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Database / Artworks

Artworks

8,367 records · wash
Christ in the House of Martha and Mary
Christ in the House of Martha and Mary
François Perrier
Pen and brown ink, brown wash, over traces of graphite · 1635
The Metropolitan Museum of Art
River Landscape with a Man Standing by a Boathouse
River Landscape with a Man Standing by a Boathouse
Philips de Koninck
Pen and brown ink, reddish-brown (red chalk?), gray wash. · 1634
The Metropolitan Museum of Art
Design for a Half Frame Decorated with Angels, Volutes and Garlands
Design for a Half Frame Decorated with Angels, Volutes and Garlands
Ciro Ferri
Pen and brown ink, brush and brown wash over traces of graphite highlighted with white gouache on the upper side of the frame · 1634
The Metropolitan Museum of Art
The Last Supper
The Last Supper
Ciro Ferri
Brush and brown wash, highlighted with white, over black chalk, on brownish paper · 1634
The Metropolitan Museum of Art
The Circumcision, Study for an Engraving
The Circumcision, Study for an Engraving
Ciro Ferri
Pen and brown ink, brush and brown wash, highlighted with white, over black chalk · 1634
The Metropolitan Museum of Art
Detail of Martyrdom of Saint John the Evangelist, after Callot
Detail of Martyrdom of Saint John the Evangelist, after Callot
Stefano della Bella, Italian
pen and brown ink with brush and brown wash over black chalk (upper portion of soldier's armor) · 1634
Cleveland Museum of Art
Saint Anthony of Padua
Saint Anthony of Padua
Luca Giordano
black chalk and brown wash on laid paper · 1634
National Gallery of Art
The Raising of the Cross
The Raising of the Cross
Luca Giordano
pen and brown ink with brown wash over touches of black chalk on laid paper · 1634
National Gallery of Art
The Last Supper
The Last Supper
Ciro Ferri
Brush and brown wash, highlighted with white, over black chalk, on brownish paper · 1634
The Metropolitan Museum of Art
Design for a Half Frame Decorated with Angels, Volutes and Garlands
Design for a Half Frame Decorated with Angels, Volutes and Garlands
Ciro Ferri
Pen and brown ink, brush and brown wash over traces of graphite highlighted with white gouache on the upper side of the frame · 1634
The Metropolitan Museum of Art
The Circumcision, Study for an Engraving
The Circumcision, Study for an Engraving
Ciro Ferri
Pen and brown ink, brush and brown wash, highlighted with white, over black chalk · 1634
The Metropolitan Museum of Art
The Triumph of Cybele, after Paolo Fiammingo's "Triumph of Earth"
The Triumph of Cybele, after Paolo Fiammingo's "Triumph of Earth"
Hans Friedrich Schorer
Pen and black ink, gray wash and white heightening · 1634
The Metropolitan Museum of Art
The Temptation of Christ by the Devil
The Temptation of Christ by the Devil
Christoffel Jegher
Woodcut in black on cream laid paper, tipped onto ivory laid paper mount prepared with ochre wash · 1633
Art Institute of Chicago
The Mocking of Christ
The Mocking of Christ
Andries Both
Pen and brown ink with brush and brown and gray wash, over traces of black chalk, on ivory laid paper · 1633
Art Institute of Chicago
The Return of Ulysses
The Return of Ulysses
Theodoor van Thulden
Pen and brown ink with brush and gray wash, over traces of black chalk, on ivory laid paper · 1633
Art Institute of Chicago
The Family of Cain
The Family of Cain
Peter Oliver
Pen and black and brown ink, brush and gray wash over red chalk, highlighted with white gouache (bodycolor) · 1633
The Metropolitan Museum of Art
The Family of Cain
The Family of Cain
Peter Oliver Foss
Pen and black and brown ink, brush and gray wash over red chalk, highlighted with white gouache (bodycolor) · 1633
The Metropolitan Museum of Art
Triumph of Alexander
Triumph of Alexander
François Chauveau, French
Pen and iron gall ink, with brush and gray wash, and traces of red chalk, over traces of graphite, on cream laid paper, laid down on cream laid paper · 1633
Art Institute of Chicago
Mythological Scene: Triumph of Alexander (recto)
Mythological Scene: Triumph of Alexander (recto)
François Chauveau, French
Pen and iron gall ink, with brush and gray wash, and traces of red chalk, over traces of graphite, on cream laid paper (pieced) · 1633
Art Institute of Chicago
The Temptation of Christ by the Devil
The Temptation of Christ by the Devil
Christoffel Jegher
Woodcut in black on cream laid paper, tipped onto ivory laid paper mount prepared with ochre wash · 1633
Art Institute of Chicago
The Return of Ulysses
The Return of Ulysses
Theodoor van Thulden
Pen and brown ink with brush and gray wash, over traces of black chalk, on ivory laid paper · 1633
Art Institute of Chicago
The Mocking of Christ
The Mocking of Christ
Andries Dirksz. Both
Pen and brown ink with brush and brown and gray wash, over traces of black chalk, on ivory laid paper · 1633
Art Institute of Chicago
Triumph of Alexander
Triumph of Alexander
François Chauveau
Pen and iron gall ink, with brush and gray wash, and traces of red chalk, over traces of graphite, on cream laid paper, laid down on cream laid paper · 1633
Art Institute of Chicago
Mythological Scene: Triumph of Alexander (recto)
Mythological Scene: Triumph of Alexander (recto)
François Chauveau
Pen and iron gall ink, with brush and gray wash, and traces of red chalk, over traces of graphite, on cream laid paper (pieced) · 1633
Art Institute of Chicago
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