Database / Artworks
Artworks
The Execution
Edward Giobbi
Pen and black and brown ink, with brush and gray and brown wash, on ivory wove paper · 1956
Art Institute of Chicago
Thousands of People Own Canaries, from Household Pe(s)ts: The Canary
Ed Nofziger
Pen and black ink, and brush and colored washes, over touches of graphite, on seven sheets of cream wove paper · 1955
Art Institute of Chicago
And They'll Fill a Home With Cheerful Song, from Household Pe(s)ts: The Canary
Ed Nofziger
Pen and black ink and brush and colored washes, over touches of graphite, on cream wove paper · 1955
Art Institute of Chicago
A Bath Once in a While, from Household Pe(s)ts: The Canary
Ed Nofziger
Pen and black ink and brush and colored washes, over touches of graphite, on cream wove paper · 1955
Art Institute of Chicago
I Think Everyone Should Have the Experience of a Canary, from Household Pe(s)ts: The Canary
Ed Nofziger
Pen and black ink and brush and colored washes, over touches of graphite, on cream wove paper · 1955
Art Institute of Chicago
These Little Birds Ask For Only a Cage, from Household Pe(s)ts: The Canary
Ed Nofziger
Pen and black ink and brush and colored washes, over touches of graphite, on cream wove paper · 1955
Art Institute of Chicago
A Little Bird Seed, from Household Pe(s)ts: The Canary
Ed Nofziger
Pen and black ink and brush and colored washes, over touches of graphite, on cream wove paper · 1955
Art Institute of Chicago
A Little Exercise, from Household Pe(s)ts: The Canary
Ed Nofziger
Pen and black ink and brush and colored washes, over touches of graphite, on cream wove paper · 1955
Art Institute of Chicago
Sorry to Keep You Gentlemen Waiting
Tom Henderson
Pen and blue-gray ink and brush and blue-gray wash, and graphite, on cream wove paper · 1955
Art Institute of Chicago
Big Date Tonight, Harvey?
Tom Henderson
Pen and blue-gray ink and brush and gray wash, with graphite, on cream wove paper · 1955
Art Institute of Chicago
Driver's View of Road
Daniel Lang
Graphite, with gray oil pastel and touches of gray wash, on off-white wove paper · 1955
Art Institute of Chicago
Flag
Jasper Johns
Graphite and graphite wash on prepared paper · 1955
Museum of Modern Art
The Caparisoned Knight
Jean Dubuffet
Black ink and brush and gray wash and collage elements on black wove paper · 1954
Art Institute of Chicago
Untitled
Don Baum
Pen and black ink and black and gray wash on ivory wove paper, pre-wrinkled · 1954
Art Institute of Chicago
Carson, Pirie Scott & Co. Centennial Competition, Chicago, Illinois, Land Values and Building Heights
Richard Yoshijiro Mine
Graphite, ink, and watercolor wash on lineprints on paper, patterned adhesive film added. · 1954
Art Institute of Chicago
Carson, Pirie Scott & Co. Centennial Competition, Chicago, Illinois, Land Use
Richard Yoshijiro Mine
Graphite, ink, and watercolor wash on lineprints on paper · 1954
Art Institute of Chicago
Sheet of Sketches
José Luis Cuevas
Pen and blue and black ink, with brush and colored washes, on pink laid paper with red fibers · 1954
Art Institute of Chicago
Dancers Resting
Kenneth Armitage
Black ink with black ink wash on cream wove paper · 1954
Art Institute of Chicago
Seated Figure
José Luis Cuevas
Blue crayon and pen and black ink, with brush and gray wash, over graphite, on gray wove paper · 1954
Art Institute of Chicago
Exorcism
Kurt Seligmann
Ink, gouache, wash, and resin on paper · 1954
Museum of Modern Art
Folding screens of Iroha (1953)
Kitaoji Rosanjin
washi · 1953
Study for "The Three Sisters"
Balthus
Graphite with watercolor wash on ivory wove paper · 1953
Art Institute of Chicago
But the thing that bothered me most in visiting England was the way they wasted man-hours knocking off for tea, from Mostly Malarky
Wally Carlson
Pen, brush, and black ink over graphite, with erasing and blue wash with white gouache, and cut-and-pasted papers, on ivory card · 1953
Art Institute of Chicago
Untitled (goat and man)
Cosmo Campoli
Graphite and brush and gray wash on cream wove paper, mounted on board · 1953
Art Institute of Chicago