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Artworks

1,518 records · wool
The Gathering of Manna
The Gathering of Manna
Alessandro Allori
Wool and silk · 1595
The Metropolitan Museum of Art
Diana and Her Nymphs with the Ox Hunt
Diana and Her Nymphs with the Ox Hunt
Hans Bol
Wool and silk, slit and double interlocking tapestry weave Warp: Count: 6–7 warps per cm; wool: S-ply of three Z-spun elements; diameters: 0.8–1.0 mm Weft: Count: varies from 20 to 34 wefts per cm; wool: S-ply of two Z-spun elements; diameters: 0.3–1.1 mm; silk; S-ply of two Z-twisted elements; pairs of S-ply of two Z-twisted elements; three yarns of S-ply of two Z-twisted silk elements; diameters: 0.7–1.2 mm · 1590
Art Institute of Chicago
Venus and Adonis (?) with the Duck Hunt
Venus and Adonis (?) with the Duck Hunt
Jacques Geubels, I
Wool and silk, slit and double interlocking tapestry weave Warp: Count: 7 warps per cm; wool: S-ply of three Z-spun elements; diameters: 0.7–0.9 mm Weft: Count: varies from 17 to 30 wefts per cm; wool: S-ply of two Z-spun elements; pairs of S-ply of two Z-spun elements; diameters: 0.5–1.2 mm; silk: pairs of S-ply of two Z-twisted elements; diameters: 0.5–1.2. mm · 1590
Art Institute of Chicago
Pluto and Proserpina with Falconry
Pluto and Proserpina with Falconry
Erasmus de Pannemaker, I
Wool and silk, slit and double interlocking tapestry weave Warp: Count: 6 warps per cm; wool: S-ply of three Z-spun elements; diameters: 0.7–0.9 mm Weft; Count: varies from 19 to 60 wefts per cm; wool: S-ply of two Z-spun elements; diameters: 0.4–1.5 mm; silk; S-ply of two elements with no appreciable twist; paired elements with no appreciable twist; diameters: 0.3–1.0 mm · 1590
Art Institute of Chicago
Alexander Kneeling before Jaddus at the Gates of Jerusalem [left section] from The Story of Alexander the Great
Alexander Kneeling before Jaddus at the Gates of Jerusalem [left section] from The Story of Alexander the Great
Nicolaas van Orley
Wool and silk; slit, dovetailed, and double interlocking tapestry weave Warp: Count; 6 warps per cm; wool: S-ply of three Z-spun elements; diameter: 1.5 mm Weft: Count: varies from 17 to 28 wefts per cm; wool; S-ply of two Z-spun elements; pairs of S-ply ol two Z-spun elements; diameters: 0.5–1.5 mm; silk: S-ply of two Z-twisted elements; pairs of S-ply of two Z-twisted elements; diameters: 0.35–1.0 mm; wool and silk: paired yarns of S-ply of two Z-spun wool elements and S-ply of two Z-twisted silk elements; diameter: 0.8 mm · 1590
Art Institute of Chicago
The Liberation of Oriane from a set of Amadis of Gaul
The Liberation of Oriane from a set of Amadis of Gaul
Karel van Mander II
Wool and silk (8-9 warps per cm) · 1585
The Metropolitan Museum of Art
Pillow cover
Pillow cover
Sheldon Tapestry Factory
woven textiles, pillow cover — medium: wool, silk technique: tapestry woven · 1570
Cooper Hewitt, Smithsonian Design Museum
The Wayfarer Crowned by Happiness from The Table of Cebes
The Wayfarer Crowned by Happiness from The Table of Cebes
David Kandel
Wool and silk on canvas (cross-stitch, 48-56 per sq. in., 9 per sq. cm.; tent stitch, 156-190 per sq. in., 30-36 per sq. cm.) · 1550
The Metropolitan Museum of Art
The Garden of False Learning from The Table of Cebes
The Garden of False Learning from The Table of Cebes
David Kandel
Wool and silk on canvas (cross stitch, 48-56 per sq. in., 9 per sq. cm; tent stitch, 156-190 per sq. in., 30-36 per sq. cm.) · 1550
The Metropolitan Museum of Art
Tapestry with the arms of Emperor Charles V
Tapestry with the arms of Emperor Charles V
Willem de Pannemaker
tapestry on silk, silver thread, wool, gold thread · 1540
Rijksmuseum
Christ Appearing to Mary Magdalene (Noli Me Tangere)
Christ Appearing to Mary Magdalene (Noli Me Tangere)
Willem de Pannemaker
Wool and silk; slit, single, and double interlocking tapestry weave Warp: Count: 8 warps per cm; wool: S-ply of three Z-spun elements; diameters: 0.7–0.85 mm Weft: Count: varies from 32 to 56 wefts per cm; wool: S-ply of two Z-spun elements; diameters: 0.3–0.85 mm; silk: pairs of S-ply of two Z-twisted elements; diameters: 0.4–0.8 mm · 1540
Art Institute of Chicago
Fragment from the Topacu Waistband of a Tunic (Uncu)
