Database / Artworks
Artworks
Saint Peter
Pietro Novelli
Pen and brown ink, with brush and blue and brown wash, on tan laid paper · 1623
Art Institute of Chicago
Study of Four Figures, for the Burial of St. Petronilla Altarpiece at St. Peter's
Giovanni Francesco Barbieri (called Guercino), Italian
Pen and brown ink, brush and brown wash on off-white laidpaper, laid down · 1623
Cooper Hewitt, Smithsonian Design Museum
Bacchanale, with Satyr Playing Reeds
Bartolomeo Biscaino
Pen and brown ink, with brush and brown wash, over graphite, on ivory laid paper, laid down on buff laid paper · 1622
Art Institute of Chicago
The Sacrifice of Noah
Baldi
Pen and black ink, brush and gray wash; squared in red chalk · 1622
The Metropolitan Museum of Art
Monastic Saint Presented to the Holy Trinity by the Virgin, Study for a Circular Ceiling Decoration
Baldi
Brush and brown wash, highlighted with white, over black chalk, on brown-washed paper. Lined · 1622
The Metropolitan Museum of Art
Bacchanale, with Satyr Playing Reeds
Bartolomeo Biscaino
Pen and brown ink, with brush and brown wash, over graphite, on ivory laid paper, laid down on buff laid paper · 1622
Art Institute of Chicago
Villa of Maecenas at Tivoli
Bartholomeus Breenbergh
Pen and brown ink, with brush and brown and gray wash, over graphite, with touches of graphite over the washes, on cream laid paper · 1622
Art Institute of Chicago
Villa of Maecenas at Tivoli
Bartholomeus Breenbergh, Dutch
Pen and brown ink, with brush and brown and gray wash, over graphite, with touches of graphite over the washes, on cream laid paper · 1622
Art Institute of Chicago
The Idolatry of Solomon
Pietro da Cortona, Italian
Pen and brown ink, point of brush and black ink, brush and brown wash, and white and blue gouache, framing lines in brown ink · 1622
Cleveland Museum of Art
Shipwreck
Filippo Napoletano
Pen and brown ink and brush and brown wash, over black chalk, on ivory laid paper, laid down on ivory wove paper · 1622
Art Institute of Chicago
Travelers Resting for Nourishment
Michelangelo Cerquozzi
Pen and brown ink with brush and gray, blue, and brown wash, on ivory laid paper · 1622
Art Institute of Chicago
Villa of Maecenas at Tivoli
Bartholomeus Breenbergh
Pen and brown ink, with brush and brown and gray wash, over graphite, with touches of graphite over the washes, on cream laid paper · 1622
Art Institute of Chicago
Bacchanale, with Satyr Playing Reeds
Bartolomeo Biscaino
Pen and brown ink, with brush and brown wash, over graphite, on ivory laid paper, laid down on buff laid paper · 1622
Art Institute of Chicago
Allegory of Navigation
Jan Luyken
Pen and brown ink, with brush and brown wash, on buff laid paper · 1621
Art Institute of Chicago
The Holy Infant Adoring the Trinity
Cano
Pen and brown ink and red chalk and brush and brown and gray wash over black chalk, on ivory laid paper, laid down on gray wove card · 1621
Art Institute of Chicago
Allegory of Navigation
Jan Luyken, Dutch
Pen and brown ink, with brush and brown wash, on buff laid paper · 1621
Art Institute of Chicago
The Adoration of the Magi
Giulio Benso
Pen and black ink, with brush and gray wash, on ivory laid paper · 1621
Art Institute of Chicago
The Marriage of Zenobia and Odenatus
Justus van Egmont
Black chalk with brush and brown wash on ivory laid paper, laid down on ivory laid paper · 1621
Art Institute of Chicago
The Holy Infant Adoring the Trinity
Alonso Cano
Pen and brown ink and red chalk and brush and brown and gray wash over black chalk, on ivory laid paper, laid down on gray wove card · 1621
Art Institute of Chicago
Allegory of Navigation
Jan Luyken
Pen and brown ink, with brush and brown wash, on buff laid paper · 1621
Art Institute of Chicago
Allegorical Portrait of a Commander and His Wife
Pieter Jansz Saenredam
Pen and brown ink, brush and gray wash · 1620
The Metropolitan Museum of Art
Allegorical Portrait of a Commander and His Wife
Pieter Jansz. Quast
Pen and brown ink, brush and gray wash · 1620
The Metropolitan Museum of Art
Saint in a Niche
Francesco Maffei
Pen and brown ink, with brush and blue wash, on ivory laid paper · 1620
Art Institute of Chicago
The Risen Christ between the Virgin and St. Joseph, Appearing to St. Peter and other Apostles
Jean Daret
Brush and brown wash, over graphite · 1620
The Metropolitan Museum of Art