Database / Artworks
Artworks
Mourners Over the Dead Christ
Giovanni Benedetto Castiglione
Pen and brown ink with brush and brown wash, on ivory laid paper, laid down on ivory laid card · 1620
Art Institute of Chicago
A Panoramic Landscape with a Herdsman and His Flock
Jan Ruischer
Pen and brown ink, brush and brown wash, over black chalk · 1620
The Metropolitan Museum of Art
Allegorical Portrait of a Commander and His Wife
Pieter Jansz.
Pen and brown ink, brush and gray wash · 1620
The Metropolitan Museum of Art
The Holy Family
Giovanni Benedetto Castiglione, Italian
figures, drawing — graphite, red chalk, pen and ink, brush and sepia wash on paper · 1620
Cooper Hewitt, Smithsonian Design Museum
Studies of a Bear
Leonard Bramer
brown wash with blue gouache over black chalk on blue-green laid paper, inlaid in old album page · 1620
National Gallery of Art
Saint Bernard of Clairvaux with the Instruments of the Passion
Pieter de Jode I
pen and brown ink with gray and brown wash and black chalk, incised for transfer on laid paper · 1620
National Gallery of Art
The Martyrdom of Saint Sebastian
Jacob Jordaens
pen and brown ink with brown wash on laid paper · 1620
National Gallery of Art
Saint Sebastian
Hans Friedrich Schorer
Pen and brown ink, brown wash, red chalk, squared and numbered in black chalk. · 1620
The Metropolitan Museum of Art
Allegory of Faith
Hans Friedrich Schorer
Pen and black ink and gray wash · 1620
The Metropolitan Museum of Art
View of Tivoli with the Bridge Over the Anio Waterfall
Cornelis van Poelenburgh
Pen and brown ink and brush and brown wash on cream laid paper · 1620
Art Institute of Chicago
Fortified Buildings on Water's Edge
Simon de Vlieger
Black chalk with brush and blue-gray wash on ivory laid paper · 1620
Art Institute of Chicago
Design of Escutcheon with Coat of Arms
Leonardo Scaglia, French, active Italy
Pen and brown ink, brush and gray wash on off-white laid paper · 1620
Cooper Hewitt, Smithsonian Design Museum
Virgin and Child with Saints
Charles Mellin, French
Pen and brown ink, brush and sepia wash over sanguine traces on laid paper · 1620
Cooper Hewitt, Smithsonian Design Museum
Mourners Over the Dead Christ
Giovanni Benedetto Castiglione
Pen and brown ink with brush and brown wash, on ivory laid paper, laid down on ivory laid card · 1620
Art Institute of Chicago
The Descent from the Cross with Saint Francis and Another Friar
Jacopo Ligozzi
Pen and brown ink, brush and brown and gray wash, heightened with gold; framing lines in pen and brown ink and gold · 1619
The Metropolitan Museum of Art
Roman Ruins
Bartholomeus Breenbergh
Pen and brown ink, with brush and brown and blue-gray wash, over traces of graphite, on ivory laid paper, laid down on board · 1619
Art Institute of Chicago
Overgrown Courtyard of Ruined Castle
Jan Asselijn
Brush and gray wash, with traces of black chalk, on ivory laid paper · 1619
Art Institute of Chicago
The Virgin and Child with Saint Anthony of Padua Handing a Lily to the Child
Andrea Sacchi
Red chalk, with brush and red chalk wash, squared in black chalk, on tan laid paper, ruled in red chalk · 1619
Art Institute of Chicago
Rape of Proserpine
Hans Friedrich Schorer
Pen and black ink, with brush and gray wash, over graphite, on ivory laid paper, laid down on ivory laid paper (circle) · 1619
Art Institute of Chicago
Cornelis Schut
Anthony van Dyck
Pen and brown ink, with brush and brown and gray wash, on ivory laid paper · 1619
Art Institute of Chicago
Two Heads
Giovanni Benedetto Castiglione
Pen and brown ink, with brush and brown wash, on ivory laid paper, laid down on ivory laid paper · 1619
Art Institute of Chicago
Monstrance Borne by Angels
Algardi, Alessandro, Style of
Pen and brown ink with brush and brown wash, over black chalk, on cream laid paper, laid down on gray laid paper · 1618
Art Institute of Chicago
Design for Memorial to Pope Gregory XV
Algardi, Alessandro, Style of
Pen and brown ink, with brush and gray wash and watercolor, on vellum · 1618
Art Institute of Chicago
Father Time
Algardi, Alessandro, Style of
Pen and brown ink and brush and brown wash, over black chalk, with traces of red chalk, on tan laid paper, laid down on ivory laid paper · 1618
Art Institute of Chicago