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Artworks

75 records · washi
Shirasuka Pass, in The Fifty-Three Stations of the Tokaido Road (Tokaido Gojusan Tsugi-no Uchi)
Shirasuka Pass, in The Fifty-Three Stations of the Tokaido Road (Tokaido Gojusan Tsugi-no Uchi)
Ando Hiroshige, Japanese
Woodblock print (ukiyo-e) on mulberry paper (washi), ink with color · 1834
Cooper Hewitt, Smithsonian Design Museum
Ishiyakushi Temple, in The Fifty-Three Stations of the Tokaido Road (Tokaido Gojusan Tsugi-no Uchi)
Ishiyakushi Temple, in The Fifty-Three Stations of the Tokaido Road (Tokaido Gojusan Tsugi-no Uchi)
Ando Hiroshige, Japanese
Woodblock print (ukiyo-e) on mulberry paper (washi), ink with color · 1834
Cooper Hewitt, Smithsonian Design Museum
Ishibe (Megawa Sato), in The Fifty-Three Stations of the Tokaido Road (Tokaido Gojusan Tsugi-no Uchi)
Ishibe (Megawa Sato), in The Fifty-Three Stations of the Tokaido Road (Tokaido Gojusan Tsugi-no Uchi)
Ando Hiroshige, Japanese
Woodblock print (ukiyo-e) on mulberry paper (washi), ink with color · 1834
Cooper Hewitt, Smithsonian Design Museum
Saka-no-shita, in The Fifty-Three Stations of the Tokaido Road (Tokaido Gojusan Tsugi-no Uchi)
Saka-no-shita, in The Fifty-Three Stations of the Tokaido Road (Tokaido Gojusan Tsugi-no Uchi)
Ando Hiroshige, Japanese
Woodblock print (ukiyo-e) on mulberry paper (washi), ink with color · 1834
Cooper Hewitt, Smithsonian Design Museum
Yoshiwara. Hidari Fuji (Yoshiwara with Mount Fuji), from Tokaido Gojusan Tsugi-na Uchi (Fifty-Three Stations on the Tokaido)
Yoshiwara. Hidari Fuji (Yoshiwara with Mount Fuji), from Tokaido Gojusan Tsugi-na Uchi (Fifty-Three Stations on the Tokaido)
Ando Hiroshige, Japanese
Woodblock print (ukiyo-e) on mulberry paper (washi), ink with color · 1834
Cooper Hewitt, Smithsonian Design Museum
Mitsuke, Tenryu-gawa River, in The Fifty-Three Stations of the Tokaido Road (Tokaido Gojusan Tsugi-no Uchi
Mitsuke, Tenryu-gawa River, in The Fifty-Three Stations of the Tokaido Road (Tokaido Gojusan Tsugi-no Uchi
Ando Hiroshige, Japanese
Woodblock print (ukiyo-e) on mulberry paper (washi), ink with color · 1834
Cooper Hewitt, Smithsonian Design Museum
Tsuchi-yama, Spring Rain, in The Fifty-Three Stations of the Tokaido Road (Tokaido Gojusan Tsugi-no Uchi)
Tsuchi-yama, Spring Rain, in The Fifty-Three Stations of the Tokaido Road (Tokaido Gojusan Tsugi-no Uchi)
Ando Hiroshige, Japanese
Woodblock print (ukiyo-e) on mulberry paper (washi), ink with color · 1834
Cooper Hewitt, Smithsonian Design Museum
Okazaki, Tenshin Bridge, in The Fifty-Three Stations of the Tokaido Road (Tokaido Gojusan Tsugi-no Uchi)
Okazaki, Tenshin Bridge, in The Fifty-Three Stations of the Tokaido Road (Tokaido Gojusan Tsugi-no Uchi)
Ando Hiroshige, Japanese
Woodblock print (ukiyo-e) on mulberry paper (washi), ink with color · 1834
Cooper Hewitt, Smithsonian Design Museum
Numazu Evening, in The Fifty-Three Stations of the Tokaido Road (Tokaido Gojusan Tsugi-no Uchi)
Numazu Evening, in The Fifty-Three Stations of the Tokaido Road (Tokaido Gojusan Tsugi-no Uchi)
Ando Hiroshige, Japanese
Woodblock print (ukiyo-e) on mulberry paper (washi), ink with color · 1834
Cooper Hewitt, Smithsonian Design Museum
Futagawa Teahouse, in The Fifty-Three Stations of the Tokaido Road (Tokaido Gojusan Tsugi-no Uchi)
Futagawa Teahouse, in The Fifty-Three Stations of the Tokaido Road (Tokaido Gojusan Tsugi-no Uchi)
Ando Hiroshige, Japanese
Woodblock print (ukiyo-e) on mulberry paper (washi), ink with color · 1834
Cooper Hewitt, Smithsonian Design Museum
Shimada, Travelers Crossing the Oigawa, in The Fifty-Three Stations of the Tokaido Road (Tokaido Gojusan Tsugi-no Uchi)
Shimada, Travelers Crossing the Oigawa, in The Fifty-Three Stations of the Tokaido Road (Tokaido Gojusan Tsugi-no Uchi)
Ando Hiroshige, Japanese
Woodblock print (ukiyo-e) on mulberry paper (washi) · 1834
Cooper Hewitt, Smithsonian Design Museum
Kuwana, Mouth of the Kiso River, in The Fifty-Three Stations of the Tokaido Road (Tokaido Gojusan Tsugi-no Uchi)
Kuwana, Mouth of the Kiso River, in The Fifty-Three Stations of the Tokaido Road (Tokaido Gojusan Tsugi-no Uchi)
Ando Hiroshige, Japanese
Woodblock print (ukiyo-e) on mulberry paper (washi), ink with color · 1834
Cooper Hewitt, Smithsonian Design Museum
