Database / Artworks
Artworks
Box for Notes
Barnett Newman
Vellum covered folio box · 1968
Art Institute of Chicago
Untitled (Study for Isomorphic Circles)
Mel Bochner
Graphite on drafting vellum · 1967
Art Institute of Chicago
Untitled (from "Nowhere to Go but Down," Progressive Architecture, February 1965) (Section of an underground multi-use housing complex)
Malcolm Wells
Ink and watercolor on vellum · 1964
Museum of Modern Art
Untitled (from "Nowhere to Go but Down," Progressive Architecture, February 1965) (Section of an underground library)
Malcolm Wells
Ink and watercolor on vellum · 1964
Museum of Modern Art
Untitled (from "Nowhere to Go but Down," Progressive Architecture, February 1965) (Section of an underground house)
Malcolm Wells
Ink and watercolor on vellum · 1964
Museum of Modern Art
ABC Office Building, New York City, New York, Plan
Bertrand Goldberg
Ink and graphite on vellum · 1963
Art Institute of Chicago
Kibbutz Kfar Masaryk, Israel (Details)
Munio Gitai Weinraub
Pencil and ink on vellum · 1962
Museum of Modern Art
Kibbutz Kfar Masaryk, Israel (Details)
Munio Gitai Weinraub
Pencil and ink on vellum · 1962
Museum of Modern Art
Kibbutz Kfar Masaryk, Israel (Floor plan)
Munio Gitai Weinraub
Ink on vellum · 1962
Museum of Modern Art
Kibbutz Kfar Masaryk, Israel (Details)
Munio Gitai Weinraub
Ink on vellum · 1962
Museum of Modern Art
Kibbutz Kfar Masaryk, Israel (Ground floor plan)
Munio Gitai Weinraub
Pencil on vellum · 1962
Museum of Modern Art
Kibbutz Kfar Masaryk, Israel (Elevations)
Munio Gitai Weinraub
Ink on vellum · 1962
Museum of Modern Art
Nestle Headquarters, Vevey, Switzerland (Perspective, south façade)
Jean Tschumi
Colored pencil and gouache on vellum · 1956
Museum of Modern Art
Casas Urbanizacion el Retiro, Bogotá, Colombia (Plan and section)
Guillermo Bermúdez
Ink on vellum · 1953
Museum of Modern Art
Casas Urbanizacion el Retiro, Bogotá, Colombia (Plan and perspective sketch)
Guillermo Bermúdez
Pencil and ink on vellum · 1953
Museum of Modern Art
Poésie de mots inconnus
Iliazd
Book with letterpress in black and red, and thirteen intaglios, seven woodcuts, six lithographs, and one linocut on cream laid handmade paper, line block in black on vellum, embossing on vellum, and blue laid handmade endpapers, bound in black and white leather cover with orange, purple, green, yellow, and blue leather decorations · 1949
Art Institute of Chicago
Poésie de mots inconnus
Iliazd
Unbound book with letterpress in black and red, and thirteen intaglios, seven woodcuts, six lithographs, and one linocut on cream laid handmade paper with blue laid handmade endpapers, tucked in vellum cover with line block in black, and in vellum wrap with embossing, inside a vellum folder · 1949
Art Institute of Chicago
Student Religious Center, Recreation Building, Norman, Oklahoma: Main Floor Plan
Bruce Goff
Graphite and colored pencil on yellow vellum-finish tracing paper · 1949
Art Institute of Chicago
Student Religious Center, Recreation Building, Norman, Oklahoma: Mezzanine Floor Plan and Cross Section through Building
Bruce Goff
Graphite and colored pencil on yellow vellum-finish tracing paper · 1949
Art Institute of Chicago
Florilège des Amours de Ronsard
Henri Matisse
Lithograph in sanguine on cream wove Japanese vellum · 1948
Art Institute of Chicago
Florilège des Amours de Ronsard
Henri Matisse
Lithograph in sanguine on cream wove Japanese vellum · 1948
Art Institute of Chicago
Florilège des Amours de Ronsard
Henri Matisse
Lithograph in sanguine on cream wove Japanese vellum · 1948
Art Institute of Chicago
Florilège des Amours de Ronsard
Henri Matisse
Lithograph in sanguine on cream wove Japanese vellum · 1948
Art Institute of Chicago
Florilège des Amours de Ronsard
Henri Matisse
Lithograph in sanguine on cream wove Japanese vellum · 1948
Art Institute of Chicago