Artworks

James McNeill Whistler

Transfer lithograph in black with stumping, on cream laid Japanese vellum · 1894

James McNeill Whistler

Transfer lithograph in black on cream laid Japanese vellum · 1894

Paul Gauguin

Wood-block print in black ink, with brush and pale orange wash, over stenciled yellow ink and a red ink tone block, on cream wove paper (an imitation Japanese vellum) · 1894

Paul Gauguin

Transfer zincograph on coarse-grained transfer paper, in dark-blue ink on thin ivory wove paper (an imitation Japanese vellum) · 1894

Paul Gauguin

Black ink monotype from a glass matrix, over watercolor monotype from a paper matrix, with touches of metallic oil-based media, on thin cream Japanese paper laid down on cream wove paper (an imitation Japanese vellum) · 1894

Paul Gauguin

Wood-block print in black ink, over stenciled red ink and a yellow ink tone block, on cream wove paper (an imitation Japanese vellum) · 1894

Paul Gauguin

Watercolor monotype from a glass matrix, with brush and white gouache, reddish-brown and black water color, on cream wove paper (an imitation Japanese vellum) · 1894

Paul Gauguin

Wood-block print, printed twice in deep yellow ocher and black ink (recto); wood-block print in black ink over stenciled yellow ink and a red ink tone block (verso); on cream wove paper (an imitation Japanese vellum) · 1894

Paul Gauguin

Wood-block print, printed twice in deep-yellow ocher and black ink, on cream wove paper (an imitation Japanese vellum), mounted on mottled blue wove laminate card (recto); wood-block print in black ink over red ink tone block, and brush and solvent-thinned orange wash, on cream wove paper (an imitation Japanese vellum) mounted on mottled blue wove laminate card (verso) · 1894

Paul Gauguin

Wood-block print, printed twice in deep-yellow ocher and brown ink, with touches of black watercolor, on cream wove paper (an imitation Japanese vellum), mounted on mottled blue wove laminate card (recto); wood-block print in black ink over red ink tone block, and brush and solvent-thinned orange wash, on cream wove paper (an imitation Japanese vellum) mounted on mottled blue wove laminate card (verso) · 1894

Paul Gauguin

Wood-block print in black ink, over a stenciled orange-ink tone block, on cream wove paper (an imitation Japanese vellum) · 1894

Paul Gauguin

Wood-block print in black ink, over a stenciled dark-red-ink tone block, on cream wove paper (an imitation Japanese vellum) · 1894

Paul Gauguin

Wood-block print in black ink, over stenciled dark-red ink and a yellow-ink tone block, on cream wove paper (an imitation Japanese vellum) · 1894

Paul Gauguin

Transfer zincograph on coarse-grained transfer paper, in dark-blue ink on cream wove paper (an imitation Japanese vellum) · 1894

James McNeill Whistler

lithograph in black on laid Japanese vellum · 1893

James McNeill Whistler

Transfer lithograph from six stones, in black (keystone), greenish gray, brown, green, yellow, and gray, with scraping, on tan wove Japanese vellum · 1893

James McNeill Whistler

Transfer lithograph with stumping in black ink on tan laid Japanese vellum · 1893

James McNeill Whistler

Transfer lithograph in black on cream laid Japanese vellum · 1893

James McNeill Whistler

Transfer lithograph from three stones, in black (keystone), red, and gray inks, with scraping, on cream wove Japanese vellum · 1893

Jean-Louis Forain

a) lithograph on wove Arches vellum paper b) crayon in purple on wove Arches vellum paper · 1892

Jean-Louis Forain

lithograph on wove Arches vellum paper · 1892

Jean-Louis Forain

Lithograph on ivory vellum paper · 1891

Jean-Louis Forain

lithograph in brown on wove Arches vellum paper · 1890

Jean-Louis Forain

lithograph in brown on wove Arches vellum paper · 1890