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Artworks

1,518 records · wool
Coverlet
Coverlet
James Alexander Simpson
Cotton and wool, woven · 1828
The Metropolitan Museum of Art
Coverlet
Coverlet
Alexander James
Cotton and wool, plain weave double cloth; woven on draw loom · 1825
Art Institute of Chicago
Akhnif (Man's Cape)
Akhnif (Man's Cape)
Ait Ouaouzguite Confederation
Wool and cotton: wedge and slit tapestry weave; embroidered with wool and cotton in heavy chain, herring bone, interlacing, and stem stitches; twined and wrapped main warp cut fringe; added wrapped cut fringe and leather binding stitched with hemp · 1825
Art Institute of Chicago
Cover
Cover
Laura Dollaff Dresser
Wool, twill weave; fulled; appliquéd with linen, plain weave; embroidered with wool in running stitches cut to form pile · 1825
Art Institute of Chicago
Sampler
Sampler
Geniese Froh
embroidery & stitching, sampler — medium: wool?, silk technique: cross stitch · 1820
Cooper Hewitt, Smithsonian Design Museum
Sampler
Sampler
C. S. Peake
Silk embroidery on wool ground backed with linen · 1820
Art Institute of Chicago
Bedcover
Bedcover
Robinson
Wool, pieced plain weaves, some glazed, some with supplementary brocading wefts; quilted · 1812
Art Institute of Chicago
Family Record
Family Record
Harriot A. Raymond
Linen, plain weave; embroidered with wool and silk in cross stitches · 1809
Art Institute of Chicago
Carpet
Carpet
Ann Moore
Wool, embroidered in cross-stitch · 1808
The Metropolitan Museum of Art
Portrait of Napoleon I
Portrait of Napoleon I
François Gérard
Wool, silk, silver-gilt thread (26-28 warps per inch, 10-12 per cm.); gilded pine frame · 1805
The Metropolitan Museum of Art
Portrait of Napoleon I
Portrait of Napoleon I
François Gérard
Wool, silk, silver-gilt thread (26-28 warps per inch, 10-12 per cm.); gilded pine frame · 1805
The Metropolitan Museum of Art
Quiver
Quiver
Crow Tribe
Wool, otter skin, and glass beads · 1801
Art Institute of Chicago
Ceremonial Skirt (tapis)
Ceremonial Skirt (tapis)
Abung
Two panels joined: cotton and silk, stripes of warp-faced, weft ribbed plain weave; warp-faced, weft ribbed plain weave with supplementary brocading wefts, and warp resist dyed (warp ikat) plain weave with supplementary brocading wefts; appliquéd with wool, plain weave; embroidered with silk, cotton, pineapple fiber, silver-leaf-over-lacquered-paper strip wrapped cotton and silver-leaf-over-lacquered-paper strip wrapped bast fiber (probably ramie) in buttonhole, double running, split, stem, straight and surface satin; laidwork and couching; embellished with metal-backed glass mirrors · 1801
Art Institute of Chicago
Ceremonial Waist Sash (ikak pinggang)
Ceremonial Waist Sash (ikak pinggang)
Minangkabau
Cotton, silk, and gilt-metal-strip-wrapped cotton, bands of plain weave, plain weave with supplementary patterning wefts, and bands of interlocking tapestry weave; ends of wool, plain weave; fulled; underlaid with cotton, plain weave; embroidered with cotton and gilt-metal-strip-wrapped cotton in laidwork and paper padded couching; embellished with gold-colored-metal spangles; edged with tape of cotton and gilt-metal-strip-wrapped cotton, and gilt-metal strip; plain weave with secondary binding warps and supplementary patterning wefts; underlaid with tape of cotton, plain weave with extended paired weft and gilt-metal coil fringe · 1801
Art Institute of Chicago
Ceremonial Waist Sash (ikak pinggang)
Ceremonial Waist Sash (ikak pinggang)
Minangkabau
Cotton, silk, and gilt-metal-strip-wrapped cotton; in bands of plain weave, plain weave with supplementary patterning wefts and slit and dovetailed tapestry weave; ends of wool, plain weave; fulled; edged with tape of cotton and gilt-metal-strip-wrapped cotton and gilt-metal strip, plain weave with supplementary wefts; underlaid with tape of cotton, plain weave with extended paired weft and silvered-metal coil fringe · 1801
Art Institute of Chicago
Ceremonial Waist Sashes (ikak pinggang)
Ceremonial Waist Sashes (ikak pinggang)
Minangkabau
Cotton and silk and gilt-metal-strip-wrapped cotton, bands of plain weave, plain weave with supplementary patterning wefts, weft-faced, warp ribbed plain weave, and slit tapestry weave; ends of wool, plain weave; fulled; with hammered white metal fitting and fringe of chain and cut, hammered end pieces · 1801
Art Institute of Chicago
Ceremonial Waist Sash (ikak pinggang)
Ceremonial Waist Sash (ikak pinggang)
Minangkabau
Cotton, silk, and gilt-metal-strip-wrapped cotton, bands of weft-faced warp ribbed plain weave, plain weave with supplementary patterning wefts, and bands of slit tapestry weave; ends of wool, plain weave; fulled; edged with tape of cotton and gilt-metal-strip-wrapped cotton, and gilt-metal strip; plain weave with secondary binding warps and supplementary patterning wefts; underlaid with tape of cotton, plain weave with extended paired weft and gilt-metal coil fringe · 1801
Art Institute of Chicago
Blanket or Rug
Blanket or Rug
Navajo (Diné)
Wool, dovetailed tapestry weave; twined edges; (remnants of) corner knotted tassel · 1801
Art Institute of Chicago
Sampler
Sampler
Emma Riches
Wool, balanced plain weave; embroidered with silk in back, cross, satin and single satin stitches; laid work and couching · 1800
Art Institute of Chicago
"Germantown Eye-Dazzler" Rug
"Germantown Eye-Dazzler" Rug
Diné (Navajo)
Cotton and wool dovetailed tapestry weave · 1800
Art Institute of Chicago
Settee
Settee
Thomas Hope
gilt-wood, reproduction wool upholstery · 1797
Cleveland Museum of Art
Settee
Settee
Thomas Hope
gilt-wood, reproduction wool upholstery · 1797
Cleveland Museum of Art
Settee
Settee
Thomas Hope
gilt-wood, reproduction wool upholstery · 1797
Cleveland Museum of Art
Settee
Settee
Thomas Hope
gilt-wood, reproduction wool upholstery · 1797
Cleveland Museum of Art
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