Database / Artworks
Artworks
The Charlatan (recto), and Two Standing Figures (verso)
Gerard ter Borch
Pen and brown ink, with brush and gray wash, with traces of graphite, over traces of black chalk (recto), and red and black chalk (verso), on ivory laid paper · 1630
Art Institute of Chicago
A Forest Interior, with a Seated Figure
Saftleven, Herman, the elder
Black chalk and brush and brown wash, with touches of black crayon and traces of opaque white watercolor, ruled in pen and black ink at edges, on ivory laid paper · 1629
Art Institute of Chicago
Illusionistic Ceiling Decoration
Agostino Mitelli
Pen and brown ink, with brush and brown wash and traces of graphite, on ivory laid paper, laid down on ivory laid paper · 1629
Art Institute of Chicago
Sheet of Sketches: Sea Monsters and Elaborate Portals (recto); Sketches of Architectural Details (verso)
Agostino Mitelli
Pen and brown ink, with brush and gray wash and traces of red chalk (recto), and pen and brown ink (verso), on ivory laid paper · 1629
Art Institute of Chicago
A Forest Interior, with a Seated Figure
Herman Saftleven
Black chalk and brush and brown wash, with touches of black crayon and traces of opaque white watercolor, ruled in pen and black ink at edges, on ivory laid paper · 1629
Art Institute of Chicago
Illusionistic Ceiling Decoration
Agostino Mitelli
Pen and brown ink, with brush and brown wash and traces of graphite, on ivory laid paper, laid down on ivory laid paper · 1629
Art Institute of Chicago
Sheet of Sketches: Sea Monsters and Elaborate Portals (recto); Sketches of Architectural Details (verso)
Agostino Mitelli
Pen and brown ink, with brush and gray wash and traces of red chalk (recto), and pen and brown ink (verso), on ivory laid paper · 1629
Art Institute of Chicago
Design for Allegory of Divine Wisdom, Reception Room, Palazzo Barberini, Rome, Italy
Andrea Sacchi, Italian
figures, drawing — brush and brown wash, pen and brown ink, red, black, and white chalk on off-white laid paper · 1629
Cooper Hewitt, Smithsonian Design Museum
Madonna and Child with Angels, Saint Benedict, and Saint Scholastica
Giulio Benso
pen and brown ink with brown wash, squared in graphite, on laid paper, laid down on old mount · 1629
National Gallery of Art
A Forest Interior, with a Seated Figure
Herman Saftleven, Dutch
Black chalk and brush and brown wash, with touches of black crayon and traces of opaque white watercolor, ruled in pen and black ink at edges, on ivory laid paper · 1629
Art Institute of Chicago
Queen Intervening to Spare the Life of a Bishop Saint
Lazzaro Tavarone
Pen and brown ink with brush and brown wash, heightened with lead white (partly discolored), on tan laid paper, squared in black chalk, laid down on ivory laid paper · 1629
Art Institute of Chicago
Illusionistic Ceiling Decoration
Agostino Mitelli
Pen and brown ink, with brush and brown wash and traces of graphite, on ivory laid paper, laid down on ivory laid paper · 1629
Art Institute of Chicago
Sheet of Sketches: Sea Monsters and Elaborate Portals (recto); Sketches of Architectural Details (verso)
Agostino Mitelli
Pen and brown ink, with brush and gray wash and traces of red chalk (recto), and pen and brown ink (verso), on ivory laid paper · 1629
Art Institute of Chicago
Divine of Reformation Time
Peter van Lint
Black chalk, with brush and gray wash heightened with lead white, on blue laid paper, laid down on ivory laid paper · 1629
Art Institute of Chicago
Beggar Woman Leaning on a Stick
Rembrandt van Rijn
brush and brown wash on laid paper, on Richardson album sheet · 1628
National Gallery of Art
Raymond Diocrès Speaking During His Funeral (from the Life of Saint Bruno of Cologne)
Daniele Crespi
Pen and dark brown ink, brush and brown wash, highlighted with white gouache, over soft black chalk or leadpoint · 1628
The Metropolitan Museum of Art
Voluntary Poverty
Domenichino
Red chalk, with brush and brown wash and red chalk wash, on ivory laid paper, laid down on board · 1627
Art Institute of Chicago
Abduction of Helen
Attr. Guido RENI
Pen and brown ink, with brush and brown and gray wash, heightened with lead white (partially oxidized), on cream laid paper prepared with brown wash, laid down on cream laid paper · 1627
Art Institute of Chicago
Abduction of Helen
apres Guido Reni
Pen and brown ink, with brush and brown and gray wash, heightened with lead white (partially oxidized), on cream laid paper prepared with brown wash, laid down on cream laid paper · 1627
Art Institute of Chicago
Putti with the Attributes of the Arts
Domenico Piola
Pen and brown ink, brush and brown wash over some charcoal · 1627
The Metropolitan Museum of Art
Wooded Landscape with Two Figures
Domenico Piola
Pen and brown ink, brush and brown wash · 1627
The Metropolitan Museum of Art
Venus and Cupid in Vulcan's Forge
Domenico Piola
Pen and brown ink, brush and brown wash, highlighted with white, over charcoal · 1627
The Metropolitan Museum of Art
Moses and the Chosen People Behold the Drowning of the Egyptian Army in the Red Sea
Domenico Piola
Pen and brown ink, brush and brown wash, over traces of charcoal · 1627
The Metropolitan Museum of Art
Saint Jerome in the Wilderness
Domenico Piola
Brush and brown wash, highlighted with white, over traces of charcoal, on brown paper · 1627
The Metropolitan Museum of Art