Narumi, A Place Famous for Its Cloth, in The Fifty-Three Stations of the Tokaido Road (Tokaido Gojusan Tsugi-no Uchi)
Narumi, A Place Famous for Its Cloth, in The Fifty-Three Stations of the Tokaido Road (Tokaido Gojusan Tsugi-no Uchi)
Ando Hiroshige, Japanese
Woodblock print (ukiyo-e) on mulberry paper (washi), ink with color · 1834
Cooper Hewitt, Smithsonian Design Museum
Kameyama, Snow Scene, in The Fifty-Three Stations of the Tokaido Road (Tokaido Gojusan Tsugi-no Uchi)
Kameyama, Snow Scene, in The Fifty-Three Stations of the Tokaido Road (Tokaido Gojusan Tsugi-no Uchi)
Ando Hiroshige, Japanese
Woodblock print (ukiyo-e) on mulberry paper (washi), ink with color · 1834
Cooper Hewitt, Smithsonian Design Museum
Minakuchi, in The Fifty-Three Stations of the Tokaido Road (Tokaido Gojusan Tsugi-no Uchi)
Minakuchi, in The Fifty-Three Stations of the Tokaido Road (Tokaido Gojusan Tsugi-no Uchi)
Ando Hiroshige, Japanese
Woodblock print (ukiyo-e) on mulberry paper (washi), ink with color · 1834
Cooper Hewitt, Smithsonian Design Museum
Yokkaichi, River Scene, in The Fifty-Three Stations of the Tokaido Road (Tokaido Gojusan Tsugi-no Uchi)
Yokkaichi, River Scene, in The Fifty-Three Stations of the Tokaido Road (Tokaido Gojusan Tsugi-no Uchi)
Ando Hiroshige, Japanese
Woodblock print (ukiyo-e) on mulberry paper (washi), ink with color · 1834
Cooper Hewitt, Smithsonian Design Museum
Seki, Early Departure, in The Fifty-Three Stations of the Tokaido Road (Tokaido Gojusan Tsugi-no Uchi)
Seki, Early Departure, in The Fifty-Three Stations of the Tokaido Road (Tokaido Gojusan Tsugi-no Uchi)
Ando Hiroshige, Japanese
Woodblock print (ukiyo-e) on mulberry paper (washi), ink with color · 1834
Cooper Hewitt, Smithsonian Design Museum
Hamamatsu, Wintertime, in The Fifty-Three Stations of the Tokaido Road (Tokaido Gojusan Tsugi-no Uchi)
Hamamatsu, Wintertime, in The Fifty-Three Stations of the Tokaido Road (Tokaido Gojusan Tsugi-no Uchi)
Ando Hiroshige, Japanese
Woodblock print (ukiyo-e) on mulberry paper (washi), ink with color · 1834
Cooper Hewitt, Smithsonian Design Museum
Otsu Teahouse Fountain, in The Fifty-Three Stations of the Tokaido Road (Tokaido Gojusan Tsugi-no Uchi)
Otsu Teahouse Fountain, in The Fifty-Three Stations of the Tokaido Road (Tokaido Gojusan Tsugi-no Uchi)
Ando Hiroshige, Japanese
Woodblock print (ukiyo-e) on mulberry paper (washi) · 1834
Cooper Hewitt, Smithsonian Design Museum
Kakegawa, Mount Akiha, in The Fifty-Three Stations of the Tokaido Road (Tokaido Gojusan Tsugi-no Uchi)
Kakegawa, Mount Akiha, in The Fifty-Three Stations of the Tokaido Road (Tokaido Gojusan Tsugi-no Uchi)
Ando Hiroshige, Japanese
Woodblock print (ukiyo-e) on mulberry paper (washi), ink with color · 1834
Cooper Hewitt, Smithsonian Design Museum
Maisaka, Imaki Point, in The Fifty-Three Stations of the Tokaido Road (Tokaido Gojusan Tsugi-no Uchi)
Maisaka, Imaki Point, in The Fifty-Three Stations of the Tokaido Road (Tokaido Gojusan Tsugi-no Uchi)
Ando Hiroshige, Japanese
Woodblock print (ukiyo-e) on mulberry paper (washi), ink with color · 1834
Cooper Hewitt, Smithsonian Design Museum
Kusatsu, A Station Famous for its Rice Cakes, in The Fifty-Three Stations of the Tokaido Road (Tokaido Gojusan Tsugi-no Uchi)
Kusatsu, A Station Famous for its Rice Cakes, in The Fifty-Three Stations of the Tokaido Road (Tokaido Gojusan Tsugi-no Uchi)
Ando Hiroshige, Japanese
Woodblock print (ukiyo-e) on mulberry paper (washi), ink with color · 1834
Cooper Hewitt, Smithsonian Design Museum
Akasaka, Interior of Inn, in The Fifty-Three Stations of the Tokaido Road (Tokaido Gojusan Tsugi-no Uchi)
Akasaka, Interior of Inn, in The Fifty-Three Stations of the Tokaido Road (Tokaido Gojusan Tsugi-no Uchi)
Ando Hiroshige, Japanese
Woodblock print (ukiyo-e) on mulberry paper (washi), ink with color · 1834
Cooper Hewitt, Smithsonian Design Museum
Nissaka, The Murder-Stone, in The Fifty-Three Stations of the Tokaido Road (Tokaido Gojusan Tsugi-no Uchi)
Nissaka, The Murder-Stone, in The Fifty-Three Stations of the Tokaido Road (Tokaido Gojusan Tsugi-no Uchi)
Ando Hiroshige, Japanese
Woodblock print (ukiyo-e) on mulberry paper (washi), ink with color · 1834
Cooper Hewitt, Smithsonian Design Museum
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