago
L'Après-Midi d'un Faune: Le Faune IV, plate eighteen from Poesies de Mallarmé
Henri Matisse
Etching in black on ivory laid Japanese vellum · 1932
Art Institute of Chicago
Autre Eventail, de Mademoiselle Mallarmé, plate 21 from Poesies de Mallarmé
Henri Matisse
Etching in black on ivory laid Japanese vellum · 1932
Art Institute of Chicago
Feuillets d'Album, Rondels, plate 23 from Poesies de Mallarmé
Henri Matisse
Etching in black on ivory laid Japanese vellum · 1932
Art Institute of Chicago
A Few Sonnets: Frontispiece, plate 24 from Poesies de Mallarmé
Henri Matisse
Etching in black on ivory laid Japanese vellum · 1932
Art Institute of Chicago
Feuillets d'Album, Frontispice, plate 22 from Poesies de Mallarmé
Henri Matisse
Etching in black on iivory laid Japanese vellum · 1932
Art Institute of Chicago
Plusieurs Sonnets: Le Tombeau d'Edgar Poe, plate 26 from Poesies de Mallarmé
Henri Matisse
Etching in black on ivory laid Japanese vellum · 1932
Art Institute of Chicago
A Few Sonnets: "With her Pure Nails...", plate 25 from Poesies de Mallarmé
Henri Matisse
Etching in black on ivory laid Japanese vellum · 1932
Art Institute of Chicago
Plusieurs Sonnets: Le Tombeau de Charles Baudelaire, plate 27 from Poesies de Mallarmé
Henri Matisse
Etching in black on ivory laid Japanese vellum · 1932
Art Institute of Chicago
Plusieurs Sonnets: "A la nue accablante...", plate 29 from Poesies de Mallarmé
Henri Matisse
Etching in black on ivory laid Japanese vellum · 1932
Art Institute of Chicago
Plusieurs Sonnets: "Quelle soie...", plate 28 from Poesies de Mallarmé
Henri Matisse
Etching in black on ivory laid Japanese vellum · 1932
Art Institute of Chicago
Poésies
Henri Matisse
Book with letterpress in black and red and 29 etchings in black on cream wove Japanese vellum, bound in brown leather and brown paperboard cover with gold stamped spine · 1932
Art Institute of Chicago
A. James Speyer Collection
A. James Speyer
Holograph papers, typescript papers,printed papers, architectural reprographic prints, graphite drawings and ink drawings on paper and vellum, black and white photographic prints, color photographic prints, black and white negatives, color slides and a VHS videocassette. · 1931
Art Institute of Chicago
Stool (Plan, sde elevation, detail section)
Ludwig Mies van der Rohe
Ink and colored ink on vellum · 1931
Museum of Modern Art
Side chair (Side elevation, plan, detail, section)
Ludwig Mies van der Rohe
Ink and colored inks on vellum · 1931
Museum of Modern Art
Armchair (Plan, side elevation, detail section)
Ludwig Mies van der Rohe
Ink and colored inks on vellum · 1931
Museum of Modern Art
Red Brick House, Perspective Rendering
White & Weber
Pencil and watercolor on tracing vellum · 1930
Art Institute of Chicago
La voix humaine: pièce en un acte
Mary Reynolds
Quarter binding in vellum, sides and end papers covered with paper printed with a black and white design in pochoir with paper; author and title stamped in gold on spine; original
paper covers bound in · 1930
Art Institute of Chicago
Nude with Turban
Henri Matisse
Lithograph in black on buff wove Japanese vellum · 1929
Art Institute of Chicago
Le rouge et le blanc (Lucien Leuwen): Roman posthume (1834-1836)
Mary Reynolds
Vol. 1: full red morocco binding; "sten" stamped in gold on spine; decorated endpapers; top edge gilt; Vol. 2: full vellum binding; "dhal" stamped in gold on spine; decorated endpapers; top edge gilt; Paper-covered slipcase with morocco trim; lined with felt · 1929
Art Institute of Chicago
Antigone: Les mariés de la Tour Eiffel
Mary Reynolds
One-quarter vellum binding, sides covered with white paper speckled with stamped blue stars; author and title stamped in gold on spine; original paper covers bound in · 1928
Art Institute of Chicago