Database / Artworks
Artworks

Carrickmacross (Furnishing Fabric)
Larsen Design Studio
Wool, plain weave; double cloth · 1960
Art Institute of Chicago

Round Tower (Furnishing Fabric)
Larsen Design Studio
Wool, twill weave · 1960
Art Institute of Chicago

Matrix (Furnishing Fabric)
Larsen Design Studio
Wool, plain weave; double cloth · 1960
Art Institute of Chicago

Panel (Dr 8 #7)
Robert D. Sailors
Cotton, rayon, wool, acetate, some bouclé, some chenille, and acetate-film-laminated-metal-foil, broken twill weave · 1960
Art Institute of Chicago

Sample (Dr 141 D #1)
Robert D. Sailors
Bamboo, cotton, rayon, acetate, nylon, and wool, plain weave · 1960
Art Institute of Chicago

Sample (Dr 120 Z #1)
Robert D. Sailors
Polyester, jute, rayon and bamboo; cotton chenille and wool bouclé; glass beads, bands of plain gauze weave and of plain weave · 1960
Art Institute of Chicago

Sample (Dr 120 Z #1)
Robert D. Sailors
Polyester, bamboo, cotton chenille, wool bouclé, and wooden beads, bands of alternating gauze weave and of plain weave · 1960
Art Institute of Chicago

Sample (Dr 120 Y #3)
Robert D. Sailors
Cotton, jute, naugahyde, rayon and bamboo; wool and rayon bouclé, cotton and polyester chenille, plain weave · 1960
Art Institute of Chicago

Sample (Dr 120 Y #2)
Robert D. Sailors
Rayon, wool, jute, cotton, polyester, and naugahyde, plain weave · 1960
Art Institute of Chicago

Rug or Wall Hanging in the "Two Grey Hills" Style
Daisy Tauglechee
Wool, single interlocking tapestry weave; all edges twined, twining elements form corner knotted tassels · 1960
Art Institute of Chicago

Rug or Wall Hanging in the "Two Grey Hills" Style
Hyden Tsosie
Wool, single interlocking tapestry weave; twined selvages, heading and finish terminating in tassels · 1960
Art Institute of Chicago

Rug or Wall Hanging in the "Two Grey Hills" Style
Sara Begody
Wool, single interlocking tapestry weave; twined selvages, heading and finish terminating in tassels · 1960
Art Institute of Chicago

Sample (Handbag Material)
Dorothy Liebes
Cellulose fibers in cellulose film, cellulose film, metal foil laminated in cellulose acetate film, and wool, plain weave · 1960
Art Institute of Chicago

Excavations
Mariska Karasz
Linen, plain weave; applied painted paper, leather, and fur; appliquéd with jute, wool and linen, plain weaves; embroidered with wool, linen, silk, wild silk, cotton, jute, hemp, sisal, and cellulose film, in crossed back, eyelet, herringbone, laced herringbone, laced long-armed cross, long-armed cross, ladder and stem stitches; couching · 1959
Art Institute of Chicago

Two Forces Meeting and Opposing (Hanging)
Lenore Tawney
Linen, wool, silk, rayon, nylon and acetate, plain weave with supplementary brocading wefts · 1959
Art Institute of Chicago

Les Saltimbanques (The Entertainers)
Liliane Badin
Wool and cotton; tapestry weave · 1959
Art Institute of Chicago

Zebres
Victor de Vasarely
Cotton and wool, slit and double interlocking tapestry weave · 1959
Art Institute of Chicago

Spring
Mariska Karasz
Silk, plain weave; appliquéd in silk, cotton, wool, linen, and synthetics, plain, twill and satin weaves; embroidered with silk, wool, and bast fibers in buttonhole, chain, long-armed cross, Spanish knotted feather, and Van dyke stitches; couching · 1959
Art Institute of Chicago

Sample (Handbag Material)
Dorothy Liebes
Cotton, metal foil laminated in cellulose acetate film, wool, cellulose film, and synthetic fiber, twill weave · 1958
Art Institute of Chicago

Sample (Handbag Material)
Dorothy Liebes
Vicose-rayon and wool, cotton, metal foil laminated in cellulose acetate film, nylon cellulose film, and cellulose fibers in cellulose film, plain weave, paired warps · 1958
Art Institute of Chicago

Patch # 2
Theodore Hallman
Wool, plain weave; double cloth with supplementary patterning wefts (overshot); wrapped main warp fringe · 1958
Art Institute of Chicago

Cables (Furnishing Fabrics)
Ruth Adler Schnee
Wool, plain weave; screen printed · 1958
Art Institute of Chicago

Composition Gris, Noir, Rouge (Composition Gray, Black, Red)
Jean (Hans) Arp
Cotton and wool, slit and double interlocking tapestry weave · 1958
Art Institute of Chicago

Yellows
Lenore Tawney
Wool, linen, cotton, and silk, plain weave with discontinuous weft open warp areas; knotted warp fringe; feathers · 1958
Art Institute of Chicago