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Artworks

362 records · zinc
At the Concert
At the Concert
Henri de Toulouse-Lautrec
Zincograph on grayish-ivory laid chine · 1896
Art Institute of Chicago
At the Concert
At the Concert
Henri de Toulouse-Lautrec
Zincograph on grayish-ivory laid chine · 1896
Art Institute of Chicago
At the Concert
At the Concert
Henri de Toulouse-Lautrec
Zincograph on grayish-ivory laid chine · 1896
Art Institute of Chicago
La vierge et l'enfant (The Virgin and Child)
La vierge et l'enfant (The Virgin and Child)
Paul Gauguin
zincograph in blue on heavy japan paper · 1895
National Gallery of Art
La vierge et l'enfant (The Virgin and Child)
La vierge et l'enfant (The Virgin and Child)
Paul Gauguin
zincograph in black on heavy japan paper · 1895
National Gallery of Art
Baigneuses
Baigneuses
Camille Pissarro
lithograph (zinc) in black on chine collé · 1895
National Gallery of Art
Market at Pontoise (Marché a Pontoise)
Market at Pontoise (Marché a Pontoise)
Camille Pissarro
lithograph (zinc) · 1895
National Gallery of Art
In Times of Harmony
In Times of Harmony
Paul Signac, French
Color Lithograph in green, blue, yellow, red, and peach with scraping on plate, from a zinc plate on buff wove paper · 1895
Art Institute of Chicago
Tapisserie
Tapisserie
Aristide Joseph-Bonaventure Maillol
Zincograph in black on buff wove paper · 1895
Art Institute of Chicago
Adam and Eve
Adam and Eve
Aristide Joseph-Bonaventure Maillol
Zincograph in black on buff wove paper · 1895
Art Institute of Chicago
The Chap-Book, Thanksgiving No.
The Chap-Book, Thanksgiving No.
William Bradley
Zincograph · 1895
Museum of Modern Art
In Times of Harmony
In Times of Harmony
Paul Signac
Color Lithograph in green, blue, yellow, red, and peach with scraping on plate, from a zinc plate on buff wove paper · 1895
Art Institute of Chicago
The Chap-Book (Blue Lady)
The Chap-Book (Blue Lady)
William Henry Bradley, American
graphic design, poster — color zincograph on thin cream wove paper · 1894
Cooper Hewitt, Smithsonian Design Museum
Ia Orana Maria (We Greet Thee, Mary)
Ia Orana Maria (We Greet Thee, Mary)
Paul Gauguin
lithograph (zinc) in blue · 1894
National Gallery of Art
L'Averse (The Shower)
L'Averse (The Shower)
Félix Vallotton
lithograph (zinc) on yellow wove paper · 1894
National Gallery of Art
Album Cover for "Paris Intense"
Album Cover for "Paris Intense"
Félix Vallotton
lithograph (zinc) on green wove paper · 1894
National Gallery of Art
Frontispiece from "Paris Intense"
Frontispiece from "Paris Intense"
Félix Vallotton
lithograph (zinc) on yellow wove paper · 1894
National Gallery of Art
The Good Judges
The Good Judges
James Ensor
Etching from a zinc plate, on cream wove paper · 1894
Art Institute of Chicago
Two Maori Women Squatting Down
Two Maori Women Squatting Down
Paul Gauguin
Zincograph in black ink on cream wove paper · 1894
Art Institute of Chicago
Ia orana Maria (Hail Mary)
Ia orana Maria (Hail Mary)
Paul Gauguin
Transfer zincograph on coarse-grained transfer paper, in dark-blue ink on thin ivory wove paper (an imitation Japanese vellum) · 1894
Art Institute of Chicago
Ia orana Maria (Hail Mary)
Ia orana Maria (Hail Mary)
Paul Gauguin
Transfer zincograph on coarse-grained transfer paper, in dark-blue ink on cream wove paper (an imitation Japanese vellum) · 1894
Art Institute of Chicago
The Woman with Figs
The Woman with Figs
Paul Gauguin
Etching with open bite applied with a reed pen on a zinc plate, in dark green ink with selective wiping, on cream wove Japanese paper (a proofing paper) · 1894
Art Institute of Chicago
L'Accident (The Accident)
L'Accident (The Accident)
Félix Vallotton
lithograph (zinc) on yellow wove paper · 1893
National Gallery of Art
Le Monôme (Parading through the Streets in Single File)
Le Monôme (Parading through the Streets in Single File)
Félix Vallotton
lithograph (zinc) on yellow wove paper · 1893
National Gallery of Art
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