Database / Artworks
Artworks
Male Figure with a Bow and Arrow Shooting at a Statue of a Woman with a Ball on her Head
Domenico Piola
Pen and brown ink, brush and brown wash, over charcoal · 1627
The Metropolitan Museum of Art
Wooded Landscape with Two Figures
Domenico Piola
Pen and brown ink, brush and brown wash · 1627
The Metropolitan Museum of Art
Venus and Cupid in Vulcan's Forge
Domenico Piola
Pen and brown ink, brush and brown wash, highlighted with white, over charcoal · 1627
The Metropolitan Museum of Art
Saint Jerome in the Wilderness
Domenico Piola
Brush and brown wash, highlighted with white, over traces of charcoal, on brown paper · 1627
The Metropolitan Museum of Art
Putti with the Attributes of the Arts
Domenico Piola
Pen and brown ink, brush and brown wash over some charcoal · 1627
The Metropolitan Museum of Art
Male Figure with a Bow and Arrow Shooting at a Statue of a Woman with a Ball on her Head
Domenico Piola
Pen and brown ink, brush and brown wash, over charcoal · 1627
The Metropolitan Museum of Art
Moses and the Chosen People Behold the Drowning of the Egyptian Army in the Red Sea
Domenico Piola
Pen and brown ink, brush and brown wash, over traces of charcoal · 1627
The Metropolitan Museum of Art
Self-Portrait
Onorio Marinari
Black and red chalk on beige paper (the oval portrait); brush and gray wash over black chalk (the drawn frame) · 1627
The Metropolitan Museum of Art
Saint Francis Kneeling in a Grotto, holding a Book and a Skull
Horst
Pen and brown ink, brown washes; incised for transfer · 1627
The Metropolitan Museum of Art
Caricatures of Two Women (recto); Praying Judas (verso)
Pier Francesco Mola
Pen and brown ink with brush and brown wash (recto) and engraving in black (verso) on ivory laid paper · 1627
Art Institute of Chicago
Study for the Origin of the Rose
Carlo Maratti
Pen and brown ink with brush and brown wash, on tan laid paper, laid down on tan laid board · 1627
Art Institute of Chicago
God the Father Surrounded by Putti
Pier Francesco Mola
Pen and brown ink with brush and pale brown wash, over graphite, on ivory laid paper, laid down on cream board · 1627
Art Institute of Chicago
Copy
Wenceslaus Hollar
Pen and black ink and brush and gray wash, on ivory laid paper, laid down on card · 1627
Art Institute of Chicago
Sacrifice of Abraham
Jan Lievens
Pen and brown ink, with brush and gray wash, on ivory laid paper, tipped onto card · 1627
Art Institute of Chicago
Yard of an Old House
Cornelis Saftleven
Black crayon and brush and gray wash, with touches of black chalk, on buff laid paper, laid down on ivory laid card · 1627
Art Institute of Chicago
A Witches' Sabbath
Cornelis Saftleven
Black chalk, with brush and gray wash; framing line in black ink; laid down on another sheet of paper · 1627
The Metropolitan Museum of Art
Voluntary Poverty
Domenichino
Red chalk, with brush and brown wash and red chalk wash, on ivory laid paper, laid down on board · 1627
Art Institute of Chicago
Figures Seated by a River
Giovanni Francesco Grimaldi, Italian
Pen and brown ink, with brush and brown wash, over graphite, on ivory laid paper, laid down on cream laid paper · 1626
Art Institute of Chicago
View of Temple of Vesta, Tivoli
Giovanni Francesco Grimaldi, Italian
Pen and brown ink, with brush and brown and blue wash, on ivory laid paper, laid down on ivory laid card · 1626
Art Institute of Chicago
View of Rome, with via Appia
Giovanni Francesco Grimaldi, Italian
Pen and brown ink, with brush and brown wash, on ivory laid paper, laid down on ivory laid card · 1626
Art Institute of Chicago
Figures Seated by a River
Giovanni Francesco Grimaldi
Pen and brown ink, with brush and brown wash, over graphite, on ivory laid paper, laid down on cream laid paper · 1626
Art Institute of Chicago
View of Temple of Vesta, Tivoli
Giovanni Francesco Grimaldi
Pen and brown ink, with brush and brown and blue wash, on ivory laid paper, laid down on ivory laid card · 1626
Art Institute of Chicago
View of Rome, with via Appia
Giovanni Francesco Grimaldi
Pen and brown ink, with brush and brown wash, on ivory laid paper, laid down on ivory laid card · 1626
Art Institute of Chicago
Tobias and the Angel
Laurent de La Hyre
Black crayon, with brush and gray wash, on blue laid paper, perimeter mounted on ivory laid paper · 1626
Art Institute of Chicago