Database / Artworks
Artworks
Rennie (Furnishing Fabric)
Ben Rose
Nylon, cotton, wool and rayon, complementary warp and weft plain weave · 1992
Art Institute of Chicago
Blanket (Sample)
Ben Rose
Wool, 4:1 satin damask weave · 1992
Art Institute of Chicago
Sample (Upholstery Fabric)
Robert D. Sailors
Nylon-wrapped-metallized-polyester film, silk, cotton, cotton chenille, and wool (mohair) and silk bouclé, plain weave; open work · 1992
Art Institute of Chicago
Inch Square...More or Less (Upholstery Fabric)
Robert D. Sailors
Nylon-wrapped-metallized-polyester film, raffia, cellulose acetate, and wool, plain weave · 1992
Art Institute of Chicago
Pepe Chair
Christopher Connell
Injection-molded CFC (Chlorofluorocarbon-free) flexible polyurethane foam, self-skinning polyurethane, wool and steel · 1992
Museum of Modern Art
Shirret (Rug)
Katharine Rattray
Wool, silk, and nylon, woven, knitted, and oblique interlaced strips; fulled; shirred and crocheted with cotton thread through a technique known as "shirret" · 1991
Art Institute of Chicago
Red Doors
Robert D. Sailors
Nylon-wrapped-metallized-polyester film and wool, plain weave; open work · 1990
Art Institute of Chicago
Sample (Hanging)
Robert D. Sailors
Nylon, metalized polyester film, acrylic, wool, rayon, bamboo, and possibly cork; plain weave; open warp · 1990
Art Institute of Chicago
Sample (Hanging)
Robert D. Sailors
Wool (probably mohair), nylon, and bamboo acrylic sheet, plain weave; open warp · 1990
Art Institute of Chicago
3-D Squares
Bobbi Shortlidge
Wool, plain weave; double cloth · 1989
Art Institute of Chicago
Starry Night (Furnishing Fabric)
Gretchen Bellinger
Wool, satin weave self-patterned by reversing of faces · 1989
Art Institute of Chicago
S. R. O. (Furnishing Fabric)
Ben Rose
Wool, plain weave with supplementary patterning wefts · 1988
Art Institute of Chicago
Imperale (Furnishing Fabric)
Gretchen Bellinger
Wool, cotton, rayon, and acrylic, plain weave with two-color supplementary pile warps forming uncut, solid "velvet" · 1988
Art Institute of Chicago
346
John Armleder
Multiple of three-piece Brooks Brothers wool suit with garment bag · 1988
Museum of Modern Art
Lliklla (Shoulder cloth or carrying cloth)
Quechua
Wool (probably camelid), dyed and naturally colored; warp faced plain and twill weaves; complementary warp patterning · 1987
Art Institute of Chicago
Greenwich Village (Sample )(Furnishing Fabric)
Ben Rose
Wool and nylon, tied double cloth of plain weave (face) and weft-float faced twill weave · 1987
Art Institute of Chicago
Murat (Furnishing Fabric)
Gretchen Bellinger
Wool plain weave with supplementary patterning warps and wefts and self-patterned by main warp and ground weft floats · 1987
Art Institute of Chicago
Mysterium
Urszula Plewka-Schmidt
Wool, cotton, linen, rayon, nylon, acrylic, silk, and hemp, slit and single dovetailed tapestry weave with eccentric wefts and laced, overcast and wrapped outlining wefts · 1987
Art Institute of Chicago
Riscos IV
Olga de Amaral
Wool and horsehair · 1987
Museum of Modern Art
Untitled
Rosemarie Trockel
Wool · 1987
Museum of Modern Art
Limelight (Sample) (Furnishing Fabric)
Ben Rose
Wool, and nylon, warp-faced weft-ribbed plain weave with supplementary backing wefts and supplementary patterning wefts · 1986
Art Institute of Chicago
Untitled (Pro)
Rosemarie Trockel
Wool; edition of 3 · 1986
Art Institute of Chicago
Accord (Furnishing Fabric)
Jack Lenor Larsen Inc.
Wool and nylon, plain weave with supplementary brocading wefts · 1986
Art Institute of Chicago
Rio (Furnishing Fabric)
Jack Lenor Larsen Inc.
Wool, warp chevron twill weave; screen printed · 1986
Art Institute of Chicago