Fragment from the Topacu Waistband of a Tunic (Uncu)
Inca
Cotton and wool (camelid), single interlocking tapestry weave with eccentric wefts · 1532
Art Institute of Chicago
Coca Bag
Coca Bag
Inca
Cotton and wool (camelid), slit tapestry weave with bands of two-color complementary weft plain weave with three-span floats; joined with wool (camelid) in cross-knit loop and overcast stitches · 1532
Art Institute of Chicago
Fragment from the Shoulder of a Tunic (Uncu)
Fragment from the Shoulder of a Tunic (Uncu)
Inca
Cotton and wool (camelid), single interlocking tapestry weave with eccentric wefts · 1532
Art Institute of Chicago
Fragment from the Topacu Waistband of a Tunic (Uncu)
Fragment from the Topacu Waistband of a Tunic (Uncu)
Inca
Cotton and wool (camelid), single interlocking tapestry weave with eccentric wefts · 1532
Art Institute of Chicago
Prudentia (Prudence) from Los Honores
Prudentia (Prudence) from Los Honores
Bernard van Orley
Wool and silk; slit, dovetailed, and double interlocking tapestry weave Warp: Count: 7–8 warps per cm; wool: S-ply of three Z-spun elements; diameters: 0.5–1.0 mm Weft: Count: varies from 16 to 32 wefts per cm; wool: S-ply of two Z-spun elements; diameters: 0.4–1.0 mm; silk: S-ply of two Z-twisted elements (maybe replacement wefts); diameters: 0.4–0.9 mm. Right half of piece was rewoven. · 1525
Art Institute of Chicago
Prudentia (Prudence) from Los Honores
Prudentia (Prudence) from Los Honores
Bernard van Orley
Wool and silk; slit, dovetailed, and double interlocking tapestry weave Warp: Count: 7–8 warps per cm; wool: S-ply of three Z-spun elements; diameters: 0.5–1.0 mm Weft: Count: varies from 16 to 32 wefts per cm; wool: S-ply of two Z-spun elements; diameters: 0.4–1.0 mm; silk: S-ply of two Z-twisted elements (maybe replacement wefts); diameters: 0.4–0.9 mm. Right half of piece was rewoven. · 1525
Art Institute of Chicago
Justitia (Justice) from Los Honores
Justitia (Justice) from Los Honores
Bernard van Orley
Wool and silk, slit and dovetailed tapestry weave Warp: Count: 6 warps per cm; wool: S-ply of three Z-spun elements; diameters: 0.4–0.7 mm Weft: Count: varies from 16 to 38 wefts per cm; wool: S-ply of two Z-spun elements; pairs of S-ply of two Z-spun elements; paired yarns of S-ply of two Z-spun elements and a single Z-spun element; diameters: 0.4–1.5 mm; silk: S-ply of two Z-twisted elements (may be replacement wefts); diameters: 0.4–1.0 mm; wool and silk; paired yarns of S-ply of two Z-spun wool elements and S-ply of two Z-twisted silk elements; diameters: 1.0–1.4 mm. Three-quarters of piece rewoven · 1520
Art Institute of Chicago
Justitia (Justice) from Los Honores
Justitia (Justice) from Los Honores
Bernard van Orley
Wool and silk, slit and dovetailed tapestry weave Warp: Count: 6 warps per cm; wool: S-ply of three Z-spun elements; diameters: 0.4–0.7 mm Weft: Count: varies from 16 to 38 wefts per cm; wool: S-ply of two Z-spun elements; pairs of S-ply of two Z-spun elements; paired yarns of S-ply of two Z-spun elements and a single Z-spun element; diameters: 0.4–1.5 mm; silk: S-ply of two Z-twisted elements (may be replacement wefts); diameters: 0.4–1.0 mm; wool and silk; paired yarns of S-ply of two Z-spun wool elements and S-ply of two Z-twisted silk elements; diameters: 1.0–1.4 mm. Three-quarters of piece rewoven · 1520
Art Institute of Chicago
Carrying Cloth
Carrying Cloth
Inca Culture
Double cloth; edges embroidered with wool yarn; braided straps at each corner ending in tassels · 1476
Art Institute of Chicago
Poncho
Poncho
Chuquibamba
Wool (camelid), interlocking tapestry weave with inserts of complementary weft weave · 1476
Art Institute of Chicago
Fragment (Tunic)
Fragment (Tunic)
Inca
Cotton and wool (camelid), slit and single interlocking tapestry weave with eccentric wefts · 1476
Art Institute of Chicago
Fragment
Fragment
Chuquibamba
Wool (camelid), interlocking tapestry weave with inserts of complementary weft weave · 1476
Art Institute of Chicago
Fragment
Fragment
Chuquibamba
Wool (camelid), interlocking tapestry weave with inserts of complementary weft weave · 1476
Art Institute of Chicago
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