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Artworks

8,369 records · wash
Tobias and the Angel
Tobias and the Angel
Laurent de La Hyre
Black crayon, with brush and gray wash, on blue laid paper, perimeter mounted on ivory laid paper · 1626
Art Institute of Chicago
Ornamental Decoration
Ornamental Decoration
Charles Errard, II
Pen and brown ink, with brush and brown wash, heightened with white gouache, over traces of graphite, on buff laid paper, laid down on ivory laid paper · 1626
Art Institute of Chicago
Figures Seated by a River
Figures Seated by a River
Giovanni Francesco Grimaldi
Pen and brown ink, with brush and brown wash, over graphite, on ivory laid paper, laid down on cream laid paper · 1626
Art Institute of Chicago
View of Temple of Vesta, Tivoli
View of Temple of Vesta, Tivoli
Giovanni Francesco Grimaldi
Pen and brown ink, with brush and brown and blue wash, on ivory laid paper, laid down on ivory laid card · 1626
Art Institute of Chicago
View of Rome, with via Appia
View of Rome, with via Appia
Giovanni Francesco Grimaldi
Pen and brown ink, with brush and brown wash, on ivory laid paper, laid down on ivory laid card · 1626
Art Institute of Chicago
Isaac and Rebecca at Well
Isaac and Rebecca at Well
Theodoor van Thulden
Pen and brown ink, with brush and brown wash and lead white (partly discolored), over red chalk, on cream laid paper, laid down on card · 1626
Art Institute of Chicago
Peter and John at the Temple Gate
Peter and John at the Temple Gate
Willem Drost
Pen and brown ink, with brush and brown wash, on ivory laid paper · 1626
Art Institute of Chicago
The Triumphal Entry of Frederik Hendrik of the Orange into The Hague
The Triumphal Entry of Frederik Hendrik of the Orange into The Hague
David Vinckboons
Pen and brown ink, gray and blue and brownish gray washes over black chalk. · 1626
The Metropolitan Museum of Art
Tobias and the Angel
Tobias and the Angel
Laurent de La Hyre
Black crayon, with brush and gray wash, on blue laid paper, perimeter mounted on ivory laid paper · 1626
Art Institute of Chicago
Ornamental Decoration
Ornamental Decoration
Charles Errard
Pen and brown ink, with brush and brown wash, heightened with white gouache, over traces of graphite, on buff laid paper, laid down on ivory laid paper · 1626
Art Institute of Chicago
Fox With Two Herons
Fox With Two Herons
Frans Snyders, Flemish
Pen and brown ink, brush and brown wash, over traces of black chalk · 1625
The Metropolitan Museum of Art
Truth Removing the Blinders from the Eyes of Ignorance (recto); Designs for Frames (verso)
Truth Removing the Blinders from the Eyes of Ignorance (recto); Designs for Frames (verso)
Cosimo Ulivelli
Red chalk and red wash, traces of white highlighting and black chalk on light brown paper · 1625
The Metropolitan Museum of Art
Martyrdom of Two Female Saints
Martyrdom of Two Female Saints
Cosimo Ulivelli
Brush, gray wash, highlighted with white gouache, over black chalk, with traces of red chalk upper left · 1625
The Metropolitan Museum of Art
Forest Landscape
Forest Landscape
Lodewijk de Vadder
Black chalk, brush and gray wash; framing lines in pen and brown ink · 1625
The Metropolitan Museum of Art
Calvary
Calvary
Rombout van Troyen
Pen and brown ink, with brush and brown-gray wash, over black chalk, on ivory laid paper, tipped onto tan wove paper · 1625
Art Institute of Chicago
Fox With Two Herons
Fox With Two Herons
Frans Snyders
Pen and brown ink, brush and brown wash, over traces of black chalk · 1625
The Metropolitan Museum of Art
Musical Scene
Musical Scene
Gerard van Honthorst
black ink wash over pen and brown ink and black chalk over graphite on gray-brown paper with white heightening, incised · 1625
Cleveland Museum of Art
The Fantastic Rocks and Castle at Bomarzo [verso]
The Fantastic Rocks and Castle at Bomarzo [verso]
Bartholomeus Breenbergh
pen and brown ink with brown wash over black chalk on laid paper · 1625
National Gallery of Art
The Fantastic Rocks and Castle at Bomarzo [recto]
The Fantastic Rocks and Castle at Bomarzo [recto]
Bartholomeus Breenbergh
pen and brown ink with brown and gray wash over black chalk on laid paper · 1625
National Gallery of Art
Saint Willibrord
Saint Willibrord
Abraham Bloemaert, Dutch
Pen and brown ink and brush and brown wash, with opaque white watercolor, over charcoal, on cream laid paper prepared with a blue wash · 1625
Art Institute of Chicago
Calvary
Calvary
Rombout van Troyen
Pen and brown ink, with brush and brown-gray wash, over black chalk, on ivory laid paper, tipped onto tan wove paper · 1625
Art Institute of Chicago
Landscape with a River Crossed by a Bridge, Lined with Spectators, Leading to a Building with an Overhanging Loggia with a Party of Onlookers
Landscape with a River Crossed by a Bridge, Lined with Spectators, Leading to a Building with an Overhanging Loggia with a Party of Onlookers
Guercino
Pen and iron-gall ink, with touches of brush and brown wash, on ivory laid paper · 1625
Art Institute of Chicago
A Farm
A Farm
Jacques Callot
Brush and brown wash with black chalk on ivory laid paper · 1625
Art Institute of Chicago
Bishop seated in his Study, seen from his Right Side
Bishop seated in his Study, seen from his Right Side
Abraham Bloemaert
Pen and brown ink and brush and brown ink wash over graphite with opaque white watercolor on cream laid paper · 1625
Art Institute of Chicago
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