Database / Artworks
Artworks
Design for a Cross with Alternative Suggestions
Pietro Belli, Italian
metalwork, drawing — pen and ink, brush and black wash on paper
Cooper Hewitt, Smithsonian Design Museum
Design for Stained Glass Window: Skylight in Lodge Rooms
Alice Cordelia Morse, American
architecture, interiors, drawing — brush and wash, gouache, graphite on paper mounted on tan illustration board
Cooper Hewitt, Smithsonian Design Museum
Design for Stained Glass Window: Over Main Entrance - Lateral Building, Carnegie Hall, New York, NY
Alice Cordelia Morse, American
architecture, interiors, drawing — brush and wash, gouache, graphite on paper mounted on tan illustration board
Cooper Hewitt, Smithsonian Design Museum
Design for Stained Glass Window: Light in Chapter Room, Carnegie Hall, New York, NY
Alice Cordelia Morse, American
architecture, interiors, drawing — brush and wash, gouache, graphite on paper mounted on tan illustration board
Cooper Hewitt, Smithsonian Design Museum
Design for stained glass
Alice Cordelia Morse, American
architecture, interiors, drawing — brush and wash, gouache, graphite on paper mounted on tan illustration board
Cooper Hewitt, Smithsonian Design Museum
Design for Stained Glass Windows: Chamber Music Hall - Back of Stage, Carnegie Hall, New York, NY
Alice Cordelia Morse, American
architecture, interiors, drawing — brush and wash, gouache, graphite on paper mounted on tan illustration board
Cooper Hewitt, Smithsonian Design Museum
Drawing
Felice Giani, Italian
drawing — pen and brown ink, brush and brown wash over traces of graphite on cream laid paper
Cooper Hewitt, Smithsonian Design Museum
Drawing
Felice Giani, Italian
drawing — pen and brown ink brown wash over traces of graphite on cream laid paper
Cooper Hewitt, Smithsonian Design Museum
Drawing
Felice Giani, Italian
drawing — pen and brown ink, brush and brown wash over traces of graphite on cream laid paper
Cooper Hewitt, Smithsonian Design Museum
Drawing
Felice Giani, Italian
drawing — pen and brown ink, brush and brown wash on cream laid paper
Cooper Hewitt, Smithsonian Design Museum
Composition Study of Cows in a Stream with Wooded Banks
Sawrey Gilpin
Ink wash, pen and ink and graphite on paper
Tate
Student Exercise in Wash Technique
Daniel Hudson Burnham, Jr.
Ink and ink wash on paper
Art Institute of Chicago
Untitled
Federico Zuccaro, Italian
pencil, pen and ink, and ink wash on paper
Smithsonian American Art Museum
Head of a Mesdado Girl
Howard Russell Butler
ink wash
Smithsonian American Art Museum
Lace Making
Joseph Bail, French
charcoal and sepia wash
Smithsonian American Art Museum
Yellowstone Geyser
Richard Norris Brooke
ink wash and brush and ink heightened with white on paper
Smithsonian American Art Museum
Col. Wm. Duane
Charles Balthazar Julien Fevret de Saint-Memin
ink wash
Smithsonian American Art Museum
Bedouin Woman
Miner Kilbourne Kellogg
pencil, colored pencil and wash on paper
Smithsonian American Art Museum
Drawing
Jacob Ruisdael, Dutch
ink and ink wash
Smithsonian American Art Museum
Untitled
Antonio Basoli, Italian
pen and ink, ink wash and watercolor
Smithsonian American Art Museum
Stage Design: Architectural Fantasy
Giuseppe Galli Bibiena, Italian
Pen and brown ink, brush and gray and blue-gray wash on paper
Cooper Hewitt, Smithsonian Design Museum
Study for a Painting of Saint Anthony of Padua Holding the Infant Saint James Major or Saint Luis Gonzaga
Giacomo Zampa, Italian
Black chalk, pen and ink, brush and gray wash on paper
Cooper Hewitt, Smithsonian Design Museum
Design for a Sepulchral Monument to King Louis XVI of France
Giuseppe Barberi, Italian
Pen and brown ink, brush and brown wash on paper
Cooper Hewitt, Smithsonian Design Museum
Façade with the Albani Arms
Carlo Marchionni, Italian
Pen and brown ink, brush and gray wash, black chalk on white wove paper
Cooper Hewitt, Smithsonian Design Museum