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Artworks

1,518 records · wool
Carrickmacross (Furnishing Fabric)
Carrickmacross (Furnishing Fabric)
Larsen Design Studio
Wool, plain weave; double cloth · 1960
Art Institute of Chicago
Round Tower (Furnishing Fabric)
Round Tower (Furnishing Fabric)
Larsen Design Studio
Wool, twill weave · 1960
Art Institute of Chicago
Matrix (Furnishing Fabric)
Matrix (Furnishing Fabric)
Larsen Design Studio
Wool, plain weave; double cloth · 1960
Art Institute of Chicago
Panel (Dr 8 #7)
Panel (Dr 8 #7)
Robert D. Sailors
Cotton, rayon, wool, acetate, some bouclé, some chenille, and acetate-film-laminated-metal-foil, broken twill weave · 1960
Art Institute of Chicago
Sample (Dr 141 D #1)
Sample (Dr 141 D #1)
Robert D. Sailors
Bamboo, cotton, rayon, acetate, nylon, and wool, plain weave · 1960
Art Institute of Chicago
Sample (Dr 120 Z #1)
Sample (Dr 120 Z #1)
Robert D. Sailors
Polyester, jute, rayon and bamboo; cotton chenille and wool bouclé; glass beads, bands of plain gauze weave and of plain weave · 1960
Art Institute of Chicago
Sample (Dr 120 Z #1)
Sample (Dr 120 Z #1)
Robert D. Sailors
Polyester, bamboo, cotton chenille, wool bouclé, and wooden beads, bands of alternating gauze weave and of plain weave · 1960
Art Institute of Chicago
Sample (Dr 120 Y #3)
Sample (Dr 120 Y #3)
Robert D. Sailors
Cotton, jute, naugahyde, rayon and bamboo; wool and rayon bouclé, cotton and polyester chenille, plain weave · 1960
Art Institute of Chicago
Sample (Dr 120 Y #2)
Sample (Dr 120 Y #2)
Robert D. Sailors
Rayon, wool, jute, cotton, polyester, and naugahyde, plain weave · 1960
Art Institute of Chicago
Rug or Wall Hanging in the "Two Grey Hills" Style
Rug or Wall Hanging in the "Two Grey Hills" Style
Daisy Tauglechee
Wool, single interlocking tapestry weave; all edges twined, twining elements form corner knotted tassels · 1960
Art Institute of Chicago
Rug or Wall Hanging in the "Two Grey Hills" Style
Rug or Wall Hanging in the "Two Grey Hills" Style
Hyden Tsosie
Wool, single interlocking tapestry weave; twined selvages, heading and finish terminating in tassels · 1960
Art Institute of Chicago
Rug or Wall Hanging in the "Two Grey Hills" Style
Rug or Wall Hanging in the "Two Grey Hills" Style
Sara Begody
Wool, single interlocking tapestry weave; twined selvages, heading and finish terminating in tassels · 1960
Art Institute of Chicago
Sample (Handbag Material)
Sample (Handbag Material)
Dorothy Liebes
Cellulose fibers in cellulose film, cellulose film, metal foil laminated in cellulose acetate film, and wool, plain weave · 1960
Art Institute of Chicago
Excavations
Excavations
Mariska Karasz
Linen, plain weave; applied painted paper, leather, and fur; appliquéd with jute, wool and linen, plain weaves; embroidered with wool, linen, silk, wild silk, cotton, jute, hemp, sisal, and cellulose film, in crossed back, eyelet, herringbone, laced herringbone, laced long-armed cross, long-armed cross, ladder and stem stitches; couching · 1959
Art Institute of Chicago
Two Forces Meeting and Opposing (Hanging)
Two Forces Meeting and Opposing (Hanging)
Lenore Tawney
Linen, wool, silk, rayon, nylon and acetate, plain weave with supplementary brocading wefts · 1959
Art Institute of Chicago
Les Saltimbanques (The Entertainers)
Les Saltimbanques (The Entertainers)
Liliane Badin
Wool and cotton; tapestry weave · 1959
Art Institute of Chicago
Zebres
Zebres
Victor de Vasarely
Cotton and wool, slit and double interlocking tapestry weave · 1959
Art Institute of Chicago
Spring
Spring
Mariska Karasz
Silk, plain weave; appliquéd in silk, cotton, wool, linen, and synthetics, plain, twill and satin weaves; embroidered with silk, wool, and bast fibers in buttonhole, chain, long-armed cross, Spanish knotted feather, and Van dyke stitches; couching · 1959
Art Institute of Chicago
Sample (Handbag Material)
Sample (Handbag Material)
Dorothy Liebes
Cotton, metal foil laminated in cellulose acetate film, wool, cellulose film, and synthetic fiber, twill weave · 1958
Art Institute of Chicago
Sample (Handbag Material)
Sample (Handbag Material)
Dorothy Liebes
Vicose-rayon and wool, cotton, metal foil laminated in cellulose acetate film, nylon cellulose film, and cellulose fibers in cellulose film, plain weave, paired warps · 1958
Art Institute of Chicago
Patch # 2
Patch # 2
Theodore Hallman
Wool, plain weave; double cloth with supplementary patterning wefts (overshot); wrapped main warp fringe · 1958
Art Institute of Chicago
Cables (Furnishing Fabrics)
Cables (Furnishing Fabrics)
Ruth Adler Schnee
Wool, plain weave; screen printed · 1958
Art Institute of Chicago
Composition Gris, Noir, Rouge (Composition Gray, Black, Red)
Composition Gris, Noir, Rouge (Composition Gray, Black, Red)
Jean (Hans) Arp
Cotton and wool, slit and double interlocking tapestry weave · 1958
Art Institute of Chicago
Yellows
Yellows
Lenore Tawney
Wool, linen, cotton, and silk, plain weave with discontinuous weft open warp areas; knotted warp fringe; feathers · 1958
Art Institute of Chicago
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