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Artworks

33 records · watercolor with graphite
Acrobats
Acrobats
Robert Andrew Parker
Watercolor with graphite on off-white wove paper · 2005
Art Institute of Chicago
Granite
Granite
Sol Wilson
Gouache and watercolor with graphite on board · 1939
The Metropolitan Museum of Art
Eggplant and Plums
Eggplant and Plums
Charles Demuth
Watercolor with graphite on ivory wove paper · 1921
Art Institute of Chicago
Vaudeville Singer
Vaudeville Singer
Charles Demuth
Watercolor with graphite on cream laid paper · 1918
Art Institute of Chicago
New York with View of the Flatiron Building
New York with View of the Flatiron Building
John Marin
Watercolor with graphite on lightweight, smooth, cream wove paper, discolored to tan, laid down on white wove card (top and lower edges trimmed) · 1910
Art Institute of Chicago
Study for the painting "The Windmill of Penmarch, Northern France"
Study for the painting "The Windmill of Penmarch, Northern France"
Roger de La Fresnaye
Watercolor with graphite on paper · 1909
The Metropolitan Museum of Art
Plate 49 from Plan of Chicago 1909: Chicago. View of the City from Jackson Park to Grant Park, Looking Towards the West. The proposed shore treatment as a park enclosing a waterway (or a series of lagoons) is shown, together with the enlarged yacht harbor, recreation piers, and a scheme for Grant Park.
Plate 49 from Plan of Chicago 1909: Chicago. View of the City from Jackson Park to Grant Park, Looking Towards the West. The proposed shore treatment as a park enclosing a waterway (or a series of lagoons) is shown, together with the enlarged yacht harbor, recreation piers, and a scheme for Grant Park.
Hudson
Watercolor with graphite on cream wove paper, discolored to tan, laid down on canvas · 1907
Art Institute of Chicago
Plate 49 from Plan of Chicago 1909: Chicago. View of the City from Jackson Park to Grant Park, Looking Towards the West. The proposed shore treatment as a park enclosing a waterway (or a series of lagoons) is shown, together with the enlarged yacht harbor, recreation piers, and a scheme for Grant Park.
Plate 49 from Plan of Chicago 1909: Chicago. View of the City from Jackson Park to Grant Park, Looking Towards the West. The proposed shore treatment as a park enclosing a waterway (or a series of lagoons) is shown, together with the enlarged yacht harbor, recreation piers, and a scheme for Grant Park.
Daniel Hudson Burnham, Jr.
Watercolor with graphite on cream wove paper, discolored to tan, laid down on canvas · 1907
Art Institute of Chicago
Landscape with Farmhouse
Landscape with Farmhouse
Henri Joseph Harpignies
watercolor with graphite underdrawing · 1892
Cleveland Museum of Art
Landscape with Farmhouse
Landscape with Farmhouse
Henri Harpignies, French
watercolor with graphite underdrawing · 1892
Cleveland Museum of Art
Sheet of Studies (recto); Woman Putting on Gloves (verso)
Sheet of Studies (recto); Woman Putting on Gloves (verso)
Pierre Bonnard
Graphite, pen and black ink, brush and black wash, and watercolor (recto), and watercolor with graphite and charcoal (verso), on ivory wove paper · 1890
Art Institute of Chicago
The Children
The Children
Camille Pissarro
opaque watercolor with graphite on canvas mounted on board · 1880
National Gallery of Art
It's Papa Can't Bear it Out of His Sight
It's Papa Can't Bear it Out of His Sight
Randolph Caldecott
Gouache and watercolor with graphite, on cream wove paper (discolored to tan), laid down on tan wood-pulp board · 1872
Art Institute of Chicago
Two Dolls or Puppets Sitting on Cushions
Two Dolls or Puppets Sitting on Cushions
Henri Joseph Harpignies
Watercolor with graphite underdrawing on heavily textured wove paper · 1865
Cleveland Museum of Art
Study Sheet
Study Sheet
Alfred Dehodencq
pen and dark brown ink, watercolor with graphite on lightweight wove paper · 1865
Cleveland Museum of Art
Two Dolls or Puppets Sitting on Cushions
Two Dolls or Puppets Sitting on Cushions
Henri Harpignies, French
Watercolor with graphite underdrawing on heavily textured wove paper · 1865
Cleveland Museum of Art
A Farmer Feeding his Pony in Geneva (recto); Seated Friar (verso)
A Farmer Feeding his Pony in Geneva (recto); Seated Friar (verso)
Sir Edwin Henry Landseer
Pen and brown ink and watercolor with graphite (recto) and graphite (verso) on tan wove paper, edge-mounted to cream wove paper · 1835
Art Institute of Chicago
A Farmer Feeding his Pony in Geneva (recto); Seated Friar (verso)
A Farmer Feeding his Pony in Geneva (recto); Seated Friar (verso)
Edwin Henry Landseer
Pen and brown ink and watercolor with graphite (recto) and graphite (verso) on tan wove paper, edge-mounted to cream wove paper · 1835
Art Institute of Chicago
Portrait of a Woman
Portrait of a Woman
George Richmond
watercolor with graphite heightened with white paint · 1825
Cleveland Museum of Art
On the Thames
On the Thames
David Cox
watercolor with graphite and scraping · 1822
Cleveland Museum of Art
Equestrian Portrait of Man in Profile
Equestrian Portrait of Man in Profile
Richard Dighton
Watercolor with graphite, selectively varnished, on ivory wove paper · 1815
Art Institute of Chicago
Equestrian Portrait of Man in Profile
Equestrian Portrait of Man in Profile
Richard Dighton, British
Watercolor with graphite, selectively varnished, on ivory wove paper · 1815
Art Institute of Chicago
Study for Herald's College, The Hall, from Microcosm of London
Study for Herald's College, The Hall, from Microcosm of London
Augustus Charles Pugin
Pen and brown ink with brush and watercolor with graphite, on ivory wove paper, laid down on board · 1807
Art Institute of Chicago
The Broken Toy
The Broken Toy
Alfred Edward Chalon
Watercolor with graphite on cream wove paper · 1800
Art Institute of Chicago
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