Database / Artworks
Artworks
Study for Saint Francis Receiving the Stigmata
Guercino, Italian
Pen and brown ink, with traces of brush and brown wash, on tan laid paper, laid down on cream laid paper · 1632
Art Institute of Chicago
Groundplan of the Church of Saint John in ’s-Hertogenbosch
Pieter Jansz Saenredam
Pen and brown ink, yellow, gray and red wash, over lead or graphite · 1632
The Metropolitan Museum of Art
The Flagellation of Christ
Matthäus Gundelach
Black chalk, pen and brown ink, brush and brown wash, heightened with white · 1632
The Metropolitan Museum of Art
Polyphemus Throwing Boulders at the Fleeing Aeis and Galatea (recto); Polyphemus Playing His Reed Pipes for Galatea (verso)
Felice Giani
Pen and brown ink and brush and brown wash, over touches of black chalk (recto and verso), on ivory laid paper · 1632
Art Institute of Chicago
Groundplan of the Church of Saint John in ’s-Hertogenbosch
Pieter Jansz.
Pen and brown ink, yellow, gray and red wash, over lead or graphite · 1632
The Metropolitan Museum of Art
Assumption of the Virgin
Carlo Maratti
Pen and brown ink, with brush and brown wash and black chalk, on ivory laid paper, laid down on ivory laid paper · 1632
Art Institute of Chicago
Assumption of the Virgin
Carlo Maratti
Pen and brown ink, with brush and brown wash and black chalk, on ivory laid paper, laid down on ivory laid paper · 1632
Art Institute of Chicago
Groundplan of the Church of Saint John in ’s-Hertogenbosch
Pieter Jansz.
Pen and brown ink, yellow, gray and red wash, over lead or graphite · 1632
The Metropolitan Museum of Art
Polyphemus Throwing Boulders at the Fleeing Aeis and Galatea (recto); Polyphemus Playing His Reed Pipes for Galatea (verso)
Felice Giani, Italian
Pen and brown ink and brush and brown wash, over touches of black chalk (recto and verso), on ivory laid paper · 1632
Art Institute of Chicago
Head of a Peasant in Profile to the Left
Guercino
Pen and brown ink and brush and brown wash on cream laid paper · 1632
Art Institute of Chicago
Polyphemus Throwing Boulders at the Fleeing Aeis and Galatea (recto); Polyphemus Playing His Reed Pipes for Galatea (verso)
Felice Giani
Pen and brown ink and brush and brown wash, over touches of black chalk (recto and verso), on ivory laid paper · 1632
Art Institute of Chicago
Sketches of Turbanned Men (recto); Fragment of a Figure and Sketches of Foliated Architectural Ornament (verso)
Salvator Rosa
Pen and brown ink, with brush and brown wash (recto and verso), on ivory laid paper · 1632
Art Institute of Chicago
Assumption of the Virgin
Carlo Maratti
Pen and brown ink, with brush and brown wash and black chalk, on ivory laid paper, laid down on ivory laid paper · 1632
Art Institute of Chicago
Study for Saint Francis Receiving the Stigmata
Guercino
Pen and brown ink, with traces of brush and brown wash, on tan laid paper, laid down on cream laid paper · 1632
Art Institute of Chicago
Joseph Greeting his Brothers
Pier Francesco Mola
Pen and brown ink, with brush and brown wash, over red chalk, on buff laid paper, laid down on cream wove card · 1632
Art Institute of Chicago
Head
Pier Francesco Mola
Pen and brown ink, with brush and brown wash, on ivory laid paper, laid down on gray wove paper · 1632
Art Institute of Chicago
To Each His Own Pastime (Elck Sijn Tijt-Verdrijff)
Adriaen van de Venne
Red chalk; verso: the design partially traced in red-brown chalk and wash · 1632
The Metropolitan Museum of Art
Neptune and Minerva Discussing the Foundation of Athens
Charles Le Brun
Pen and brown ink, with brush, brown wash and red chalk, on cream laid paper · 1632
Art Institute of Chicago
Figures Crossing Stone Bridge Above Boat Ferrying Barrels
Andries Both
Brush and gray wash, with graphite, on cream laid paper · 1631
Art Institute of Chicago
Death on Horseback Chasing a Flying Knight
Sebastiaen Vrancx
pen and brown ink and brush and brown wash, over traces of graphite; framing lines in brown ink (bottom edge) · 1631
Cleveland Museum of Art
Armed Galleon Seen from Starboard Quarter
Willem van de Velde II
Brush and gray wash, with graphite and traces of black chalk, on tan laid paper, laid down on cream laid paper · 1631
Art Institute of Chicago
Flying Putti, Surrounding Archangel Raphael
Conrad Meyer
Pen and brown and black ink, brush and gray and brown wash, heightened with white · 1631
The Metropolitan Museum of Art
Ships
Ludolf Backhuysen, Dutch
pen and brown ink and brush and gray wash · 1631
Cleveland Museum of Art
Landscape Study
Bartholomeus Breenbergh
brown wash over black chalk on laid paper · 1631
National Gallery of Art